Carrie Haddad Gallery

"Two Sisters" by Richard Britell 86 x 45 inches vertical, monochromatic blue contemporary landscape oil painting on canvas This large vertical blue monochromatic...

"Red Square", by Anne Francey, painted in 1990 48 x 48 inches, unframed acrylic on paper pasted on canvas The prevalence of both nature and geometry in Islamic art both inspired an...

Abstract acrylic painting on canvas with a pastel pink, blue, and green palette “Venus”, painted by Ragellah Rourke in 2021 48 x 48 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2021. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm blue and pink tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

Photo-realist still life painting of a green lotus leaf with brown decays edges against a soft grey background "Lotus Number Thirty", painted by Frank DePietro...

Contemporary Oil Painting of State St. in Hudson, NY by Dan Rupe Oil on canvas 18 x 24 inches This colorful depiction of cool gray and yellow houses in the sun was painted by Hudson, NY artist Dan Rupe. The buttery yellow house stands out against its pastel blue surroundings alongside a wood sided townhouse. Paint is applied loosely to the canvas in thick, vivid strokes, lending the painting a very palpable texture that is characteristic of Rupe's work. Bright swaths of color applied with bold strokes thick with paint are his signature techniques. A new series of ‘en plein air’ paintings rediscover the charming town of Athens, NY where the diverse architecture spans over three centuries and the city layout has essentially remained the same since the late 19th century About the artist and work: Dan Rupe paints only from life, his composition ruled by his intuitive sense of formal order. He begins covering his canvas with a deep crimson wash. This ground gives his brilliant pure color , applied with an expressive, direct gesture, an electric charge. No matter how often or how long one looks at a Rupe painting, it is always the present tense. The tone of his palette, the freshness and clarity of primary colors, reflects an optimistic attitude, an intrinsic love of life. Rupe studied at the Interlochen Arts Academy and the Boston Museum School of Fine Arts. Artist Resume: Education: Interlochen Arts Academy - Kansas City Art Institute Boston Museum School of Fine Arts Exhibitions: 2017 Hudson Valley Landscapes, Carrie Haddad Gallery...

Gestural abstract painting on paper with gold metallic powders, pastel green, and rust colored enamel paint "Fresh Marks", made in 2022 by Hudson Valley painter, Bruce Murphy Enamel...

Summer Day Lilies (Contemporary Still Life of Vibrant Lilies, Oil on canvas) by Dan Rupe 22 x 22 inches oil on canvas Signed on reverse Artist Dan Rupe paints only from life, his composition ruled by his intuitive sense of formal order. He begins covering his canvas with a deep crimson wash. This ground gives his brilliant pure color , applied with an expressive, direct gesture, an electric charge. No matter how often or how long one looks at a Rupe painting, it is always the present tense. The tone of his palette, the freshness and clarity of primary colors, reflects an optimistic attitude, an intrinsic love of life. In this work, three vibrant pale nude colored lilies open their blooms amidst bright green grasses. Rupe succeeds at capturing the immediacy of his subjects be it flowers, buildings or people. Read below for an amusing profile written about the artist in 2003: You‘ve likely seen him on the streets of Hudson, seated before his canvas in a multi-colored paint daubed t-shirt and shorts, his straw hat providing shade for all but his tanned forearms and knees. His splattered Technicolor Walkman tape player...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Vertical abstract expressionist oil painting on canvas in earthy shades of sky blue and Payne's grey, with accents of green and peach against an off-white foreground 'When the Tide Goes Out' painted by Hudson Valley artist, Jenny Nelson, in 2022 Oil on canvas 60 x 54 x 1.5 inches, with white painted sides Excellent condition, ready to hang Signed, verso This abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2022. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of dusty blue, stone blue, and green. The contrasting patches of pale pink and peach pop against the subtle pale beige and light blue background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides, so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox...

