Gordon Scott

Worse for Wear. Pen and Ink Mid 20th Century

English School 15th Century The Consecration of a Church Illuminated manuscript on Vellum Image size: 5 ½ x 5 inches (14 x 12.7 cm) 18th century ornate Tabernacle frame

Pen and Ink, titled lower centre Image size: 11 x 18 inches (28 x 46cm). Priced as Individuals Please note that each image size varies slightly These pen and ink studies show two g...

Watercolour and ink on paper, signed bottom right Image size: 7 x 10 1/2 inches (17.75 x 26.5 cm) Gilt frame An original artwork by an early 20th Century French illustrator, this is...

Ink on lined paper Image size: 3 x 2 3/4 inches (8 x 7 cm) Hand made frame Sam Rabin Samuel (Sam) Rabin, originally Samuel Rabinovitch, was an English sculptor, artist, teacher, singer, wrestler and Olympic bronze medallist. Rabin, who was Jewish, was born Samuel Rabinovitch on 20 June 1903 at Dewhurst Street, Cheetham, North Manchester. His parents were both Russian Jewish exiles from Vitebsk (now in Belarus). During his childhood, the family moved to Salford where Rabin grew up and where his parents encouraged his talent for drawing. In 1914 Rabin won a scholarship to the Manchester Municipal School of Art making him, at the age of 11, the youngest pupil ever to attend the college. There he was taught drawing by French artist Adolphe Valette. In 1921 he moved to the Slade School of Fine Art in London where he continued his studies under Henry Tonks until 1924. After the Slade, Rabin studied in Paris where he met and was greatly impressed and influenced by sculptor Charles Despiau. Rabin's own sculpture from this time is little known as he was a perfectionist and destroyed work that he considered unsatisfactory. In 1928, working under his full surname, he was commissioned by architect Charles Holden to carve West Wind, one of eight personifications of the four winds for the headquarters of the Underground Electric Railways Company of London at 55 Broadway. The sculpture was partly completed in-situ on the building. In 1930, he produced his only other public sculptures; two decorative winged masks, The Past and The Future, for the Daily Telegraph building in Fleet Street. These were carved on the building directly from the scaffold. Both commissions were well received at the time, but Rabin was unable to make a living as a sculptor and turned to another career – wrestling, for which he abbreviated his surname. Rabin was physically strong and had boxed and wrestled as an amateur to fund his art. He won a bronze medal in the middleweight division of the free-style wrestling at the 1928 Olympics in Amsterdam. Rabin turned professional in 1932 and fought as Rabin the Cat and Sam Radnor the Heb. Alexander Korda cast him as a wrestler in The Private Life of Henry VIII in 1933 and as Mendoza, a Jewish prize-fighter, in The Scarlet Pimpernel in 1934. Despite lacking any formal musical training, Rabin was a talented baritone and worked professionally during the 1940s singing with Stars in Battledress and sang operatic arias with the army's Classical Music Group. In 1946 he auditioned for La Scala's conductor, Victor de Sabata. In 1949, Rabin began teaching drawing at Goldsmith's College of Art in New Cross, London. His disciplined teaching style including the production of demonstration works, followed that of his own teacher, Valette. His students included Mary Quant, Bridget Riley and Tom Keating...

Ink and watercolour on paper Image size: 18 x 19 3/4 inches (46 x 50 cm) Contemporary style hand made frame

Pencil, pen and ink and watercolour on laid paper Image size: 12 ¾ x 16 inches (33 x 40.5 cm) Wash mount and period frame Boxing was a subject that Rowlandson depicted on a number ...

Enrique Chagoya Ghostly Meditations (martyrs of the arts academy) , 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) ...

Enrique Chagoya Ghostly Meditations (perpetual anarchist church), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 11...

Enrique Chagoya Ghostly Meditations (meditations on el ser y la nada), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century boo...

Enrique Chagoya Ghostly Meditations (memories of oblivion) , 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 16" x 1...

Lester Johnson Self Portrait 1969 drawn with ink, crayon, and spray enamel on paper. Measuring 14 by 11 inches, this drawing was recently professionally framed.

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan. Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery. Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy. — Howard Tangye Craig (Richard's Friend - Sitting - Blue Jacket), 2012 Mixed media on grey...