Darnley Fine Art Drawings and Watercolor Paintings
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Tombs of St James and Zacharias, Valley of Jehoshaphat, Jerusalem
Located in London, GB
Graphite and watercolour on paper
Signed lower right
Image size: 12 1/4 x 8 1/2 (31 x 22 cm)
These are two of four sepulchres in the Valley of Jehoshaphat, on the east side of the K...
Category
Late 20th Century Landscape Drawings and Watercolors
Materials
Watercolor, Graphite
Imperial Beauty, British School 20th Century Pastel Portrait
Located in London, GB
Pastel on paper on canvas, initialled lower left "ND"
Image size: 13 ¾ x 22 ½ inches (35 x 57 cm)
Gilt frame
This fine Art Nouveau picture executed around 1900, depicts an auburn ha...
Category
Early 1900s Art Nouveau Portrait Drawings and Watercolors
Materials
Paper, Pastel
The Art Model, 20th Century Oil Painting, Nude
Located in London, GB
Oil on canvas
Image size: 24 x 20 inches (61 x 51 cm)
Original silver frame
With her back turned to us, the viewer look across to a female artist facing us, whose gaze is fixed on t...
Category
Mid-20th Century Modern Portrait Drawings and Watercolors
Materials
Canvas, Oil
The Gaze, Signed Graphite 20th Century Portrait
Located in London, GB
Graphite on paper, signed bottom right
Image size: 13 x 8 3/4 inches (33 x 22.25 cm)
Original frame
Dora Thacher Clarke, later Dora Middleton, (1895–1989) was a British sculptor and wood carver who also wrote about, and promoted African art.
Clarke was born in Harrow in Middlesex. Her father, Joseph Thacher Clarke was an American architect. Clarke won a scholarship that allowed her to attend the Slade School of Fine Art. Aged fifteen, Clarke initially studied at the Slade on a part-time basis for three days each week throughout 1910 and 1911 but during 1915 and 1916 she studied sculpture there as a full-time student. Clarke first exhibited at the Royal Academy in 1923 and continued to do so until 1959. In the early 1930s she was a regular exhibitor in group shows at the Goupil Gallery and in March 1937 had her first solo show at the French Gallery. She also exhibited at the Paris Salon and with the Royal Society of British Artists.
Clarke's works included bronze castings, memorials and wood sculptures, often of African heads. For example she was commissioned to sculpt the posthumous portrait bust of Sir Walter Morley Fletcher. The most notable of her memorials is the panel and medallion tribute to Joseph Conrad at Bishopsbourne in Kent, which was unveiled in 1927. Clarke also wrote about, and promoted African art and spent a year, between 1927 and 1928 in Kenya, where she made many drawings which when she returned to London she used as the basis for wood carvings and bronzes of tribal figures. Wood carving became her technique of choice, often working with hardwoods and, on occasion, sperm whale teeth.
Clarke married Admiral Gervase B Middleton in 1938 but rarely exhibited work under her married name. During World War II, Clarke was commissioned by the War Artists' Advisory Committee to produce a portrait medallion depicting a serviceman who had been awarded the George Cross. This proved to be the only portrait medallion acquired for the WAAC collection.
Sculptures by Clarke are held in various museums, including the Ashmolean Museum which also holds a 1936 portrait of her by Orovida Camille Pissarro.
Category
Mid-20th Century English School Portrait Drawings and Watercolors
Materials
Graphite
Portrait of a Lady, Charcoal Drawing, 20th Century Russian
Located in London, GB
Charcoal , signed lower right and dated 'Paris 1935'
Image size: 25 x 19 inches (63.5 x 48 cm)
Original oak frame
An accomplished example of Russian art from the mid 20th century.
...
Category
1930s Art Deco Portrait Drawings and Watercolors
Materials
Charcoal
The Tambourine Player, Watercolour Painting, Dated 1853
By Carl Haag
Located in London, GB
Watercolour with bodycolour on card
Titled 'Donn d'Albano' lower left and signed and inscribed 'Roma 1853' lower right
Image size: 19 1/2 x 13 1/2 inches (50 x 34 cm)
This is a full...
Category
1850s Figurative Drawings and Watercolors
Materials
Watercolor, Cardboard
Old Masters Chalk Drawing, 17th Century Italian Sanguine on Paper
Located in London, GB
Sanguine chalk on paper
Image size: 7 x 8 1/2 inches (18 x 22 cm)
Acid free cut-out mount
This 17th century drawing depicts a reclining woman with her back.