Photorealist still life painting on canvas of a light pink lotus flower with brown lotus pods and green petals against a light grey background "Lotus Number Sixty-Five" oil on canvas, 48 x 48 inches, 49 x 49 x 2 inches with a dark wood frame Signed lower left Excellent condition and ready to hang Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPietro features a light pink lotus flower, with lush green leaves on a pale grey background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Photo-realist still life painting of a green lotus leaf with brown decays edges against a soft grey background "Lotus Number Sixty-Eight", painted by Frank DePietro...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Cumulus and Wide Field (Contemporary Landscape Painting Billowing White Cumulus Clouds Against a Pale Blue Sky Over Country Fields) oil on two panels, assembled diptych, with a white painted wood frame 33 x 45.25 x 2.5 inches painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to paint billowing clouds - bouncing between light and shadow with a subtle palette of warm white and pale blue, we cannot help but associate it with the iconic Hudson River Valley landscape...

Ridge (Contemporary Abstract Landscape Oil Painting of Peach Vines and Leaves Against a Blue Sky and Mountain Landscape) by David Konigsberg oil o...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of vibrant blue. Acrylic on 3 panels, Each panel is 24 x 18 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for horizontal install with 1 inch spacing: 24 x 56 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a vibrant blue palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Abstract oil painting on canvas with pastel palette with red and green “Day of the Swans”, painted by Ragellah Rourke in 2021 48 x 36 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2021. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and red tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

Abstract acrylic painting on canvas with a pastel purple, yellow, and green palette “Beneath the Shining Sun”, painted by Ragellah Rourke in 2022 30 x 30 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2022. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and purple tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

Sprite and Anemone (Contemporary Oil Painting of Whimsical Winged Creature Emerging from Pink Flowers) by David Konigsberg oil on panel 55 x 44 x 1.5 inches no frame required - paint...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Single Morandi Bottle II” by Hudson Valley artist, David Dew Bruner, made in 2022 G...

Realistic blue ball-point drawing of a lush country forest landscape "Dream a Little Dream", original drawing made in 2022 by Linda Newman Boughton ballpoint pen ('Rite in the Rain' permanent and waterproof ink) on archival paper 54 x 48 inches unframed, 55.25 x 48.75 inches with a custom wood frame with gold leaf interior and protected with Tru Vue Museum Glass (blocks 99% of UV rays, eliminates reflections, optimal light transmission to brighten colors) Signed by the artist Excellent condition and ready to hang Some might struggle to associate impressionist painting and drawing with a ballpoint pen medium, but one of Linda Newman Boughton’s opulent landscape drawings in signature blue ink is a masterclass in the art of immediacy and movement. Linda Newman Boughton’s Baroque inspired landscape "Dream a Little Dream" captures a lush Hudson Valley forest in vivid detail. Taking four months to create, the original drawing was made entirely using the artist's favorite brand of “Rite in the Rain” waterproof blue-ink pen. Working from a photograph, Boughton employed a variation of pen strokes, combining gestural lines that serve as the drawing’s foundation, with tighter strokes to develop the sections of intricate detail. From a wild and tangled web of lines emerges identifiable forms, such as a complex root system or a bushy canopy of leaves. The work itself feels kinetic; millions of mark makings vibrate with an energy that stems from a sacred connection to nature. Boughton’s passion for the arts began early, as she acted, made art, and designed theatrical sets throughout her youth. She went on to study fashion illustration at Florida State University before transferring to F.I.T in New York City. Experience in the fashion world and her love for theatre soon landed her jobs in Hollywood, painting sets and murals for feature films such as Nightmare on Elm...

