Items Similar to "Red Sky" Oil on Canvas by Jerome Gastaldi #1
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Jerome Gastaldi"Red Sky" Oil on Canvas by Jerome Gastaldi #12005
2005
About the Item
This painting features a red sky (as Gastaldi named it) and it is part of 3. The #2 one is featuring a yellow sky and the third one is the desert light.
#1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm.
See attached the pictures of the 2 matching ones.
Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist.
His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz, and Francis Bacon. His creative process is both emotional and intuitive, as evidenced by Gastaldi’s rapid handling of paint.
His paintings are powerful that express the immediacy, movement, and timelessness of his subjects, which are predominantly landscapes. The seductive colors and fierce strength of nature seem to lure the spectator into his realm.
Gastaldi works in a number of media, including painting, filmmaking, sculpture, printmaking, ceramics, and performance.
His work has been exhibited internationally in museums, universities, and other public institutions, as well as held in public, private and corporate collections.
- Creator:Jerome Gastaldi (1945, American)
- Creation Year:2005
- Dimensions:Height: 30 in (76.2 cm)Width: 30 in (76.2 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:No need for framing. The artist painted the 4 sides in grey-blue color.
- Gallery Location:Pasadena, CA
- Reference Number:1stDibs: LU654311326302
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1999
1stDibs seller since 2017
50 sales on 1stDibs
Typical response time: 14 hours
- ShippingRetrieving quote...Ships From: Pasadena, CA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- "Yellow Sky" Oil on Canvas by Jerome Gastaldi #2Located in Pasadena, CAThis painting features a yellow sky (as Gastaldi named it) and it is part of 3. The #1 one is featuring a red sky and the third one is the desert light. #1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm. See, attached the pictures of the 2 matching ones. Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist. His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...Category
21st Century and Contemporary American Modern Landscape Paintings
MaterialsOil, Canvas
- Classic Vertical Nude - Mixed Media by Leon DussoLocated in Pasadena, CAThis delicate oil and ink painting on panel by Dusso depicts a beautiful and graceful woman seen from behind, her nude figure enhanced by the framing of her hair. She holds a vase in...Category
Mid-20th Century American Modern Nude Paintings
MaterialsInk, Oil
- "The Arno" Italian Village by the River Oil Painting by Bruce McCrackenLocated in Pasadena, CAThis oil painting from the 65s by California Artist Bruce McCracken derives its title and inspiration from the mythical Arno River in Tuscany. Dividing the historic city of Florence into two distinct parts, the Arno has long captivated the collective imagination and continues to be a subject of exploration for many contemporary artists. Set against the backdrop of the Arno's picturesque banks, the artist likely sought inspiration from the vantage point of the Ponte Vecchio (Old Bridge) in Florence. The painting is divided into two distinct horizons. The upper section showcases architectural buildings poised upon a medieval arch...Category
1960s American Modern Landscape Paintings
MaterialsBoard, Oil
- Modern Gouache 1988 #2 by Albert RadoczyBy Albert RadoczyLocated in Pasadena, CAStylized gouache Radoczy interpretation of a woman (probably his wife who was his favorite subject. Signed A. Radoczy, March 1988. This work is part of a series of 4. On a wall toget...Category
Late 20th Century American Modern Paintings
MaterialsFabric, Wood, Paper, Lights, Gouache
- Portrait of a Woman Pointillist Gouache by Albert Radoczy #3By Albert RadoczyLocated in Pasadena, CAStylized gouache in a pointillist technic of a woman (probably his wife who was his favorite subject) This work is part of a series of 4. On a wall together, they would have a strong...Category
Late 20th Century American Modern Portrait Paintings
MaterialsFabric, Gouache, Lights, Paper, Wood
- "Sharon" Life-size Brass Sculpture by Robert Lee MorrisLocated in Pasadena, CAIn front of Robert Lee Morris's Beverly Hills store in 1993 stood this unique life-size brass sculpture of a nude woman with a bob cut, dressed only with luxurious jewelry. The sculp...Category
1990s American Modern Figurative Sculptures
MaterialsBrass
You May Also Like
- Six O'ClockLocated in Los Angeles, CASix O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...Category
1940s American Modern Landscape Paintings
MaterialsCanvas, Oil
