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Digital Creator Landscape Painter Animation Snow Mountain Magical Realism Light
Located in Norfolk, GB
Artwork details:
Jamie Williams, Nightlies, image 30cm x 30cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 3/20 verso, 2022
Jamie Williams is an e...
Category
2010s Contemporary Landscape Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Digital Creator Landscape Painter Animation Golden Tree Magical Realism Light
Located in Norfolk, GB
Artwork details:
Jamie Williams, Nightlies, image 30cm x 30cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 3/20 verso, 2022
Jamie Williams is an e...
Category
2010s Contemporary Landscape Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Digital Creator Landscape Painter Annimation Lake Trees Magical Realism Light
Located in Norfolk, GB
Artwork details:
Jamie Williams, Nightlies, image 30cm x 30cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 3/20 verso, 2022
Jamie Williams is an e...
Category
2010s Contemporary Landscape Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Digital Creator Landscape Painter Animation Blue Lake Trees Architecture
Located in Norfolk, GB
Artwork details:
Jamie Williams, Nightlies, image 30cm x 30cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 3/20 verso, 2022
Jamie Williams is an e...
Category
2010s Contemporary Landscape Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Digital Creator Landscape Painter Animation Pink Trees Magical Realism Light
Located in Norfolk, GB
Artwork details:
Jamie Williams, Nightlies, image 30cm x 30cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 3/20 verso, 2022
Jamie Williams is an e...
Category
2010s Contemporary Landscape Prints
Materials
Archival Ink, Archival Paper
Surrealist Woodblock Print Royal College of Art LGBTQ+ Female Magic Red Shoes
By Isabel Rock
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...
Category
2010s Surrealist Figurative Prints
Materials
Archival Ink, Mixed Media, Archival Paper, Woodcut
Surrealist Print Royal College of Art LGBTQ+ Female Celebration Cake Foot
By Isabel Rock
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...
Category
2010s Surrealist Figurative Prints
Materials
Mixed Media, Woodcut, Archival Ink, Archival Paper
Surrealist Woodblock Print Royal College of Art LGBTQ+ Female Blue Green Birds
By Isabel Rock
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...
Category
2010s Surrealist Figurative Prints
Materials
Woodcut, Mixed Media
Large Landscape India Heritage Lake Nature Wildlife Birds Sunset Orange
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
42" x 63" unframed, 2022
Edition 1/10
*Should you wish the photographs to be printed at a different...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
A Ramachandran India Modern Art Exhibition NGMA 2004 Print Delhi Signed
Located in Norfolk, GB
2004 Colour Print
Image Size: 52 x 37 cm
Framed Size: 70.5 x 52 cm
Signed A Ramachandran and dated 2004,
Glazed and framed in original frame.
* Label verso, ‘With best Compliment...
Category
Early 20th Century Other Art Style Figurative Prints
Materials
Color
Animal Landscape Photograph Leopard Blue White Infrared Kenya Nature Wildlife
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper
36" x 53" unframed (135cm x 91cm) 2016
Edition 3/10
*Should you wish the photograph to be ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Landscape Animal Large Photograph Tiger Tree India Wildlife Forest Nature
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper
53" x 36" unframed (135cm x 91cm 2017
Edition 2/10
*Should you wish the photograph to be printed at...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
India Etching Listed Artist c1920 Signed and Titled Benares Ghats Daily Life
Located in Norfolk, GB
Benares, India
Artist: M.Sherlock (1897-1973)
Medium: Etching
Date: c 1920
Size Mounted: 53 x 37 cm
Size Plate: 34.7 x 22 cm
Marjorie Sherlock was part of a group of women artists ...
Category
1860s Other Art Style Landscape Prints
Materials
Paper, Black and White, Etching
India Balthazar Solvyns European Buildings Calcutta 18th Century, rare 1st proof
Located in Norfolk, GB
Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796
This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...
Category
1790s Other Art Style Landscape Prints
Materials
Paper, Etching
Animal Landscape Large Photograph Leopard Black White Nature Africa Wildlife
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper
45" x 64" unframed (114cm x 163cm) 2016
Edition 3/10
*Should you wish the photograph to be prin...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper
Jamie Williams Digital Creator 2D/3D Shack Mountain Snow Magical Realism
Located in Norfolk, GB
Artwork details:
Jamie Williams, Nightlies, image 23cm x 23cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 ve...
Category
2010s Contemporary Landscape Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Animal Landscape Large Photography Family Nature Monkey Sunset Forest India
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper
44" x 65" unframed (112cm x 165cm) 2017
Edition 3/8
*Should you wish the photographs to be printed at a different size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 2/8
Aditya Dicky Singh was an active member of a small band of experts, proactively ensuring the health of the Tiger population in the Park and at the same time the survival of the smaller communities whose livelihoods depend on the same land. Through his lens he documented generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest. His knowledge was vast, not only of big cats but the other flora and fauna that co-exist in this special place.
