Robert David Farrington

"Parisian Street", Cityscape Oil on Canvas by Robert Farrington

1980

This oil painting features a calm lake where eleven black ducks swim. The artist painted a water pipe on the lake's left bank while a palm tree stands alone at the center. John Mit...

This oil painting from the 65s by California Artist Bruce McCracken derives its title and inspiration from the mythical Arno River in Tuscany. Dividing the historic city of Florence into two distinct parts, the Arno has long captivated the collective imagination and continues to be a subject of exploration for many contemporary artists. Set against the backdrop of the Arno's picturesque banks, the artist likely sought inspiration from the vantage point of the Ponte Vecchio (Old Bridge) in Florence. The painting is divided into two distinct horizons. The upper section showcases architectural buildings poised upon a medieval arch...

This oil painting made in 1958 expresses perfectly the 1950s period, very minimalist with a vigorous and colorful layering of paint. Edgar O. Kiechle was born in 1911. He was a movie illustrator and a painter. Edgar studied landscape painting with Jean Mannheim, and architecture, and became an excellent watercolorist. After studying at the Otis Art Institute in Los Angeles, he interned with leading architects and designers in the area. He worked at most major studios but his career as an illustrator saw him primarily at the Universal Studio Art department. In 1933, Edgar joined Lwerks as a background artist and worked on many films produced by Animated Picture Corporation through 1935. In the summer of 1941, Ed Kiechle joined the Universal Studio Art Department as an illustrator for motion pictures. His career as an illustrator saw him primarily at Universal. He also produced hundreds of oil paintings. His first public showing was in an exhibition of motion picture artists in 1945, His work came to the attention of the motion picture colony and many purchases were made by such notables of his day as Ida Lupino, Hedy Lamar...

The oil painting features a family at the fairground stopping by the ice cream stand. An elegant mother hands a treat to one of her three children, while another holds his ice cream, and the last one a red balloon. A couple with a child stands on the left part of the painting, while in the background, men sitting on stools face a cook at a counter. The latter looks down and focuses on preparing food for his clients. The overall impression is joyful and lively, though it looks more like the end of the day because of the dark warm colors used by the artist to depict the scene. Edgar O. Kiechle was born in 1911. He was a movie illustrator and a painter. Edgar studied landscape painting with Jean Mannheim, and architecture, and became an excellent watercolorist. After studying at the Otis Art Institute in Los Angeles, he interned with leading architects and designers in the area. He worked at most major studios but his career as an illustrator saw him primarily at the Universal Studio Art department. In 1933, Edgar joined Lwerks as a background artist and worked on many films produced by Animated Picture Corporation through 1935. In the summer of 1941, Edgar Kiechle...

"Swinging Harmony," is an oil painting on canvas by Edgar O'Kiechle. It transports viewers into a lively dance scene featuring a couple of black dancers swinging at the heart of the...

The 14th of July is the National Day in France. That night every high school in Paris have an orchestra playing in the streets. This painting is depicting musicians students expres...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...

Jacques BOUYSSOU (1926-1997) Le port de Dieppe, 1969 Oil on original canvas, in perfect condition, original canvas. Large size : 90 x 118 cm Signed lower left Vintage frame Provena...

Georges YOLDJOGLOU ( né en 1933) Paris, vue sur les jardins de la Tour Eiffel Oil on canvas Size : 60 x 73cm Signed lower right Titled on the back...

Gaston Sebire (1920-2001) Vue de Rouen Oil on canvas Size : 65 x 81 cm Signed lower right Provenance : Private Collection, France Very good condition. Original canvas. Frame included...