Archival inkjet print of a realistic lush country forest landscape drawing made with blue ball-point pen "Dream a Little Dream", original drawing made in 2022 by Linda Newman Boughton, limited edition of 15 prints made the same year Archival inkjet prints on German watercolor paper 37 x 32 inches unframed, framing options available Signed and editioned by the artist Excellent condition This suite of limited edition prints captures Linda Newman Boughton’s Baroque inspired landscape "Dream a Little Dream" in vivid detail. Taking four months to create, the original drawing was made entirely using the artist's favorite brand of “Rite in the Rain” waterproof blue-ink pen. Working from a photograph, Boughton employed a variation of pen strokes, combining gestural lines that serve as the drawing’s foundation, with tighter strokes to develop the sections of intricate detail. From a wild and tangled web of lines emerges identifiable forms, such as a complex root system or a bushy canopy of leaves. The work itself feels kinetic; millions of mark makings vibrate with an energy that stems from a sacred connection to nature. Boughton’s passion for the arts began early, as she acted, made art, and designed theatrical sets throughout her youth. She went on to study fashion illustration at Florida State University before transferring to F.I.T in New York City. Experience in the fashion world and her love for theatre soon landed her jobs in Hollywood, painting sets and murals for feature films such as Nightmare on Elm Street VII, Fight Club, among many others. The artist lives in Ghent, NY with her husband where she continues to make art and write and create show ideas for television. Artist Bio: Linda grew up in an artistic and theatrical family in Tampa, Florida. Drawing and painting always felt effortless and fun for her. Acting and designing in theatre also made up much of her early years. Her first choice in higher education was at Florida State University where she was a theatre major and had an art minor. At the University drawing skills were emphasized, and with a love of drawing people, she found herself in a fashion illustration class, loving every minute of it. Within a year of taking that class, she taught a summer fashion illustration course at Florida State University, and soon made her move to New York City where she attended the prestigious Fashion Institute of Technology, graduating Cum Laude, with a degree in fashion illustration. She worked in the fashion industry for the next several years, illustrating, designing accessories and shooting freelance photography. Her love of acting and design soon propelled her to seek out Hollywood and the creative opportunities of working in the movie industry. Within in a year Linda was working as a lead scenic artist painting sets and murals for feature films. On a feature called: Wes Craven's New Nightmare- Nightmare on Elm Street VII, there was a need for a Warhol TextBody">EXHIBITIONS Davenport and Shapiro Fine Art East Hampton, NY July - October 2012 Eckerd College St. Petersburg, FL The 10th Anniversary Invited Artists Exhibit January - March 2012 1078 Gallery Chico, CA September 2011 The Happening Gallery Los Angeles, CA Group Show September 2010 Strohl Art Center / Chautauqua Institute Chautauqua, New York Juried Show June - July 2010 James Gray Gallery at Bergamot Station Santa Monica, CA 2009 Gallery 800 Los Angeles, CA Group Show 2009 Art Salon Washington DC 2009 MJ Higgins Gallery Los Angeles, CA Group Show 2008 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction X 2005 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction IX 2003 ART WORK FOR MOVIES ART WORK FOR TV The Man with the Iron Fists Up All Night The Lone Ranger Hemlock Grove Beautiful Creatures Big Love Savages Desperate Housewives Water For Elephants Will and Grace Jonah Hex Access Hollywood Eagle Eye Various pilots Déjà vu Domino Starsky and Hutch Skeleton Key The Crow - City of Angels Fight Club Fear and Loathing...