This tender artwork shows a small troop of backlit, Grey Langur...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Animal Nature Photography Large White Birds Great Egrets 2/8 India Dawn Wildlife
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper
44" x 65" unframed (112cm x 165cm) 2017
Edition 3/8
*Should you w...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
Paris School Minaux Matisse Post-Impressionist Still Life Lithograph Flowers
By Andre Minaux
Located in Norfolk, GB
School of Paris Artist, Andre Minaux (Paris 1923-86)
Limited Edition 20/20, printed in 7 colours on Japon paper.
Sheet size 57" x 38", image size 49" x 32"
Signed Bottom right in pencil, editioned in pencil bottom left
With a full sheet authenticity certificate, dated 1964
This is a fabulous original Limited Edition Lithograph, completely of its time when artists in Paris were pushing boundaries and trying to bring about new styles. The influence of artists like Matisse can be seen and Minaux was working alongside artists such as Picasso and with Bernard Buffet to reject ideas of Abstract painting.
The text that accompanies the lithograph can be seen in the image of the certificate and is in French. The translation that follows on the certificate of Provenance gives an in depth description of this compelling still life:
'It is a singularly balanced art that that of André MINAUX, a typically French painting, made of power of clarity and nobility, in the tradition of our great modern masters as well as those of past centuries. And yet this painting under the hieratic appearance of the attitudes is not a wise painting, but on the contrary terribly dynamic, in which the passion and the virulence of the feelings are contained only by the simplicity and the purity of the forms. Each work of André Minaux is a miracle of balance between bubbling joy; joy of painting, joy of living; which animates the artist, and the voluntary serenity of the colors and volumes by which he translates his vision of beauty and grandeur. André Minaux's painting, full of a life in perpetual becoming, is the great and worthy expression of an art continually in evolution which moves without aggressiveness, but not without struggles, towards its final ends. And this painting, painting of an artist in full possession of all his means, of an extremely solid technique, and of a perfect trade is however that of a young person. Forty-one years is youth for a painter and at this age André Minaux, already recognized as one of the masters of the young French figurative school, has a future as brilliant and promising as behind him a long history of hard work and success. André Minaux is Parisian, born September 5, 1923. Very young he feels attracted to the graphic arts, he prepares and enters the School of Decorative Arts, but pure painting attracts him irresistibly and it is to her that he soon devotes himself exclusively. His young and great talent makes him quickly noticed. He first exhibited at the Salon des Sous de Trente Ans and later at other salons: des Indépendants, d'Automne, then at the Salon de Mai and at the Tuileries. In 1948 first private exhibition in Paris, others will follow in 1951, 1956 and 1957. In the meantime two exhibitions equal ment were devoted to him in London in 1953 and 1957. His last was a very important exhibition in 1963 at the David and Garnier Gallery in Paris. In 1949 at the 'Ecole de Paris', Galerie Charpentier, he had already won the Critics' Prize. Its reputation extends abroad thanks to numerous demonstrations of groups in England, Germany, Australia, Canada, Japon, U.S. A., etc... The Museum of Modern Art in Paris, several museums in the provinces, the Tate Gallery in London, have works by André Minaux, and his paintings can be found in major collections in Paris, London, New York, Tokyo, Stockholm, etc. ... Member of the French engraver painters, André Minaux is a remarkable lithographer, his lithographed work is already very important, he is also a member of the "Comité National du Livre Illustré Français and he has illustrated a certain number of luxury books...
Category
1960s Post-Impressionist Abstract Prints
Materials
Lithograph
Landscape Large Photograph Nature Elephant Wildlife Africa Orange Trees Sunset
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper
44" x 65" unframed (112cm x 165cm) 2016
Edition 1/8
*Should you wish the photograph to be printed at a different size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 1/8
Dicky Singh's images have enthralled many and have given him a following worldwide. Institutions and individuals alike seek out his knowledge on wildlife and habitats. He has lent his expertise to BBC, National Geographic and many very well-known wildlife photographers.
He has been photographing and documenting generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest at Ranthambhore National Park in India. His knowledge is vast, not only of big cats but the other flora and fauna that co-exist special places. In 2016 he was asked to lead a photography, conservation expedition to Kenya.