The Sanguine chalk that...
Category
17th Century Italian School Figurative Drawings and Watercolors
Materials
Paper, Chalk
The Broads, 20th Century Original British Transport Poster
Located in London, GB
Pastel and watercolour, signed lower right
Image size: 24 ½ x 19 ½ inches (62 x 49.5 cm)
Art deco style hand made frame
Transport posters of the past created some of the most visua...
Category
1920s Art Deco Landscape Drawings and Watercolors
Materials
Pastel, Watercolor
A View Near Redhill, 19th Century Pen and Ink Drawing by Samuel Palmer
By Samuel Palmer (b.1805)
Located in London, GB
Pen and ink on paper, inscribed 'Redhill' and dated 'June 24th 1872' lower left
Image size: 4 x 8 inches (10 x 20 cm)
Mounted and Framed
Provenance
Given to Ernest Pearce by Carlos Peacock, from the collection of Miss Louisa Twining (1820-1911), a pupil of Samuel Palmer.
Carlos noted in his letter accompanying the work to Ernest Pearce that 'Going through my Palmer things for mounting the other day. I found this little sketch dating from the Redhill days. Thought you might like it by way of a Christmas gift'.
Literature
Carlos Peacock, Samuel Palmer , Shoreham and After, published by John Baker 1968, illustrated on page 67.
This delicate pen and ink drawing depicts a view at Redhill, a town in the borough of Reigate within the county of Surrey, England. While Palmer's reputation rests mainly on his Shoreham work some of his later work, such as his sketches from Redhill, have recently received more appreciation.
In 1872 Palmer was living in Redhill, at his last home, The Chantry at Cronks Hill. The Chantry is now Grade II listed due to the Palmer connection and Palmer Close, a cul-de-sac in Redhill (built in the 1960's), was also named in his honour.
This work is an illustration of rural paradise, a vision of the natural world where there is a cosmic harmony between man and his environment. Indeed, Alfred Palmer, the artist's son, wrote 'Had the artist depended for his material solely on the fields, and woods, and hills around him, and had he used that material in a sordid way, he might have given us faithful representations of those he selected, but there would have been inevitable repetition, and he would never have shown us as he has undoubtedly done, the very spirit and quintessence of the loveliest and most poetic pastoral scenery - scenery which we may imagine as that of ancient England...
Category
19th Century Landscape Drawings and Watercolors
Materials
Ink, Pen
Ancient Oak Trees in Lullingstone Park, Samuel Palmer Watercolour and Ink
By Samuel Palmer (b.1805)
Located in London, GB
Watercolour and pen and ink on paper, inscribed verso
Image size: 5 x 4 inches (13 x 10 cm)
Framed
This drawing most likely depicts a view in Lullingstone Park, near the village of ...
Category
Mid-19th Century English School Landscape Drawings and Watercolors
Materials
Ink, Watercolor, Pen
Field Workers, 19th Century Pastel Drawing
Located in London, GB
Pastel on paper
Image size: 13 3/4 x 18 3/4 inches (35 x 48 cm)
Gilt frame
The scene depicts three woman working in a field in the afternoon.
Pastel had fallen out of fashion by th...
Category
Mid-19th Century Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel
The Cleansing of the Temple, Late 18th European School Graphite Drawing
Located in London, GB
Pencil and chalk on paper
Image size: 8 1/2 x 13 inches (22 x 33cm)
This wonderful drawing depicts 'The Cleansing of the Temple', a biblical narrative where Christ expels merchants...
Category
Late 18th Century Interior Drawings and Watercolors
Materials
Paper, Chalk, Graphite
A Cornish Inlet, 20th Century English Oil Landscape
Located in London, GB
Oil on canvas
Image size: 30 1/4 x 22 inches (77 x 56 cm)
Contemporary style hand made frame
This is a colourful depiction of a Cornish coastal inlet on a warm and glowing summer's ...
Category
Early 20th Century Modern Landscape Drawings and Watercolors
Materials
Canvas, Oil
Portrait of a Young Woman
By Sir Peter Lely
Located in London, GB
Red chalk on paper
Image size: 7 1/2 x 9 1/4 inches (19 x 23.5 cm)
Contemporary frame
An enigmatic portrait of a young woman after Sir Peter Lely's drawing, currently shown in the B...
