Canvas Decorative Art

Magnificent set of three French oil on canvas paintings made in the chinoiserie revival period of 19th century, Europe. The center painting feature...

We are delighted to offer for sale this lovely original circa 1930s Belgium oil on canvas of young boy in a cap which is part of a suite I have seven of these lifestyle, natural D...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

Wirth Collage Painting, Robert J. Wirth, Titled "Landscape", Dated December14 1985/ December 30, 1985 on reverse, Signed Writh on lower right and reverse The collage on board in acr...

Impasto Impressionist painting in the style of Vincent Van Gogh. Gorgeous still life composition of Daisies. Housed in a solid wooden frame by Heirloom. Impressionist in style with h...

Iwan Albertovich Puni (Russian: Иван Альбертович Пуни; also known as Jean Pougny; April 3, 1890 – December 28, 1956) was a Russian avant-garde artist (Suprematism, Cubo-Futurism) who...

19th Century Spanish Orientalist Framed Oil on Canvas Painting Measurements with frame: 61.5x72.5x4cm.

Debiève was a French artist who specialised in cubism and contemporary art work, often referred to as tapestries these pieces are actually screen prints on a variety of medium. ‘The Flight of the Flamingos’, or ‘Le vol de Flamants’ is screen printed on canvas mounted on board and brilliantly illustrates Debiève’s mastery of cubism. Producing only a few of these incredible, huge works of art, it is signed by the artist ‘R Debiève...

Pair antique 19th century French oil on canvas painting wall panels, circa 1880.

19th Century portrait of a woman painted in oil on canvas with the frame dated in 1940 Measurements with frame: 69 x 69 x 3 cm.

Hand-sewed rice straw art by ARKO. Title: Composition Marcato (B) This is one of the series named "Composition XX" Her works have the feelings of...

A beautifully executed kneeling nude by artist Gustav Rehberger, an Austrian-born American painter (1910-1995). Internationally acclaimed, Gustav Rehberger was properly called as a ...

A romantic landscape oil painting by David Stirling, American artist (1887-1971). The soft light in this oil painting evokes a dreamy sense of sunset in autumn. The light gently ref...

"Saul with the Pythoness Evoking the Shadow of Samuel". Beautiful oil on Canva, work of the English school of the entourage of Benjamin West. This oil on canvas represents a bibl...

An exquisite example of this artist's traditional take on still-life realism, and a masterpiece in its own rite. This floral painting represents the artist's awe for botanical and floral scenes as well as his or her adept knowledge of tactile painting. With broad sweeping strokes and high texture, the artist paints a portrait of a small circular Ombre deep blue vase, filled with creamy white ranunculus or buttercups with berry color centers, green eucalyptus and small accents of white hydrangea. Oil on canvas. Framed roughly in a small wood frame, with gilt painted accent inside. How we would display: A botanical painting will forever bring a certain feeling of femininity and softness to a room. This piece would be wonderful displayed in a space with too many harsh lines. Alternatively, we suggest hanging this as part of a grouping of other floral portraits on a large wall to add interest. Another favorite of ours for art is to display pieces on their own in a bedroom. Such as a guestroom or child's room. Hung just above a nightstand (we currently love the idea of using a bombe chest), and just above a table lamp, (perhaps a lamp with a Caprani...

A fine and large French 19th century oil on canvas "Mother and Child Crossing a Creek" by Alexandre Jacques Chantron (French 1842-1918). The impressive and finely executed artwork depicting a young joyous mother holding her child...

Large 19th century French oil on canvas nude by Leon Erpikum, in a heavy carved gilt wood frame. Signed on bottom left L. Erpikum & dated 1889 on bottom right, finely painted of a nude with long red...

Standing nude by American artist Jane White. Well done and painted in the impressionist style during the fifties. 1 of 3 paintings by Jane white which ...

A large scale abstract mixed media painting on canvas by Chicago artist Maxine Snider, 1990s. Signed en verso. Maxine Snider is a Chicago artist and d...

18th-19th century Old Master "The Holy Family" After Anthonius van Dyck Fine old master painting depicting The Holy Family after a painting by Flemish artist van Dyck. Original...

Bucolic farm landscape with sheep. Entitled "Miller's Farm" by artist Ralph Schwartz. Signed lower left. Oil on canvas in a barnwood frame. Ralph Schwartz studied fine arts at th...

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Beautiful oil on canvas painting of two horses in a field in front of a water basin. Signed W. Barr possibly is William Barr (1867-1933, Scotland). ...

Probably inspired by the earlier Boucher's Spring (of the 4 Seasons series), shepherdess with her flock and baskets of flowers. Colorful in an antique (possibly original) frame (with...

