Galerie Sommerlath Paintings

The 14th of July is the National Day in France. That night every high school in Paris have an orchestra playing in the streets. This painting is depicting musicians students expres...

This painting features a red sky (as Gastaldi named it) and it is part of 3. The #2 one is featuring a yellow sky and the third one is the desert light. #1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm. See attached the pictures of the 2 matching ones. Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist. His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...

The artist used very thick oil paint strokes to feature the blazing red hair of a girl and drew her face finely with a crayon. The contrast between the 2 media is striking! Christopher Mark Brennan...

This square-framed abstract artwork, textured with blue-grey and purple hues, features an illegible signature and is dated 1985 in the right co...

Nude figure drawing made with a mix of pastels and gouache signed and dated 1963. Born in Tacoma, WA, on Oct. 23, 1918, Randall lived in Salem, OR, during the 1930s. He created artwo...

This nude figure drawing is made with a mix of pastels and gouache, signed and dated 1963. Born in Tacoma, WA, on Oct. 23, 1918, Randall lived in Salem, OR, during the 1930s. He crea...

Pat Wilson was a French painter born in 1868 and she died in 1928. She lived in France and part of her life in the Maghreb. This painting shows perfectly th...

The painting reveals a nude woman, her aura exuding self-assurance. She stands upright on the rugged terrain of a rocky mountain. The work is elegant, devoid of any hint of eroticism...

Sepia tones permeate this remarkable oil painting by American artist Geoffrey Johnson, who captures a hauntingly timeless scene. A woman waits by the window of her home, silent, almost absorbed in the diffuse ambiance of the room? The artist emphasizes the intimacy of his subject, a silhouette between presence and absence whose identity he has limited to a shadow. The woman is treated like a ghost, associating her with the invisible and the forgotten. In all its diversity, art is a step towards understanding human emotions and, often, an opening into the soul. The canvas analyzed here is that of a seemingly banal dining room, including an old-style kitchen area, inhabited by this quasi-incorporeal female figure. This eloquent artistic choice echos a reflection on the condition of loneliness. Few details appear some paintings on the wall, a dining table with two visible plates, a chandelier, etc. The sepia tint is emblematic of nostalgia, reminiscent of the photographic process that ages pictures to give them an air of yesteryear. Here, the artist recalls the past, not to idolize it, but to question the persistence of female alienation over time. The deliberate use of a restricted, even desaturated chromatic range reflects a timeless universe in which the female figure echoes across the ages. Like an entity in a sepia photograph, where the being is frozen for eternity, the woman appears and disappears simultaneously, symbolizing the volatility of existence and the fragility of memory. Johnson confronts us with a profound reflection on our solitude and relationship with time, painting the isolation of women in the hues of a bygone era. Through a technique that magnifies the essential and erases the extra, he resurrects an atmosphere inviting us to reinterpret our reflection on existence. -------------------------------------------------------------------- Born in 1965 in Greensboro, North Carolina, Geoffrey Johnson graduated from the Pennsylvania Academy of Fine Arts, where he received several awards and prizes for his artistic excellence. Since 1995, he has exhibited in galleries and venues throughout the United States. His paintings may be found in many private and corporate collections, including those of Coca-Cola, Turner Broadcasting, BellSouth, and Wells Fargo. Johnson draws much of his inspiration from his travel experiences and first-hand observations. Using a monochromatic palette of sepia hues, the artist strives to reproduce the places that inspire him. Johnson’s work is powerfully evocative of the French Impressionists’ depictions of city life, interior spaces, and equestrian scenes. From Gustave Caillebotte’s steely, atmospheric renderings of foggy Paris streets and dusky rooftops to Degas’ spindly-legged racehorses, the influence of these artists upon Johnson’s painting is readily visible. His manner of distorting the human figure has also been likened to the skeletal, surreal forms of Alberto Giacometti. Johnson has established himself as a true innovator, successfully capturing the alluring space between abstraction and realism. His work is significantly influenced by his fascination with both the human figure and the powerful architecture of a modern city. Through a feeling of anonymity, figures become suggestive shapes, and the skyline of New York materializes mysteriously in the background. Johnson’s paintings embody the mood of each urban experience. Johnson has “always been attracted to interiors, work spaces [and] personal spaces.” Inspired by a box of...

Against a backdrop of deep, brilliant yellow gold, two distinct zones emerge: the outlines of a shadow formed by a pair of human silhouettes, probably a couple, appear. The golden ba...

Lloyd invites us to contemplate a moment of intimacy. An oriental dancer is asleep, her head tilted back as if she is wrapped in colored ribbons, which makes us wonder about the real...

In this painting by Charles Jupiter Hamilton's "Downtown San Francisco," the pulsating heartbeat of the city comes alive in a kaleidoscope of color and form. This acrylic abstract se...