Archival inkjet print of a realistic Birch tree forest landscape made with blue ball-point pen "Yield and Overcome", original drawing made in 2022 by Linda Newman Boughton, limited edition of 15 prints made the same year Archival inkjet prints on German watercolor paper 38.5 x 30 inches unframed, framing options available Signed and editioned by the artist Excellent condition This suite of limited edition prints captures Linda Newman Boughton’s Baroque inspired landscape "Yield and Overcome" in vivid detail. Taking four months to create, the original drawing was made entirely using the artist's favorite brand of “Rite in the Rain” waterproof blue-ink pen. Working from a photograph, Boughton employed a variation of pen strokes, combining gestural lines that serve as the drawing’s foundation, with tighter strokes to develop the sections of intricate detail. From a wild and tangled web of lines emerges identifiable forms, such as a complex root system or a bushy canopy of leaves. The work itself feels kinetic; millions of mark makings vibrate with an energy that stems from a sacred connection to nature. Boughton’s passion for the arts began early, as she acted, made art, and designed theatrical sets throughout her youth. She went on to study fashion illustration at Florida State University before transferring to F.I.T in New York City. Experience in the fashion world and her love for theatre soon landed her jobs in Hollywood, painting sets and murals for feature films such as Nightmare on Elm Street VII, Fight Club, among many others. The artist lives in Ghent, NY with her husband where she continues to make art and write and create show ideas for television. Artist Bio: Linda grew up in an artistic and theatrical family in Tampa, Florida. Drawing and painting always felt effortless and fun for her. Acting and designing in theatre also made up much of her early years. Her first choice in higher education was at Florida State University where she was a theatre major and had an art minor. At the University drawing skills were emphasized, and with a love of drawing people, she found herself in a fashion illustration class, loving every minute of it. Within a year of taking that class, she taught a summer fashion illustration course at Florida State University, and soon made her move to New York City where she attended the prestigious Fashion Institute of Technology, graduating Cum Laude, with a degree in fashion illustration. She worked in the fashion industry for the next several years, illustrating, designing accessories and shooting freelance photography. Her love of acting and design soon propelled her to seek out Hollywood and the creative opportunities of working in the movie industry. Within in a year Linda was working as a lead scenic artist painting sets and murals for feature films. On a feature called: Wes Craven's New Nightmare- Nightmare on Elm Street VII, there was a need for a Warhol TextBody">EXHIBITIONS Davenport and Shapiro Fine Art East Hampton, NY July - October 2012 Eckerd College St. Petersburg, FL The 10th Anniversary Invited Artists Exhibit January - March 2012 1078 Gallery Chico, CA September 2011 The Happening Gallery Los Angeles, CA Group Show September 2010 Strohl Art Center / Chautauqua Institute Chautauqua, New York Juried Show June - July 2010 James Gray Gallery at Bergamot Station Santa Monica, CA 2009 Gallery 800 Los Angeles, CA Group Show 2009 Art Salon Washington DC 2009 MJ Higgins Gallery Los Angeles, CA Group Show 2008 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction X 2005 The Long Beach Museum of Art Long Beach, CA Group Show - Art Auction IX 2003 ART WORK FOR MOVIES ART WORK FOR TV The Man with the Iron Fists Up All Night The Lone Ranger Hemlock Grove Beautiful Creatures Big Love Savages Desperate Housewives Water For Elephants Will and Grace Jonah Hex Access Hollywood Eagle Eye Various pilots Déjà vu Domino Starsky and Hutch Skeleton Key The Crow - City of Angels Fight Club Fear and Loathing...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Four Morandi Bottles” by Hudson Valley artist, David Dew Bruner, made in 2022 Graph...

Abstract encaustic painting with dyed teal, indigo, white and beige fabrics "White Breezes & Blue Skies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 17 x 26 x 2 inches unframed, sides reveal raw panel and wrapped fabric Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Abstract geometric encaustic painting in patterned ochre on white "Centuries Spliced Open" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & monotype mounted on panel 30 x 41 x 2 inches, sides reveal raw wood sides Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with pattered ochre monotypes on an encaustic white background. The paper, which is adhered to a light wood Birch panel and layered with a subtle layer of encaustic, is arranged in a geometric motif that accentuates the play of negative space. The layered paper and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Single Morandi Bottle IX” by Hudson Valley artist, David Dew Bruner, made in 2022 G...

Figurative Still Life painting of blue and gold flowers on an indigo cyanotype and geometric patterned background "Cyanotype Painting (Gold Flor...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Three Morandi Bottles II” by Hudson Valley artist, David Dew Bruner, made in 2022 G...

Figurative Still Life painting of pale blue and gold flowers on an indigo cyanotype background "Cyanotype Painting (Gold Flora Full Circle), made by Hudson Valley artist, Julia Whitney Barnes in 2021 Watercolor, Gouache and Cyanotype on Cotton Arches Paper 30 x 23 inches unframed, 33 x 26 inches in a custom frame Handmade maple frame with splined joined corners, finished in a gold lacquer on the face and natural waxed maple sides. Artwork is floated on archival museum board and glazed with UV filtering and anti-reflective Museum Glass. Excellent condition and ready to hang as is. Comes with two hanging options (wire and French cleat) This still life painting was made by Hudson Valley painter, Julia Whitney Barnes, in 2022. The painting is made using a camera-less cyanotype photography...

"Natura Locum", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures strolling down the lane in Harlem Park 39.5 x 50 inches, archival watercolor and go...

"Central Park", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures resting in Central Park on a misty afternoon with a cool grey blue palette 7 x 24 i...