Large depiction of two men, with one smoking. Oil on canvas, signed Danielle Jaffe Ellason. Measures: 48 x 36 x 2. In excellent vintage condition with minimal wear.

Hand-sewed rice straw art by ARKO. Title: Composition Sostenuto This is one of the series named "Composition XX" Her works have the feelings of c...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Handsome oil on board still life painting of birds in a decorative birdcage with beautiful gilded frame. Board 24” W x 20” H.

Gorgeous and show-stopping art by Tom Hayward. 5 faces in a neutral palette with texture. Dimensions: 49"W × 2"D × 59"H Styles: Abstract, Figurative P...

Guido Coletti: Mixed Media Collage (70s/80s) - Italian, Plexi Step back in time and experience the dynamic energy of the late 20th century with this exceptional mixed media artwork ...

Beautiful floral painting depicting amber roses and verdigris background. Canvas stretched on a giltwood hand-carved frame. Back affixed with a hanging wire. Perfect for a gallery wa...

Pair of 18th Century Very Large Oil on Canvas Panels framed Wall mount Art LA CA . Very RARE 18th century very large and impressive pair of French / Continental painted oil on canvas...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

1970s Jaime Parlade Designer Hand Painting “Cheetah" Oil on Canvas

A very fine French 18th century oil on canvas "Fecundity" After Francois Lemoyne (French, 1688-1737) Depicting a young mother holding her twin her infant babies on her arms, within a...

Large whimsical oil on canvas painting depicting an 18th century French provincial gentleman farmer with chickens and a pig. Late 20th century painting by Ira Yeager (American 1938-2...

Sinbad with the old man of the sea on his back original illustration oil painting, 19th century. A fine oil illustration from the Tales of the Ar...

Oil on canvas depicting a French harbor scene with nearly barren trees in the foreground with branches criss-crossing across the structures, an aqueduct to the right, the reflective ...

Continental school (Late 19th century) Forest landscape with figure Oil on canvas Dimensions: 15 3/4 x 19 3/4 inches.

Painted canvas or decorative panel representing stylized monkeys perched on their branches, on a foliage background. Contemporary French work of artists. Reference: LS5970675Y The...

Sascha de Puchala abstract of Roosters. Heavy impasto textural piece of two cocks fighting. Signed lower middle. One small tear. See photos.  

Painted canvas representing a geisha, standing 3/4, dressed in a traditional kimono in brown tones, with openwork circles and golden patterns. Contemporary French craftsmanship. I...

Late 19th or early 20th century garden portrait of a lady painted in the period of Art Nouveau. Stylized palms serve as an elegant backdrop for a seated heiress painted in soft paste...

Impressionist Plein Air Impressionist Painting by Philips. Hand Carved solid wood frame. Very reminiscent of Monet.

Beautiful colors dropped, poured or spilt onto an extremely large cancels which is 5 foot x 8 foot. Unsigned and guessing the age it looks to be 40 to 50 yes old. Stretcher has suppo...

A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...

Pan's conquest of Selene original oil painting, 18th-19th century Magnificent antique oil painting of the conquest of Selene by the god Pan. In ancient Greek religion and mytho...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Light and airy abstract painting on canvas. Signed and dated Carole Moss Wilson 75.

20th century Haitian oil on canvas of a village painted in hues of black, white, grey, and pale pink. Signed by the artist, bottom right, Nicolas Jose Perez and held in a wooden frame.

Flemish School, 17th century Live nature couple with animals Measures: Oil on canvas, cm 25 x 35 - With frame cm 37 x 48 The pair of canvases in question depicts two excited...

Captivating Mixed Media by Acclaimed Italian Artist Guido Coletti (1998-2000) - Framed in Plexiglass Discover a truly unique and evocative piece of contemporary Italian art with t...

Antique 19th century oil on canvas people painting attributed to Eugenio Lucas Villamamil, with acanthus and foliate gilt wood and gesso frame Dimensi...

This framed colorful piece has many different aspects and stages of life in it. If you look closely and pat attention to this artists' myriad of details, you can see people painted t...

English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"

We are delighted to offer for sale this stunning original circa 1880-1890 Robert Gemmell Hutchinson R.S.A oil on canvas titled “A New Toy” I fell in love with this Gemmell the secon...

Jordi Mollá signed and dated painting, carried out over classical oil on canvas with frame representing French enlightenment period characters.  

Mid Century Modern Cubist Figure on Canvas by John Ross (1921-2017) Purchased in Paris housed in a 19th Century gilt frame. John Ross, painter, printmaker, author, and educator, wa...

Charles Hersey vintage Mid-Century Modern op-art painting, circa 1968 Black, silver and red Vintage 1960s acrylic op-art painting on canvas by San...