In the "Fantasy/Metaphysical" series by American artist Eugene Hawkins, the convergence of surrealism and metaphysics unfolds as an exploration of existential themes common to all. C...

Beyond artistic and aesthetic expression, every still life offers the opportunity to activate a deeply intimate experience. David Segel invites us into a profound encounter with this...

This figurative painting by Edgard Kiechle presents the scenario of a doll who is very surprised to have been abandoned into the basket of her mom's tricycle. An interesting factor is the pictorial use of angles. The point of view, a little above the stage, probably that of an adult, offers particular perspectives. This approach adds depth to this painting with distinctive compositional appeal. In contrast to the scene's disorder, a black-and-white tiled floor with a geometric design serves as an antithesis. The careful symmetry of the tiles competing with the surrounding disarray sparks a dialogue about the human need for organization and balance. In composition, absence is a living element. The exclusion of a physical human figure amplifies the feeling of emptiness, creating a human presence perceived imaginatively. Edgar O. Kiechle was born in 1911. He was a film illustrator and a painter. Edgar studied landscape painting with Jean Mannheim and architecture and became an excellent watercolorist. After studying at the Otis Art Institute in Los Angeles, he interned with leading architects and designers. He worked at most major studios, but his career as an illustrator saw him primarily at the Universal Studio Art department. In 1933, Edgar joined Lwerks as a background artist and worked on many films produced by Animated Picture Corporation through 1935. In the summer of 1941, Edgar Kiechle...

Abstraction offers a unique opportunity to delve into the space between the visible and the invisible. Acting as a conduit connecting the tangible and the intangible, it encourages us to explore various interpretations in a dreamlike state. In this abstract oil painting by California resident artist Erik Fiazi, the canvas is full of dynamic, nervous brush gestures, evoking images that might recall a continent or torn fabric. Whether it is the phalanges of a fist ready to burst and rip the canvas or a nation symbolized by colors that could be similar to those of a flag. There are so many possible interpretations. In any case, the work releases a raw and unbridled energy, Charged with a force worthy of a revolution like a raised fist, with its red which invades our entire field of vision, a rebellion underlined by the nervousness of the gestures of application of colors next to each other and also on top of each other, probably applied both with a knife and with a large brush. There is thickness and a lot of density. Abstraction is a challenging genre because, beyond the technique, the magic lies in the ability to penetrate the viewer's heart. By contemplating this work through the prism of allegorical reading, we can discern the echoes of a nation in turmoil: a landscape emptied of its green splendor; in fact, green appears in the minority, invaded by the burning red of destruction and flames. The central block resembles an island adrift in a navy blue sea, evoking isolation and vulnerability after a tumultuous storm. The foam of the waves reminds us of the instability inherent in life. Yet within this chaos lies a profound lesson: while the surface may churn under the unleashing of the elements, the bottom of the ocean remains still, offering a symbolic parallel to the importance of maintaining solid foundations amidst the turbulence of life. Eric Fiazi...

Through singular facial analysis, the artist dissolves the traditional concept of perspective, presenting the central figure with a multiplication of contours. The main subject, like...

This gouache reveals a butterfly tree with wings covered in multiple eyes towards the observer. In this primitive kaleidoscope playing with perspectives, the artist Rupert Picott leads us into a dance of forms, half-animal, half-vegetal. Here, we can breathe a nature distanced from civilization, a shattered, psychedelic dimension that opens the doors of a hallucinated perception. This gouache transcends its physical form. Like a dream woven into reality, it beckons viewers to question the boundaries of their consciousness. Each brushstroke becomes a portal to a realm where the mundane and the mystical intertwine, blurring the lines between what is seen and felt. In this dialogue between forms and colors, Rupert Picott offers us not just a painting but a glimpse into the infinite expanse of the human experience, echoing William Blake’s timeless wisdom: ‘If the doors of perception...

