David Barnett Gallery Prints and Multiples

Photo Giclee print, signed lower right by Michael MacDonald. 17 3/4 x 11 3/4 art 29.375 x 23.50" frame

Wolf Letter Poster Series Curated by Christophe Boutin and Mélanie Scarciglia for Untitled, Miami Beach, 2017. 26 1/4" x 18" art 28.25" x 20" frame

"The Garden of Eden" is a Giclée print on watercolor paper after the original lithograph from Abel Pann's portfolio, "The Bible - Genesis: From the Creation until the Deluge." Origin...

21 7/8" x 30" art 31 1/4" x 39" frame Gicleé print on watercolor paper after the original oil painting.

"The Breath of Life" is a Giclée print on watercolor paper after the original lithograph from Abel Pann's portfolio, "The Bible - Genesis: From the Creation until the Deluge." Origin...

John T. Faber Waukesha Beach Resort, Pewaukee Lake, 2002 Giclee print, after original postcard 8/13/1909 Waukesha Beach Resort, Pewaukee Lake, 2002 is a giclee print after the origi...

This color lithograph printed in 2011, Magie noire (Black Magic), by the Surrealist artist, René Magritte, is number 16 in an edition of 275. Facsimile sig...

'Stabiles' is an original lithograph poster after Alexander Calder and published by Galerie Maeght in 1971. Calder had produced the stones for this lithograph a year earlier in 1970 ...

"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...

"Famous Artist Series: Homage to David Hockney - Sun & Water Spots on My Glasses by the Pool, miniature variation" is a mixed media watercolor and ink landscape painting of a yellow sky with tall green palm trees, red, orange, and yellow flower garden. As part of the artist's 'Famous Artist Series,' Barnett pays homage to David Hockney, who is known for his depictions of pools. This artwork was inspired by a trip to Los Angeles, California, and the view from David's hotel room overlooking the pool at the Hollywood Roosevelt Hotel...

'Figural Abstraction' is an original block print by American artist and teacher Sylvia Spicuzza. The image, printed in white ink against a grey paper, presents bold and graphic figur...

'The Turquoise Suite' is a portfolio of three original color lithograph by the renown printmaker R.C. Gorman. From Arizona, the artist's later works fo...

'Mother's Day Bouquet' is a giclée print on watercolor paper, signed by the artist in the lower right. Atop a checkered placemat rests a bouquet of flowers in a vase. Foregoing botanical realism, Barnett has opted instead to present a uniform floral profile, emphasizing how their colors work as an ensemble rather than foregrounding any distinct physiological differences. The composition’s flattened perspective also resembles the works of another painter of flowers—Henri Matisse—from whom Barnett draws inspiration. Giclée print on watercolor paper after original 2004 mixed media 7 x 5 in, print 13.25 x 10.75 in, frame Signed lower right Framed to conversation standards using archival materials including 100 percent rag matting, UF5 plexiglass to inhibit fading, and housed in a gold finish wood moulding. David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. In 1985 David moved his gallery from Wisconsin Avenue into the Old Button Mansion on State Street and has been active ever since. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Since its opening in 1966, The David Barnett Gallery has flourished to become Wisconsin's premier gallery and has the most diverse range of art available in any Wisconsin gallery, including works of art that represent more than 600 artists. The gallery also offers custom framing, art appraisals...

‘Celebration’ is an artist’s proof giclée print, signed and dated by the artist in the lower right. This piece is a part of Barnett’s ‘Morph Dog Series,’ so named for his use of a “morph dog”—a dog-shaped foam sculpture that transforms into a cube when turned inside out—to paint. Against a muted horizon, multicolored rings ignite the sky like fireworks as confetti cascades to the bottom of the frame; rows of morph dogs further ornament the display in red and blue. Giclée print on watercolor paper AP I/XXV 48 x 36 in, print 57.5 x 46.75 in, frame Signed and dated in lower right "AP I/XXV" in lower left Framed to conservation standards using archival materials including 100 percent rag matting and housed in a gold finish wood moulding. David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. In 1985 David moved his gallery from Wisconsin Avenue into the Old Button Mansion on State Street and has been active ever since. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Since its opening in 1966, The David Barnett Gallery has flourished to become Wisconsin's premier gallery and has the most diverse range of art available in any Wisconsin gallery, including works of art that represent more than 600 artists. The gallery also offers custom framing, art appraisals...

'Fatima' is an original color lithograph by the renown printmaker R.C. Gorman. from Arizona, the artist's later works focus almost entirely on the female figure and take Native American and Southwestern imagery as a source of inspiration. Here, a single woman sits in a colorful yet undefined space. The form of her yellow dress as she kneels is repeated in the delicately drawn bunches gladiolus flowers...

'Gladia' is an original color lithograph by the renown printmaker R.C. Gorman. from Arizona, the artist's later works focus almost entirely on the female figure and take Native American and Southwestern imagery as a source of inspiration. Here, a single woman sits in a colorful yet undefined space. The oval shape of her broad seated form is repeated in the delicately drawn shape of the flower basket at her feet. The basket contains a bundle of multicolor gladiolus flowers...