This powerful image shows a lone female...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Landscape Large Tiger Photograph Nature India Wildlife Forest Colour
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper
53" x 36" unframed 135cm x 91cm 2017
Edition 1/5
*Should you wish the photograph to be printed at a...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Landscape Photography Nature Animal Large African Lion Wildlife Orange Sunset
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper
44" x 65" unframed (112cm x 165cm) 2017
Edition 1/8
Dicky Singh's images have enthralled many and...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Nature Wildlife India Sunset Orange Golden Light Lake Palace Bird Photograph
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
28" x 42" unframed (71cm x 107cm) 2022
Edition 1/10
*Should you wish the photographs to be printed...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
Landscape Photography Wildlife Trees Animal Nature Rose Butterfly India Forest
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper
33" x 46" unframed (84cm x 117cm) 2022
Edition 1/8
Aditya Dicky Singh's images have enthralled many and ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Landscape Photography Wildlife Trees Animal Nature Butterfly India Forest
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled diptych, photograph on fine-art Hahnemuhle archival paper
Two photographic works, each photograph 44 x 65" unframed (91cm x 135cm). Total size 44" x 1...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Landscape Large Photograph Wildlife Trees Animal Nature Orange India Forest
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper
33" x 46" unframed (84cm x 117cm) 2022
Edition 1/8
Aditya Dicky Singh's images have enthralled many and ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Landscape Animal Large Photograph Nature Peacock Sunset Indian Orange Trees
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
60" x 36" unframed (152cm x 91cm) 2022
Edition 1/8
*Should you wish the photographs to be printed ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Nature Photograph Geometric Wildlife Lizard India Brown Cream Triangle Shadows
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
26" x 39" unframed (66cm x 100cm) 2022
Edition 1/10
*Should you wish the photographs to be printed...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
Animal Photograph Landscape White Bird Wings Blue Sky Nature Wildlife India
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
39" x 26" unframed (100cm x 66cm) 2022
Edition 1/10
*Should you ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper
Animal Landscape Photograph Nature Wildlife African Lions Red Orange Sunset
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
44" x 65" unframed ( 2022
Edition 1/10
*Should you wish the photo...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
India Listed artist 19th Century Hand Coloured Lithograph Village scene palms
Located in Norfolk, GB
A 19th century, hand coloured lithograph, the colours fresh and in good condition for its age.
Artist: Captain Philip Meadows
Medium: Hand coloured lithograph
Plate 6
Created: 1842
Paper Size: 39 x 32.5 cm
Plate Size: 27.5 x 21.2 cm
With the description sheet on verso
TAYLOR, Captain Philip Meadows (1808-1876). Plate from Sketches in the Deccan. London: published by J McLean 1842
Plate 6
From a series of views of the Deccan, at this time the state of Hyderabad. The suite of plates includes views, scenes and settings of places and buildings at Goa, Arungabad, Tooljapoor, Golcondag, Hyderabad, Ellors, Rozah, and the Tandoor hills, among others. Meadows Taylor arrived in India as a young man to work with a Bombay merchant, but quickly accepted a military commission...
Category
1840s Other Art Style Landscape Prints
Materials
Paper, Lithograph
Set 5 Etchings Installation Ed 4/7 Indian Female Artist Surreal Pop Pink Blue
By Sonal Varshneya Ojha
Located in Norfolk, GB
Compelling set of 5 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 5 works come from a series of 25 works, Edition 4/7. The full Edition is available on our 1stDibs store. Editions 1 and 2 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries.
Vachik, Edition 4/7, Etching on Archival paper, dated 2022, signed and titled under each piece in pencil
17" x 70" (depending on hanging layout), without framing, comprising 5 etchings.
Sheet size 17" x 14", image size 13" x 10"
2022
Signed, Editioned, dated and titled in pencil
Provenance: From the artist's studio.
Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same.
The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed down. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels.
In Sonal's own words,
This work is very close to my heart, a lot of emotions are attached to this work. Some such
feelings that awakened for the first time and they were priceless. I have lived that time, felt
it very closely, whatever happened to me at that time, I have tried my best to make it work.
Kajal has a very important role, when there are children and grandmothers complete it, it is
said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we
call Nazarota which is a small iron vessel.