In this abstract expressionist painting by Shant, the tension between black and white creates an immediate, palpable sense of unease, which could recall the chaos and turmoil often associated with Lebanon's complex history. Indeed, Shank was born in Lebanon in Beirut in '71. From 1975 to 1992, Lebanon was the scene of a multifaceted war. Very deadly for the civilian population, it involved various protagonists, and a civil war broke out in 1975-1976, then again in 1983-1985. Whether consciously or unconsciously distancing from these events, having been exposed to them directly or through the tragic experiences of families who remained in the country, the bold brushstrokes and swirling circular shapes evoke a sense of urgency, reflecting the inner turmoil and external conflicts that may have shaped the artist's experience. Abstract expressionism is a free universe where everyone can interpret a painting according to its history, its current events, whatever the resonance may be between the personal history of the spectator and that of the artist. The chaotic composition of this piece invites us to explore our inner worlds as we navigate through the painting's complex layers of meaning. Shant fills space with dynamic energy, creating an organization of forms, a dialogue that challenges traditional notions of order and structure. It is impossible to separate Shant's artistic expression from the socio-political context of Lebanon. The artist's education undoubtedly influences his point of view, infusing the work with a questioning that resonates on a profoundly universal level. Ultimately, Shant's abstract expressionism in this painting transcends mere representation, inviting viewers to confront the complexities of the human condition and the lasting impact of conflict on the individual and collective psyche. He was born in 1971 in Beirut, Lebanon, where Shant Beudjekian’s art practice was discovered at 14, after gaining recognition from the Swiss national youth soccer team and winning many trophies and medals then. In 1995, after moving to California, San Diego, he completed a 4 year Bachelor's degree in Fine Arts with a minor in Ceramics at Otis College of Art and Design in Los Angeles. He also attended a one-year internship in landscape architecture at the Rhode Island School of Design. He returned to Southern California in 2004, where he practiced as a full-time Artist in the Local Art Communities of Southern California. He has been painting for 25 years while receiving appreciative acceptances from curators and Gallery Directors from the East Coast. He exhibited in several cities on the East Coast of the United States, along with exhibitions in the Chelsea District of Manhattan, New York. Now living on the West Coast, Beudjekian has been notable for exhibiting Art and selling on numerous occasions at the San Diego Art Institute of the Living Artists, Del Mar Art Center, San Diego Hospice and Palliative Care, and Forest and Ocean Gallery...

The painting "Military Joy" offers a poignant testimonial into a moment in history, capturing the spirit of celebration and camaraderie among soldiers of the Kingdom of Croatia-Slavo...

Hu Yongkai, born in Beijing in 1945, is currently a member of the Chinese Artists Association. He previously taught at the Shanghai Academy of Fine Arts and...

"Swinging Harmony," is an oil painting on canvas by Edgar O'Kiechle. It transports viewers into a lively dance scene featuring a couple of black dancers swinging at the heart of the...

White, brown, red, and orange lines shape an abstract maze in this signed painting by Paul Showalter. October 10, 1940 - May 24, 2019 Artist, Designer, Painter, Poet, Sculptor Paul Showalter was born in Pasadena, California in 1940. Paul studied art and design at Pasadena City College, and later received a full scholarship to study at the renowned Chouinard Art Institute (now CalArts) and Otis Art Institute (now Otis-Parson) in Los Angeles, majoring in Advertising Design and Illustration. In 1966, Paul Showalter founded the Graphics and Communication Department at the new Los Angeles County Museum of Art, the first major art museum in Los Angeles, setting high standards of museum graphics throughout Southern California. At the 1970 World's Fair in Osaka, Japan, Paul was nominated for Best Animated Short Film for his film titled "The Moon Step." In 1974, Paul founded his own commercial graphic design firm, which specialized in the design of corporate identity programs, exhibition graphics, illustration, and print communications. He also designed floats for the Pasadena Tournament of Roses parade...

The oil painting features a family at the fairground stopping by the ice cream stand. An elegant mother hands a treat to one of her three children, while another holds his ice cream, and the last one a red balloon. A couple with a child stands on the left part of the painting, while in the background, men sitting on stools face a cook at a counter. The latter looks down and focuses on preparing food for his clients. The overall impression is joyful and lively, though it looks more like the end of the day because of the dark warm colors used by the artist to depict the scene. Edgar O. Kiechle was born in 1911. He was a movie illustrator and a painter. Edgar studied landscape painting with Jean Mannheim, and architecture, and became an excellent watercolorist. After studying at the Otis Art Institute in Los Angeles, he interned with leading architects and designers in the area. He worked at most major studios but his career as an illustrator saw him primarily at the Universal Studio Art department. In 1933, Edgar joined Lwerks as a background artist and worked on many films produced by Animated Picture Corporation through 1935. In the summer of 1941, Edgar Kiechle...

In this composition, Californian artist Wesley Johnson invites us to contemplative stillness. The abstract essence of this work flourishes into a living entity, enriched by a blend o...

These geometric forms in space bring you to another dimension. Enhanced by the resin process, this acrylic painting opens a shiny window into ...

Pierre Giraud's "Embankment of the Seine River" Parisian cityscape, portraying the iconic Pont au Change bridge, offers a mesmerizing scene at dusk. A m...

Mid-century large framed painting of two twin trees in warm earthy tones and textured details. The work is first sculpted in plaster and then painted. It has an illegible signature.

This lithograph, numbered 49/200, dated 99, and signed on the right bottom is presented in its original silvered frame with an intact label on the reverse. It showcases Corneille's u...

In this oil painting on thick paper, the Armenian artist Vahan Yervandyan presents an abstract composition that ignites a dialogue between two opposite worlds. The interplay of form ...