'Mel Swimming in Beaver Lake (Blue)' is an original digital artwork by Wisconsin-based artist and swimmer Melodee Liegl – the first digital artist represented by our gallery! As a pr...

'Mel Swimming in Beaver Lake (Blue)' is an original digital artwork by Wisconsin-based artist and swimmer Melodee Liegl – the first digital artist represented by our gallery! As a pr...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4.5 x 6 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

"Incantation - L'Estampe Moderne" is a giclee print on watercolor paper after the original lithograph by Alphonse Mucha. L'Estampe Moderne was a French publication aimed at promoting...

"Annette" is an original black and white lithograph by Alberto Giacometti. It features the nude torso of a woman in an interior. lithograph in black on Rives wove paper 10" x 7 1/2...

'Babylone d'Allemagne' or 'German Babylon' is an original lithograph poster by the lauded artist of the Art Nouveau style Henri de Toulouse-Lautrec. This is the second poster that La...

This woodcut print, depicting the 'Agony in the Garden,' is a rare image coming from a small passional. A passional is a common kind of devotional ...

An etching in red by American pop artist Wayne Thiebaud depicting six Italian desserts. This is #16 from the edition of 50. It is signed and dated in pencil lower right, and numbered...

This giclee print on canvas is hand embellished with acrylic gel brushstrokes after the 2001 original oil painting. Depicting brightly colored flowers in a vase, this beautiful artwo...

In this playful gicleé print, the viewer is presented with two golf balls adorned with Christmas-related imagery. The golf ball on the right features Santa ...

This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...

'O'Tannenbaum' (Artist's #30129) is an original color silkscreen print by Ruth Grotenrath, signed by the artist on verso. Influenced by the works of Expressionists like Henri Matisse and the woodblock prints of early modern Japanese artists like Katsushika Hokusai, Ruth Grotenrath's 'O'Tannenbaum' combines the expressive use of color of the former with the precision of the latter to create a Christmas card that is as vibrant as it is subtle. Depicting a pine tree decked with ornaments and stockings, Grotenrath has rendered the tree-topping star as a ball of flames to analogize the warmth and spirit of the holiday season. Original color silkscreen 6.625 x 4 inches, silkscreen 14.375 x 11.375 inches, frame Signed in screen on verso inside-letter Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials, Museum Glass to inhibit UV damage and reduce glare, and housed in a gold finish wood frame. "The paintings of Ruth...

"Fir Tree" (Artist's #1516) is an original color silkscreen by Ruth Grotenrath. The artist signed the piece with her initials lower left. This artwork depicts a white fir tree branch in white on red. 4 1/4" x 5 3/8" art 12" x 13" frame "The paintings of Ruth...

'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. 3.75 x 2.75 inches, image 5.5 x 4.5 inches, paper 10 x 8 inches frame Signed and dated in the stone, lower right Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a cherry wood moulding Overall excellent condition; some toning to edges of paper; some minor abrasions to frame Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller. Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas...

'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected. 2.5 x 2.25 inches, print 12.38 x 10.38 inches, frame Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding. Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame. Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654. Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings. Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace). Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou. As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s. Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...

The present artwork is an original color aquatint by the Sag Harbor-based artist Nicolette Jelen, and is a particularly rare Hors Commerce proof. It presents a view of what is probab...

Presented here as a group are four original etchings of women in European national dress from the master printmaker Wenceslaus Hollar's series "Aula V...

In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...

'The Great Republic' is a hand-colored lithograph depicting the prized steamship of the Pacific Mail Steam Ship Company. The ship was a huge side-wh...

Part of the artist's 'Self-Portrait Series,' David Barnett’s ‘Take My Hand, I’m a Stranger in Paradise’ deconstructs self-portrait photography by only displaying the artist's shadow ...

Part of the artist's 'Self-Portrait Series,' David Barnett’s ‘Take My Hand, I’m a Stranger in Paradise’ deconstructs self-portrait photography by only displaying the artist's shadow ...

'Lobsterman's Wharf, Maine' is an original lithograph signed by Malvin Marr "Zsissly" Albright. While Malvin Marr – along with his better-known identical twin Ivan Albright – was known for his meticulous and unsettling magic realist compositions, he and his brother were also prolific in capturing landscapes of the coast of Maine where the two spent several consecutive summers away from Chicago over their lives. Sometimes these Maine landscapes and views would be painterly and seemingly antithetical to the careful realism of his other work; but in this example, however, the wharf is treated with the same macabre decay as his human subjects. In the composition, the shack...