Kashmiri shawls...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Etching
Sunset Taj Mahal Orange golden light atmospheric Nature Landscape India Palace
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
28" x 42" unframed (71cm x 107cm) 2022
Edition 1/10
*Should you wish the photographs to be printed...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
Large Landscape Black White Big Cat Photograph Cheetah Africa Nature Wildlife
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
44 x66" unframed (84cm x 56cm) 2022
Edition 1/10
*Should you wish the photograph to be printed at a...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper
Animal Landscape Photograph Nature Wildlife Black White Buffalo Africa Portrait
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
28" x 42" unframed (71cm x 107cm) 2022
Edition 1/10
*Should you wish the photographs to be printed...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper
Pop Art Woman Female Artist India Set 7 Etching Installation Ed 4/7 Storytelling
By Sonal Varshneya Ojha
Located in Norfolk, GB
Compelling set of 7 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 7 works come from a series of 25 works, Edition 4/7. The full Edition is available o...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Etching
Pop Art Woman Female Artist India Set 6 Etching set Ed 4/7 Storytelling
By Sonal Varshneya Ojha
Located in Norfolk, GB
Compelling set of 6 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 6 works come from a series of 25 works, Edition 4/7...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Etching
Pop Art Woman Female Artist India Set 7 Etchings set Ed 4/7 Storytelling
By Sonal Varshneya Ojha
Located in Norfolk, GB
Compelling set of 7 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 7 works come from a series of 25 works, Edition 4/7. The full Edition is available o...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Etching
Large Pop Art Woman Female Artist India Set 25 Etching set Ed 4/7 Storytelling
By Sonal Varshneya Ojha
Located in Norfolk, GB
Compelling set of 25 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 25 works are Edition 4/7. Editions 1, 2 & 3 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries.
Vachik, Edition 4/7, 25 Etchings on Archival paper, dated 2022, signed and titled under each piece in pencil
65" x 50" (depending on hanging layout), without framing, comprising 25 etchings.
Each etching, sheet size 17" x 14", image size 13" x 10"
2022
Signed, Editioned, dated and titled in pencil
Provenance: From the artist's studio
Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same.
The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed from the older generations to the younger women. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels.
In Sonal's own words,
'This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work.
Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel.
Kashmiri shawls...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Etching
Animal Landscape Large Photograph Nature Tiger India Forest Wildlife Night
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper
44" x 65" unframed (112cm x 165cm) 2017
Edition 3/8
*Should you wish the photographs to be printed ...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
Minimal Animal Nature Large Photograph White Bird Great Egret 1/8 India Wildlife
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper
40" x 60" unframed 2023
Edition 1/8
*Should you wish the photograph to be printed at a different ...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper
Pop Art Culture Etching Edition 2/5 India Woman Artist Girl Pink Blue Cats
By Sonal Varshneya Ojha
Located in Norfolk, GB
From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi.
Art 1821 is selling the last 14, different works, of th...
Category
2010s Surrealist Figurative Prints
Materials
Archival Paper, Etching
Pop Art Culture Etching Edition 2/5 India Lucknow Artist Woman Cat Green Purple
By Sonal Varshneya Ojha
Located in Norfolk, GB
From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi.
Art 1821 is selling the last 14, different works, of th...
Category
2010s Pop Art Figurative Prints
Materials
Archival Paper, Etching
Pop Art Edition 2/5 Etching India Lucknow Artist Woman Map Tree Woman Blue
By Sonal Varshneya Ojha
Located in Norfolk, GB
From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi.
Art 1821 is selling the last 14, different works, of th...
Category
2010s Surrealist Figurative Prints
Materials
Archival Paper, Etching
Pop Art Edition 2/5 Etching India Lucknow Artist Woman Girl Pink Blue
By Sonal Varshneya Ojha
Located in Norfolk, GB
From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi.
Art 1821 is selling the last 14, different works, of th...
Category
2010s Surrealist Figurative Prints
Materials
Archival Paper, Etching
Pop Art Ltd Edition 2/5 Etching Lucknow Indian Artist Woman Girl Pink Blue Tree
By Sonal Varshneya Ojha
Located in Norfolk, GB
From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi.
Art 1821 is selling the last 14, different works, of th...
Category
2010s Surrealist Figurative Prints
Materials
Archival Paper, Etching
Abstract Landscape India Edition 3/5 Linocut Print Nature Green Yellow Leaves
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 1999
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green Australia
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Green Blue Turquoise Architectural
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration B, Lino-cut on Drawing paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 5/8 Linocut Print Nature Orange Black Red Love
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper
Edition: 5 of 8, 1999
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Australia Aborigine Purple Lilac
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange Australia
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me."
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Print India Artist Proof Linocut Nature Earth Love Red Orange
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper
Edition: AP, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Aubergine Green
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 45 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Love Purple Blue Turquoise
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Navy Primitive
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Orange Black
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
"In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture"
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Ecco of Passion Blue
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Landscape Rajasthan Light Viscosity Print Natural Jali Earth Red
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper
Abstract Landscape Indian artist Natural Pigments Australia Earth Brown Blue
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
Early 2000s Abstract Abstract Prints
Materials
Paper, Printer's Ink, Pigment