- LandscapeBy Marcel Emile CaillietLocated in Los Angeles, CALandscape, 1940, oil on canvas, 24 x 20 inches, signed, dated and titled verso: “Marcel Cailliet ’40 – S.C.” and “Marcel Cailliet Landscape”; likely exhibited at the annual juried st...Category
1940s American Modern Paintings
MaterialsCanvas, Oil
- Untitled (Elevated Platform)Located in Los Angeles, CAThis painting is part of our current exhibition - America Coast to Coast: Artists of the 1940s Untitled (Elevated Platform), 1950, oil on canvas, signed and dated lower right, 30 x...Category
1950s American Modern Paintings
MaterialsCanvas, Oil
- Riders of Pigeon HillBy Jon CorbinoLocated in Los Angeles, CARiders of Pigeon Hill, c. 1940s, oil on canvas, signed lower right, 24 x 36 inches, label verso with title, artist’s name and address; same information inscribed verso; ex-collection...Category
1940s American Modern Paintings
MaterialsCanvas, Oil
- Gold Mine, Central City, ColoradoBy Joseph MeertLocated in Los Angeles, CAThis painting is part of our exhibition America Coast to Coast: Artists of the 1930s Goldmine, Central City, Colorado, oil on canvas, 36 x 28 inches, c. 1936, signed lower right, ex collection of Platt Fine Art, Chicago, Illinois (label verso). About the Painting Joseph Meert’s painting, Goldmine, Central City, Colorado, depicts the short-lived resurrection of a once prominent city just outside Denver. Central City was founded in 1859 soon after John Gregory struck gold in the area. As word spread, thousands of miners converged into “Gregory’s Gulch” and its surroundings became known as the “richest square mile on earth.” Mining production quickly increased resulting in Central City to becoming Colorado’s largest city in the early 1860s. Despite some technical difficulties transitioning to lode mining and the rise of competition from Leadville, Central City remained an economic boom town through the turn of the century. But, with every boom, there is a bust. World War I marked the end of Central City’s prominence as ore production ground to a halt and by 1925, the town’s population shrank to only 400 people. The desperation of the Great Depression and a nearly 100% increase in the price of gold lured labor and capital back to Central City. Meert painted in Colorado during the mid-1930s, a time when he created his most desirable works. It is during this period of renaissance that Meert captures one of Central City's outlying dirt streets bordered by 19th century wooden houses from the town's heyday and the more recently installed electric lines leading to a distant gold mine. A lone figure trudges up the hill, a mother with a baby in her arms, putting us in mind of the rebirth of the town itself. Meert had solo exhibitions at the Colorado Springs Fine Arts Center in 1936 and the Denver Art Museum. Although it is not known whether Goldmine, Central City was included in either of these exhibitions, it seems likely. Moreover, the painting is closely related to Meert’s painting, The Old Road, which was painted in 1936 and exhibited at the Corcoran Gallery of Art in Washington, DC and at the Dallas Museum of Art. About the Artist Joseph Meert was a well-regarded painter and muralist, who initially made a name for himself in the American Scene and later as an abstract expressionist. Although initially successful, Meert struggled financially and with mental illness later in life. He was born in Brussels, Belgium, but moved with his family to Kansas City, Missouri. As a child, a chance encounter at the Union Pacific Railyard changed his life. Meert happened upon a worker repainting and stenciling a design on a railroad car. Meert later recalled that this experience introduced him to the idea of being a painter. Without support from his father, Meert obtained a working scholarship to the Kansas City Art Institute. After four years at the Kansas City Art Institute, Meert studied seven years at the Art Students League and in Europe and Los Angeles. At the Art Students League, Meert fell under the spell of Thomas Hart Benton and Stanton MacDonald-Wright. In 1931, he befriended Jackson Pollock. By 1934, Meert was part of the Public Works of Art Project when he met his wife, Margaret Mullin...Category
1930s American Modern Landscape Paintings
MaterialsCanvas, Oil
- Untitled (Collapsed Shacks)By Karl FortressLocated in Los Angeles, CAUntitled (Collapsed Shacks), c. 1940s, oil on canvas, signed lower left, 20 ½ x 26 ½ inches, presented in a period frame This work is part of our exhibition America Coast to Coast: ...Category
1940s American Modern Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Yellow Sky
Red Sky
Art By Rauschenberg
Large Sky Oil Painting
Oil On Canvas By Edward
Bacon Francis
Matching Paintings
Desert Oil On Canvas
California Desert Oil Painting
Francis Bacon Large
Rauschenberg Yellow
2 Matching Painting
Edward Bacon
Edward Francis Wells
French Canvas
Canvas Vintage Painting
Canvas Painting Vintage
Canvas Vintage Paintings