Category
Mid-17th Century Victorian Portrait Drawings and Watercolors
Materials
Paper, Chalk
The Boxing Match
By Thomas Rowlandson
Located in London, GB
Pencil, pen and ink and watercolour on laid paper
Image size: 12 ¾ x 16 inches (33 x 40.5 cm)
Wash mount and period frame
Boxing was a subject that Rowlandson depicted on a number ...
Category
Late 18th Century Figurative Drawings and Watercolors
Materials
Ink, Watercolor, Laid Paper, Pencil
St Nicholas Cole Abbey and St Mary Somerset Church, London, The Blitz
Located in London, GB
This drawing records the destruction that was endured by London during the Blitz. The building in the foreground is St Nicholas Cole Abbey, situated in the city of London. Whilst a church was recorded on this site from the twelfth century, this church was destroyed in the Great Fire of London so the remnants of the church that we see here is one that was built by Sir Christopher Wren...
Category
Mid-20th Century Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Graphite
Road-workers, Early 20th Century Watercolour
Located in London, GB
Ink and watercolour on paper
Image size: 18 x 19 3/4 inches (46 x 50 cm)
Contemporary style hand made frame
Category
Early 20th Century Figurative Drawings and Watercolors
Materials
Paper, Ink, Watercolor
The Gathering, Train Station Pastel, British Mid 20th Century
By Peter Gardner
Located in London, GB
Pastel and graphite on paper
Image size: 8 1/4 x 5 inches (21 x 12.75 cm)
Contemporary style handmade frame
The Artist
Peter Gardner was born in London in 1921. He studied at the ...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
Paper, Pastel, Graphite
X MARKS THE SPOT - 1920's Original Illustration
By Joan Fairfax Whiteside ARRC FMAA
Located in London, GB
J Fairfax Whiteside ARRC FMAA 1904 - 2001
X MARKS THE SPOT
Gouache, signed lower right
Image size: 30 x 17 inches (76 x 43 cm)
Hand made frame
Category
20th Century Art Deco Figurative Drawings and Watercolors
Materials
Gouache
Girl Feeding Horse. Pen & Ink. Mid 20th Century
By Charles Inder
Located in London, GB
Charles Inder
Flourished: 1920 - 1940
Girl Feeding Horse
Ink on paper
Image size: 6 x 8 cm
Acid free incised mount and black frame
Category
20th Century Animal Drawings and Watercolors
Materials
Paper, Ink
SR - European Advertisement Original Artwork
Located in London, GB
C.M.
European 1946
Cibon Chocolat
Gouache on paper
Image size: 38 x 24 inches
£400
Category
Mid-20th Century Figurative Drawings and Watercolors
Materials
Paper, Gouache
Worse for Wear. Pen and Ink Mid 20th Century
By Gordon Scott
Located in London, GB
Gordon Noel Scott A.R.C.A
1914 - 2016
Worse for Wear
Ink on Paper
Image size: 8 x 8 inches
White gold frame
GORDON SCOTT EXHIBITION AT DARNLEY FINE ART
11th - 18th November 2017
Gordon Scott was trained at the RCA (1934-38) under Gilbert Spencer...
Category
Mid-20th Century Figurative Drawings and Watercolors
Materials
Paper, Ink
Portrait of a Merchant
By Giovanni Francesco Barbieri (Il Guercino)
Located in London, GB
Giovanni Francesco Barbieri Guercino
Italian 1591-1666
Portrait of a Merchant
Sanguine on laid paper
Image size: 12 ¾ x 16 inches (32 x 40....
Category
17th Century Old Masters Portrait Drawings and Watercolors
Materials
Graphite
Cibon Chocolat
Located in London, GB
C.M.
European 1946
Cibon Chocolat
Gouache on paper
Image size: 38 x 24 inches
Category
Mid-20th Century Figurative Drawings and Watercolors
Materials
Paper, Gouache
Portrait Studies
By Edwin Longsden Long
Located in London, GB
Edwin Long
1829 - 1891
Portrait Studies
Graphite on paper
Image size: 4 x 8 inches (10 x 20.5 cm)
Framed
Edwin Longsden Long RA (1829-1891, British) wa...