This delicate oil and ink painting on panel by Dusso depicts a beautiful and graceful woman seen from behind, her nude figure enhanced by the framing of her hair. She holds a vase in...

Something is mesmerizing about the paintings of Pat Berger - a captivating force that immediately draws us in. Her work is characterized by a unique composi...

With this oil painting realized by the Californian artist Edward Sotello, we can clearly see on the right a glass, a vase, and some flowers placed on a table. On the left, a possible...

At the core of this colorful gouache on burlap appears a simple composition with large areas of colors responding to the use of darker hues to establish the backdrop. These hues act ...

This unique artwork by Richard Proctor is part of a series of 3 (see last pictures and other listings). It is a self-portrait repeated 3 times in diffe...

Artists have used their creative expression to cope with the collective trauma of the Iraq War, often in ways that are deeply personal and meaningful. They have created works that evoke feelings of anger, sorrow, hope, and dread which are difficult to express through words alone. Their works raise questions about the existential struggle faced when attempting to make sense of tragedy on a global scale. Since the 1970s, Doug Edge...

Shapes and colors are the focus of this whimsical artwork painted on canvas by Steve McElroy. Signed and dated by the artist. Artist Steve McElroy’s work is owned by the singer Madonna, Alice Walton...

This monochromatic, black-and-white abstract painting plays a constant game between forms and shadows. For the painter, his artworks are a pure contrast between the visible and the invisible. Dark gestural lines decorate the background and contrast against a disappearing white background with subtle details of grey. Organic patterns appear in the black line work, creating an ethereal use of depth and space. The foreground contains multiple uncanny shapes feeding an overall fantasy yet gloomy atmosphere. The title of the artwork is "Phase 2...

The artwork features a red bridge above a narrow river. A tiny boat passes by, between the two huge structures holding the bridge on each side. Depicting an industrial environment, the artist gave the overall impression of a middle ground between nature and technology. Paul Weingarten is an American Postwar & Contemporary painter. Paul Weingarten received a BS in Art at New York University and studied at The Art Students League and Columbia University, where he enrolled in the MA program. He has taught studio art in Connecticut and New York public school programs at the New York Studio School, the University of Wisconsin, and Binghamton University (SUNY). He has recently held solo exhibitions at Salander-O’Reilly Galleries, the Montclair Art Museum; the State Museum, Trenton, NJ; and the Cathedral of St. John the Divine, NY, among others. He participated in group shows at the Hudson River Museum...

This unique artwork by Richard Proctor is part of a series of 3 (see last pictures and other listings). It is a self-portrait repeated 3 times in diffe...

This artwork features an oil landscape painting by French painter Emile Gerard. The artist used warm colors, overlapping layers of light, and dark oranges...

This painting features two children with big brown eyes peeking behind red-slatted shutters. The innocence on their faces contrasts with some sense of embarrassment, like if they had...

This oil painting features a calm lake where eleven black ducks swim. The artist painted a water pipe on the lake's left bank while a palm tree stands alone at the center. John Mit...

This piece is one of his rare painting which does not features women. Neil Nagy was born in 1941 in the East Los Angeles Latino community of El Sereno. He is a figurative expressionist painter who draws upon the single, powerful human form as a way to explore the humanistic, personal, and spiritual paths. Nagy's inspirations have continually evolved. He came to appreciate the culture and art of Mexico as he traveled extensively to embrace the colorful life of the people and the country and to study ancient Mayan civilizations. He is also influenced by the work of Rembrandt. Constable and Turner. Nagy received his education at San Jose State College for Industrial Design and Art and later at the Instituto Allende in San :Miguel Allende...

This peaceful pair of 19th Century paintings show two rural scenes from the Chinese countryside. One is a shepherd sitting by the river,...

Amazing Architectural Acrylic Painting signed BHG 2008. This painting has incredible attention to detail using clean lines with accurate perspective. The repetitive image and symmetr...

Architectural Landscape signed BHG, 2008. Acrylic on canvas in solid walnut frame This striking, dream-like painting demonstrates draftsman-level technical skills; while capturin...

Jerry Williamson (1926 - 2016) was active/lived in California, Washington / France. Jerry Williamson is known for Portrait painting, street performers, and more. Jerry Williamson (19...

Jerry Williamson (1926 - 2016) was active/lived in California, Washington / France. Jerry Williamson is known for Portrait painting, street performers, and more. After being a hair c...

This painting is signed and dated in the back. It floats in a dark stained wood frame. Albert Radoczy was a master at exploring the female form. Throughout his career, his drawings a...

Non-objective abstract oil on canvas from the estate of Bert Miripolsky. American artist Miripolsky studied painting at Chicago Art Institute in the early 1940s and has exhibited th...