Flowermountain Folk Art

A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999 Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame. Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976). Artist's Biography (Courtesy of Art Gallery NSW) After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists. During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney. Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...

Geometric Barmbara Sukuru Animal Mask with horns, teeth, from Mali, West Africa. Inserted wood teeth, abstract face with open eyes, with raised eyebrows and framed face. Old native...

20th Century bark cloth painting, Mbuti (Efe) people, Ituri Forest, D. R. Congo A painted barkcloth from the Efe people in the Ituri forest of no...

This graphic Songye Kifwebe mask has fine carved lines curved over the eyes and diagonal lines radiating from the nose and mouth in classic Kifwebe form. ...

19th century decorated stoneware jug with a bird on the face. This is a New York State jug. The condition is very good.

Add a piece of African history to your home. This is large and evocative of ancient times and ceremonies. Weathered wood mask fragment, Bambara people, Mali, Africa, late 19th-early ...

Discover the soul of Africa through this authentic Salampasu mask from DR Congo, handcrafted in the mid-20th century. Part of a carefully curated collec...

A mud cloth (Bogolanfini), Mali, Bamana People mid-20th century. Hand woven 'discharge dyed' cotton Approximately 71 x 52 in. (180cm. x 132cm.) A dazzling geometric pattern...

This exquisite 19th-century hand-painted ceramic amphora is a finely crafted Grand Tour museum replica of an ancient Greek Geometric-style vessel, circa 800 BCE. The amphora features...

This is a vintage display mask. An African, carved ironwood ceremonial tribal mask, dating to the late 20th century. Fascinating ridged carvings accentuate this distinctive mask Di...

Signed Batik'ed textile painting of elephants. Un-identified African artist. Framed in brass behind glass.

A beautiful wall mask made from woven esparto grass, depicting a donkey’s head. This rare piece of folk art from the South of France dates back to the 1970s. Entirely handcrafted, it...