Category
1850s Pre-Raphaelite Portrait Drawings and Watercolors
Materials
Graphite
Portrait of a Young Officer, Thomas Lawrence, Irish Volunteers
By Sir Thomas Lawrence
Located in London, GB
Sir Thomas Lawrence PRA
1769-1830
Portrait of a Young Officer
Pastel with touches of black chalk on paper
Signed and inscribed on an old label verso: "Be pleased to keep away / from the Damp & from dust / T Lawrence AE 13. / 1783."
Wash mount and gilt frame
Provenance
W.E. Spooner;
Anonymous sale, Phillips London, 17 April 2000 lot 196
Sothebys, Old Master & Early British Paintings, 14 April 2011 • London Lot 246
Old label verso describes how this was drawn in 1783 at the age of 14!
This is a portrait of an officer from the Irish Volunteers. The Irish Volunteers was a part-time military force raised by local initiative in Ireland in 1778. Their original purpose was to guard against invasion and to preserve law and order at a time when British soldiers were withdrawn from Ireland to fight abroad during the American Revolutionary War.
As a young boy Thomas Lawrence lived with his parents who ran a coaching inn near Bath. Clearly talented from this young age, he drew the passing travellers who stopped at the inn and this soldier may have been one such sitter. Lawrence was only 13 years old when he drew this work. To capitalise upon their son's talents, the family later moved to Bath and sent Lawrence to London in 1787 where he entered the Royal Academy schools at the earliest possible age. Works from such an early period of Lawrence's creativity are rarely to be found today.
This rare early portrait drawn in Bath shows the level of technical skill that Lawrence had reached at 14 years old. His use of colour and tone to depict flesh and all the subtle variations in the texture and pigmentation of his sitter’s face, powdered hair and clothes show how Lawrence conceived pastel as a form of painting and partly explains how he could have made the smooth transition to oil painting so soon afterwards.
When he arrived in Bath from Devizes in 1780, eleven-year-old Thomas Lawrence (1769–1830) was promoted as a natural-born genius like his Renaissance predecessor Raphael. The local press announced the arrival of the boy wonder and his ‘Striking Sketches’, inviting the ‘Nobility and Gentry’ to sit for their portraits.
Thomas Lawrence was a prodigious portraitist from the age of just eight, when he began to draw his first portraits in pencil...
Category
1780s Romantic Portrait Drawings and Watercolors
Materials
Oil Pastel
The New Haircut, 20th Century portrait of a Young Girl, drawing
Located in London, GB
Graphite on paper
Image size: 11 ¾ x 8 ½ inches (30 x 21.5 cm)
Original frame
This superbly-drawn portrait highlights the artist’s undeniable skill as a portrait artist, particularl...
Category
20th Century Modern Portrait Drawings and Watercolors
Materials
Paper, Graphite
Study for Last Sleep of Arthur in Avalon
Located in London, GB
Graphite on paper
Image size: 7 1/2 x 9 inches (19 x 23 cm)
Carved gilt frame
Literature
Illustrated in Malcolm Bell's 'Sir Edward Burne-Jones, A Record and Review', London, 1899, p.127.
Provenance
Major Charles Sydney Goldman 1958
By descent to his Sons
John and Margaret Monck (John Goldman Monck) 1958-1963
Commander Victor Robert Penryn Monck (Victor Robert Penryn Monk Goldman) 1958-1963
Christie's London (Christie, Manson and Woods) 1963, John Monck and Cmdr Penryn Monck sale 26 April 1963 part lot 71
Sir John Richardson, 2019
Burne-Jones decided that the folds in the drapery in this study were too complex for the final painting and fairly soon after he simplified the draperies.
The work is a drapery study for the seated figures at the centre of Sir Edward Coley Burne-Jones monumental The Sleep of Arthur in Avalon (Museo de Arte de Ponce, Puerto Rico). The artist spent seventeen years working on the complex narrative, even moving his studio to a larger space to accommodate the canvas. Born as a commission from his patron George Howard, 9th Earl of Carlisle, to decorate a wall in his library at Naworth Castle, The Sleep of Arthur in Avalon was left unfinished in Burne-Jones’ studio upon his death. The work was bequeathed to a studio neighbour whose descendants sold it at auction in 1963, where it was purchased by Luis A. Ferré, politician and founder of the Museo de Arte de Ponce.
