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French Mid-Century "The Polytechnique Students" Painting by Bernard Cornille

1963

With this oil painting realized by the Californian artist Edward Sotello, we can clearly see on the right a glass, a vase, and some flowers placed on a table. On the left, a possible...

This oil painting features a calm lake where eleven black ducks swim. The artist painted a water pipe on the lake's left bank while a palm tree stands alone at the center. John Mit...

Something is mesmerizing about the paintings of Pat Berger - a captivating force that immediately draws us in. Her work is characterized by a unique composi...

This peaceful pair of 19th Century paintings show two rural scenes from the Chinese countryside. One is a shepherd sitting by the river,...

This Robert Farrington's painting serves as a visual gateway to a distinct period in post-war France, composed with a deep respect for the elements interwoven into the collective memory of Paris. His work adeptly engages with the archetypal settings and concepts that convey the quintessence of this beloved and frequently visited capital. As the viewer gazes upon this artwork, they are instantly immersed in the ambiance of a food trade street, and especially the familiar historic brasserie “Au Pied de Cochon” - the sole establishment in the painting that still exists nowadays - and its surroundings at the heart of the bustling Halles district. At "6 Rue Coquillère", the act of opening the doors, each adorned with handles that resemble pig's trotters, transports one through a temporal gateway into the quintessential French world of "la cochonnaille"... The renowned "Pied de Cochon" restaurant made its debut in 1947. In its early days, it became the preferred gathering place for the "Forts des Halles" – the diligent laborers who tirelessly transported goods through the pavilions of the old Halles de Paris. From these dedicated workers to the luminaries of the time, this establishment emerged as a symbol of Parisian life. Farrington reconstructs a scene around this restaurant, nourished by her own Parisian experience when he was a young American living in France. An iconic Brigitte Bardot poster...

This tribute art piece - an awe-inspiring representation of a nude, lascivious woman before or after an intimate embrace - is a celebration not only of Tamara de Lempika’s skill and ...

textured Figurative painting- Water Series No.2 by He Wenjue Dimension : 30 x 20cm Material :oil on canvas Date: 2009 About Water Series He Wenjue grew up in Hunan province, China, where the tributaries of the Xiangjiang River surround almost every town. Water nurtures life, and life creates prosperity and hope. In the late 1990s, He Wenjue began to paint inspired by the theme of water, initially prompted by its natural beauty and liquidity. Unlike David Hockney’s renowned pool portrait series, He Wenjue’s paintings display endless expanse of water. Although the surface of water reflects the intense blue colour of the sky, it does not conceal the energy of the water flow: the combination of blue and black makes the water surface look like a strong magnetic black hole. This image generates in the viewers a feeling of anxiety and concern for the swimmers. Even though the combative swimmers, depicted by He Wenjue with reference to Lucian Freud’s expressive style, are carried away by the waves and look pale and weak, however, their naked bodies, still illuminated by an obsidian light, rise and fall between the waves. For He Wenjue, water is a symbol of any kind of living space: the dynamism of the water surface and the unstable nature of the water represent the instability of society in a universal sense, while the swimmers who strive forward represent the individuals who face many difficulties when they are looking for their own place and making every effort to pursue freedom. About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

The painting is an oil on canvas, measuring 48" x 36". The painting is multilayered to show skin texture, and source of light. The painting shows a young woman fixing her shawl, an a...

The painting is an oil on canvas, measuring 45" x 33". There is a lot of texture on this painting created by cigarette butts and ash mixed with oil paint, smeared on the canvas to highlight the hair. The painting shows a character inspired by Bollywood, in the market, reflecting on all the patterns and designs she sees in a South Asian jewelry...

This painting is an oil on canvas measuring 36" x 29". Portrait was stylized on artist owned images. Framing is available based on buyers preference. The image depicts a middle aged...

Painting is an oil on canvas, measuring 30" x 22". There is a lot of texture on this painting built up entirely of scraped and dried oil paint. This image is a dark one, showing a wo...

The painting is about a woman stuck still in time, statuesque and hard looking. The are many layers of strokes to build on the hardness of the figure...