"Jersey Shore", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of a summer beach scene 7 x 24 inches, archival watercolor and gouache on 300 lb. Arches pape...

Figurative Still Life painting of a gold star and pale blue flowers and butterflies on an indigo cyanotype background "Cyanotype Painting (Hellebore, Center Star), made by Hudson Va...

Gestural abstract painting on paper with accents of blue, dark gray, and teal underneath silver and gold metallic powders "Seeing the Past", made in 2022 by Hudson Valley painter, Br...

Academic, nautical style figurative oil painting of a handsome sailor against an ocean landscape "Sailor with Rope" painted by Mark Beard as Bruce Sargeant (pseudonym in homage to th...

Abstract mixed media painting on board made with copper leaf and accents of blue, green, and sienna oil paint "Abstract 1", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil, copper leaf, and pencil on board 10 x 10 inches unframed, 12 x 12 x 2 inches in an off-white painted wood floater frame Wire backing, ready to hang Excellent condition James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and green, with accents of burgundy and pale yellow "May 29", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on canvas, 26 x 26 inches unframed, raw canvas sides Wire backing, ready to hang Signed verso James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and orche, with pops of green and red Painted by Hudson Valley based artist, James O'Shea in 2021 Oil ...

Gestural, abstract expressionist oil painting on canvas in tones of blue and taupe, with pops of ochre and mauve Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on c...

Gestural abstract painting on paper with gold metallic powders and peach, blue, green and yellow colored enamel paint "Beyond Mind and Matter", made in 2022 by Hudson Valley painter,...

Gestural abstract painting on paper with gold metallic powders and cobalt blue, pastel green, and rust colored enamel paint "New Looking Methods", made in 2022 by Hudson Valley paint...

Framed flower still life photograph of a pale pink peony on a solid black background “Untitled 47” by Chad Kleitsch, this image is part of th...

Lotus No. 1 (Contemporary Hard Edge Realist Still Life painting of Lotus Leaves) by Frank DePietro 30 x 48 x 1.5 inches, oil on canvas 31 x 49 x 1.5 inc...

Modern Luminist, Hudson River School landscape painting on canvas of a Riverbank, richly colored foliage and moon on the horizon "An Autumn Reverie" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower right This modern Hudson...

Modern Luminist, Hudson River School landscape painting on canvas of the expansive view over the Hudson River as observed at the top of Olana, the historic home of Frederic Church "...

Academic style figurative painting of four young athletes running and on bicycles "Frieze with Two Men on Bikes", painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant) Oil on canvas, signed upper right 35.5 x 60 inches, 40.5 x 65.5 inches in a black frame with wire backing Excellent condition, ready to hang as is This magnificent horizontal composition was painted by Mark Beard under his fictitious artistic persona, Bruce Sargeant. Painted in a modern Academic style, this dynamic portrayal of young, male athletes in motion is an exciting example of the artist's talent for painting human anatomy. Two men are mounted on bikes; one wears khaki shorts and a billowing, white oxford...

Academic style figurative painting of a young athlete, wrestler in training "Wrestler in Training", Painted by Mark Beard as Bruce Sargeant (pseudonym in h...

Gestural abstract painting on paper with silver metallic powders, cobalt blue, and marigold "Right Now Is", made in 2022 by Hudson Valley painter, Bruce Murphy Enamel paint and met...

Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...

Academic style figurative oil painting of a muscular male gondolier with Venice's St. Mark's Campanile in the background "Gondolier" painted by Mark Beard as Bruce Sargeant (pseudony...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Gestural abstract painting on paper in pastel tones with accents of cobalt blue, green, magenta, and burnt sienna, underneath silver and gold metallic powders "The Rhythm of Opposite...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the style of this negative photograph...

Modern Luminist, Hudson River School landscape painting on canvas of a creek and river meeting around a forest bend with mountains in the distance "Where Creek Meets River" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left This modern Hudson...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Limited edition 'Pinocchio' screen print by Pop Art icon, Jim Dine (b. 1935) Published by Lincoln Center for the Performing Arts 41 x 29.5 inches in black frame Seven color screen ...