To his friends and family, Burne-Jones was known for his 'unpainted masterpieces'. Indeed, from his youth he made swift sketches, such as this study, that appeared effortless in contrast to his carefully crafted paintings and allowed him to work out ideas and refine details. He also drew outside of the studio, and his contemporaries remarked at his uncanny ability to do so while fully engaged in other activities. The painter W. Graham...
Category
19th Century Victorian Figurative Drawings and Watercolors
Materials
Graphite
Ruins of Hailes Abbey, 19th century landscape sketch
Located in London, GB
Graphite on buff paper
'Hales Abbey, Gloucestershire' initialled, inscribed and dated 1837 bottom left
Image size: 8 x 13 1/2 inches (20 x 34.5 cm)
18th Century Hogarth frame and was...
Category
1830s Victorian Landscape Drawings and Watercolors
Materials
Graphite
Head of a Young Woman
Located in London, GB
Karl Parsons
English 1884 - 1934
Head of a Young Woman
Graphite on paper
Signed and dated '(19)07' lower left
Image size: 6 1/4 x 8 1/2 inches (16 x 21.5 cm)
Contemporary Pre-Raphaelite style frame
One of Britain's leading stained glass designers during the early decades of the 20th century, Karl Parsons drew portraits invariably for pleasure rather than commissions, throughout his life, and it is in these that one sees most clearly the influence of some of the artists whom he most admired, notably Botticelli, Rossetti and Burne-Jones.
Though harkening back to these illustrious forebears, both technically and compositionally, this portrait also epitomises the type of portraiture that was fashionable in British high society at the start of the 20th century. Karl Parson's technique here, with delicate shading and strong outlines, is certainly comparable to Gerald Leslie Brockhurst's graphic style. It is clear that Parsons took delight in demonstrating his skill at sculpting human forms through gentle shading.
Karl Parsons was an English stained glass artist associated with the arts and craft movement. Parsons was born in Peckham in Surrey in 1884, the 12th child of Arthur William Parsons...
Category
Early 20th Century Pre-Raphaelite Portrait Drawings and Watercolors
Materials
Graphite
The Beekeepers Mid 20th Century Female Artist Graphite
By Alice Headley Neave
Located in London, GB
Alice Headley Neave
1903-1977
The Beekeepers
Graphite on paper, signed and dated 'Christmas 1942'
Image size: 9 x 9 inches
Contemporary frame
The daughter of Dr Arthur Henry Headley Huckle, a surgeon and 'painting dealer', Alice was...
Category
Mid-20th Century Figurative Drawings and Watercolors
Materials
Paper, Graphite
Christmas in the City 20th Century Pastel & Watercolour London Scene
Located in London, GB
English School
Early 20th Century
Pastel, ink and watercolour on paper
4 1/2 x 3 3/4 inches (11.5 x 9.5 cm)
Acid free mount and contemporary frame
Category
Early 20th Century Landscape Drawings and Watercolors
Materials
Pastel, Ink, Watercolor
By LMS to Buxton Original Railway Travel Poster Artwork Gouache 20th Century
Located in London, GB
English School
20th Century
By LMS to Buxton
Gouache on board
Image size: 6 1/4 x 9 inches (16 x 23 cm)
Contemporary Frame
Original artwork for a LMS poster. The London, Midland and Scottish Railway (LMS) was a British railway company that was formed in 1923 and operated until 1948. At the time it was the world's largest transport organisation, by 1938 it operated 6,870 miles of railway serving routes in England, Norther Ireland, Scotland and Wales.
This painting depicts Solomon's Temple, a Victorian folly on the summit of Grin Low hill near the spa town of Buxton, in the Peak District...
Category
20th Century Landscape Drawings and Watercolors
Materials
Gouache
The Moat at Scarborough Castle 20th Century British Gouache
Located in London, GB
Gordon Haslam
Early 20th Century English School
The Moat at Scarborough Castle
Gouache on board, signed and dated 1923
Image size: 13 1/2 x 17 1/2 inche...