'The Dealer' is an original lithograph from John Doyle's 'Gambler' series. The suite included ten different prints, each image capturing the exhilaration and danger of the games of chance played by casino goers. In one of the prints, a woman pulls the lever of a slot machine; in another, men queue before a lottery ticket window. In 'The Dealer,' a man faces the viewer directly. His stern gaze is hidden behind dark glasses as he springs cards between his hands in a flurry of aces and spades. His clothes reflect both the fashion of the 1970s while also hearkening to the villains of Western films. All the while, he is framed from behind by the arch of a blackjack table, which is itself lined by glistening lights of the casino. 29.5 x 20.5 inches, artwork 37.75 x 28.75 inches, frame Signed "doyle" in pencil, lower right Entitled "Dealer" in pencil, lower left Series title "Gamblers" in pencil, lower left Edition "XXXIII/XL" (33/40) in pencil, lower left Publisher blindstamp, lower left Framed to conservation standards using archival materials including 100 percent rag matting, UV Clear glass to inhibit fading, and housed in a maroon-tinted mock tortoise shell finish wood moulding with a gold finish bevel. Artwork in excellent condition; housed in a new custom frame. John Lawrence Doyle...

In David Barnett’s ‘Way Down Deep Revisited,’ fishing floats drift placidly across the surface of a lake; below, kaleidoscopic fish view the hooks with mild distrust. Although princi...

'Beaver Lake Flowers' is an artist's proof giclée print after the 1996 original, signed by the artist in the lower right. Working in the organic and mutable hues of watercolor, Barnett's flowers emerge from out of the variegated undergrowth only to dissolve back into pure color just as quickly. Barnett's mastery over color and light reveals him as a student of the Impressionists, while his tendency towards abstraction highlights his appreciation of later Expressionists as well. Giclée print on watercolor paper after original 1996 watercolor painting...

‘Celebration (Homage to Sharon)’ is an artist’s proof giclée print, signed and dated by the artist in the lower right. This piece is a part of Barnett’s ‘Morph Dog Series,’ so named ...

‘Beaver Lake with Stargazer Lilies II (triptych),’ is an original mixed media giclée print on watercolor paper, signed by the artist in the right panel....

In this artist’s proof giclée print, David Barnett commemorates the Boerner Botanical Garden’s gala with a stunning nocturnal scene of the garden illuminated by fireworks. Confetti s...

Part of the artist’s ‘Firework Series,’ ‘Grand Finale I’ is a giclée print after the 1997 original, signed by the artist in the lower left. Pointillistic fireworks bloom over the Sta...

‘Impressions of Pinnacle Peak, AZ Looking West From Dick & Sherry Miller's House’ is an artist’s proof giclée print after the original 2001 watercolor, s...

‘Ten Commandments’ is a giclée print on watercolor paper, signed by the artist in the lower right. In the composition, Barnett presents a still life of Jewish ritual objects, includi...

‘Tulips, Hybrid, Hibiscus, Crane’s Bill & Peonies’ is an artist’s proof giclée print on watercolor paper after the 2003 original, signed by the artist in the lower right. Influenced ...

‘Giant Hybrid Hibiscus Butterfly’ is an artist’s proof giclée print on watercolor paper after the 2003 original, signed and dated by the artist in the lower right. The composition em...

David Barnett's 'Buca di Beppo - Chocolate Demolition Derby' features a playful application of forced perspective. The photograph zooms-in on a yellow toy car mid drift...

Part of the artist’s ongoing illustrations of Beaver Lake, ‘Beaver Lake with Stargazer Lilies II’ is an original mixed media giclée print on watercolor ...

‘Early American Pop’ is a giclée print on watercolor paper after the 1966 original, signed by the artist in the lower right. Reminiscent of patterns from stamp art and quilt art, ‘Ea...

This poster, produced for an exhibition at the Milwaukee Art Museum, features the bold work of American architect and designer Frank Lloyd Wright. Beneat...

This poster, produced for the 1978 International Meeting of Fine Art Dealers in Washington, features prominently one of Claude Weisbuch's dynamic images: Le Condottiere. It is an original color lithograph advertising his new works, and is one of only twenty-five that bears the artist's signature in the lower right. In line with Weisbuch's interest in the Renaissance and Baroque in Europe, this image looks back to the early modern period. Condottieri were Italian captains...

Jan Gillisz van Vliet (1605–1668) was a Dutch Golden Age artist and student of Rembrandt. He worked with Rembrandt between 1628 and 1637, inspired by his master's work. Like Rembrandt, van Vliet made a series of beggar figures, though often with a greater degree of satire and expressiveness. For example, this image of a rat catcher...

The present is one of the many prints John Thomas Smith produced of English cottages and vernacular architecture. This example, a view of a cottage in Edmonton, is closely related to...

Originally drawn in 1964 while Barnett was still in high school, ‘Human Geography’ depicts an anthropomorphic figure assembled from the continents. Featuring the simultaneous points ...

The present work, "Daydream," is an offset lithograph after the original painting by John Asaro – and it is a work glowing with light. In the image, a young...

"La Page Blanche," or in English "The White Page," is an original color lithograph executed after the original painting from 1967 by the Belgian Surrealist...