Category
20th Century Landscape Drawings and Watercolors
Materials
Gouache
The Train Station Original Watercolour 20th Century
By Arthur Charles Conrade
Located in London, GB
ARTHUR CHARLES CONRADE
1863–1955
The Train Station
Watercolour & pencil, signed lower left
Image size: 12 x 14½ inches (30 x 37 cm)
Gilt frame
Category
20th Century Figurative Drawings and Watercolors
Materials
Watercolor, Pencil
Portrait of Cecil Day Lewis 20th Century Original Chalk Drawing
By Sir William Rothenstein
Located in London, GB
Sir William Rothenstein
1872 - 1945
Portrait of Cecil Day Lewis
Black and white chalk on paper
Image size: 13 ½ x 9 inches
Period gilt frame
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Chalk
Portrait of a Young Man Original Charcoal and Pastel French 18th Century
Located in London, GB
French School
18th Century
Portrait of a Young Man
Charcoal and pastel on paper
Image size: 11 x 7 inches
Contemporary gilt frame
Category
18th Century Rococo Portrait Drawings and Watercolors
Materials
Paper, Charcoal, Pastel
Consecration of a Church 15th Century English School Illuminated Manuscript
Located in London, GB
English School
15th Century
The Consecration of a Church
Illuminated manuscript on Vellum
Image size: 5 ½ x 5 inches (14 x 12.7 cm)
18th century ornate Tabernacle frame
Category
15th Century and Earlier Figurative Drawings and Watercolors
Materials
Ink, Vellum
Portrait of Lady, 18th Century English Pen and Ink
By Ozias Humphry
Located in London, GB
Ozias Humphry
1742-1810
Portrait of Frances Abington
Pen and brown ink on paper
Image size: 7 1/2 x 5 3/4 inches
Giltwood frame
The actress Frances (Fanny) Barton, better known as M...
Category
18th Century Portrait Drawings and Watercolors
Materials
Ink, Pen
Portrait of a Lady, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Portrait of a Lady
Graphite on paper
Image size: 15 x 12 inches
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of a Boy, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Portrait of a Boy
Graphite on paper
Image size: 18 x 14 inches
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of a Lady, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Portrait of a Lady
Graphite on paper
Image size: 24 x 15 inches
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of Adriane Madami, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Portrait of Adriane Madami
Graphite on paper, signed and inscribed '1930, Adriane Madami, Assisi'
Image size: 19 x 16 inches
James Stroudley was born in...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of Julieta, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Portrait of Julieta
Graphite on paper, signed and inscribed '1931'
Image size: 15 x 12 inches
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of a Young Man, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Portrait of a Young Man
Graphite on paper
Image size: 18 x 16 inches
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of a Hunter, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Portrait of a Hunter
Graphite on paper
Image size: 24 x 15 inches
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Figurative Drawings and Watercolors
Materials
Paper, Graphite
Florentine Lady, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Florentine Lady
Graphite on paper, signed and inscriber '1932 Florence'
Image size: 24 x 19 inches
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Florentine Gent, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906 -1985
Florentine Gent
Graphite on paper, signed and inscriber '1931 Florence'
Image size: 24 x 18 inches
Framed
James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of the Artist's Wife, 20th Century Graphite on Paper
By James Stroudley
Located in London, GB
James Stroudley
1906-1985
Portrait of the Artist's Wife
Graphite on paper
Image size: 13 x 10 inches
Unframed
James Stroudley was born in London on 17 June 1906, the son of James St...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
View Across a Lake, 19th Century British School Watercolour
Located in London, GB
British School
19th Century
View across a lake
Watercolour, monogrammed & dated ’02’ lower right
Image size: 11 3⁄4 x 17 3⁄4 inches
Framed
This ethereal landscape certainly draws upon the nineteenth century European Romantic tradition. The cool palette of blues, silvers and whites creates a sense of wonderment, together with an atmosphere of solitude and journey’s end. At first glance the scene is rather surreal, but the presence of a dry-stone wall and iron railings in the foreground familiarises the landscape.
THIS WORK IS PART OF OUR CURRENT EXHIBITION 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' CURRENTLY SHOWING AT DARNLEY FINE ART...
Category
Early 20th Century Landscape Drawings and Watercolors
Materials
Watercolor
Alleyway in Cairo - Original 19th Century Graphite Sketch
By Carl Friedrich Heinrich Werner
Located in London, GB
CARL FRIEDRICH HEINRICH WERNER
1808 - 1894
Alleyway in Cairo
Graphite on Paper
Acid free mount
Image Size: 16 ¾ x 10 ¾ inches
SKETCHES OF CARL WERNER EXHIBITION
AT OUR GALLERY
Ca...
Category
19th Century Figurative Drawings and Watercolors
Materials
Paper, Graphite
The Mappin Terraces, London Zoo, Mid 20th Century
Located in London, GB
Prust was a prolific artist around the time of the Second World War, specialising in scenes of London. He was a student at the Chelmsford School of Science and Art.
His subject here, the Mappin Terraces of London Zoo...
Category
Mid-20th Century Landscape Drawings and Watercolors
Materials
Ink
Jesus at the Stairs, Mid 20th Century Pencil Drawing
By Gordon Scott
Located in London, GB
Gordon Noel Scott A.R.C.A
1914 - 2016
Jesus at the Stairs
Pencil on Paper
Image size: 10 ½ x 8 inches
Contemporary style frame
GORDON SCOTT EXHIBITION AT DARNLEY FINE ART
11th - 18th November 2017
Gordon Scott was trained at the RCA (1934-38) under Gilbert Spencer, Alan Sorrell and Charles Mahoney. A reserved and highly principled man, during WWII he was a conscientious objector, stationed at Bulford Camp on Salisbury Plain. His defined role is unknown, but during his time there he produced a number of sketches and paintings of soldiers...
Category
Mid-20th Century Figurative Drawings and Watercolors
Materials
Paper, Pencil
Portrait of a young woman, 19th Century Pastel
Located in London, GB
John Raphael Smith
1751 - 1812
Portrait of a Young Lady
Pastel on paper on canvas stretcher
Image size: 9 x 7 inches (23 x 18 cm)
Gilt frame
Category
Early 1800s Portrait Drawings and Watercolors
Materials
Pastel
Winchester Cathedral, 20th Century Watercolour
By Gordon Scott
Located in London, GB
Gordon Noel Scott A.R.C.A
1914 - 2016
Winchester Cathedral
Watercolour
Image size: 13 ½ x 8 inches
Original frame
GORDON SCOTT EXHIBITION AT DARNLEY FINE ART
11th - 18th November 2017
Gordon Scott was trained at the RCA (1934-38) under Gilbert Spencer, Alan Sorrell and Charles Mahoney. A reserved and highly principled man, during WWII he was a conscientious objector, stationed at Bulford Camp on Salisbury Plain. His defined role is unknown, but during his time there he produced a number of sketches and paintings of soldiers...
Category
20th Century Landscape Drawings and Watercolors
Materials
Watercolor
Portrait of a Lady in a White Dress - 18th Century Watercolour
By John Downman
Located in London, GB
John Downman
1750-1824
Portrait of a Lady in a White Dress
Pencil, stump and watercolour, heightened with white chalk, signed and dated 1784
Imag...
Category
18th Century Portrait Drawings and Watercolors
Materials
Watercolor, Paper
The Supreme Court, London, Early 20th Century Graphite
By William Walcot R. E. Hon. R. I. B. A.
Located in London, GB
William Walcot R. E. Hon. R. I. B. A.
1874 - 1943
The Supreme Court, Parliament Square
Graphite, watercolour and gouache
Image size: 29 x 20 inches (74 x...
Category
Early 20th Century Landscape Drawings and Watercolors
Materials
Watercolor
A Prospect of Richmond Park and Town from the Thames side, 18th Century
By Adrien Sweets
Located in London, GB
ADRIEN SWEETS
Eighteenth Century
A Prospect of Richmond Park and Town from the Thames side
Ink and wash
Monogrammed and dated 1748
Image size: 8 ¾ x 12 ¾ inches (22 x 32.5 cm)
A...
Category
18th Century and Earlier Landscape Drawings and Watercolors
Materials
Ink
Portrait of a Lady, 19th Century French School Chalk on Paper
Located in London, GB
French School
19th Century
Portrait of a Lady
Coloured chalks on paper
Image size: 10 x 7 inches
Contemporary gilt frame
Category
19th Century Portrait Drawings and Watercolors
Materials
Paper, Chalk
The Writer's Retreat, 20th Century British School Pen and Ink
By Modern British
Located in London, GB
British School
1940's
The Writer's Retreat
Pen & ink
Image size: 10 1/2 x 9 inches
Hand made frame and mount
Category
20th Century Interior Drawings and Watercolors
Materials
Paper, Graphite
