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Bright Ocean, Highly Detailed Surreal Landscape, Watercolor & Gouache on Paper
By Christina Haglid
Located in Chicago, IL
A paper lantern explodes out of the water, as if propelled by an inner, unknown force. This surreal landscape is done in exacting detail with watercolor and gouache down to the smal...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
Willow - Botanical Watercolor & Gouache on Paper with Single Bud Vase and Tree
By Christina Haglid
Located in Chicago, IL
A single bud vase, a willow tree seeming to grow inside a confined vessel, all appearing to float upon a sea of moving water are the subjects of Christ...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Watercolor, Gouache, Archival Paper
Bloody Birthday - Female Nude, Bold Colors and Heavy Textured Paint on Panel
Located in Chicago, IL
A female nude dances in a private moment yet the figure in the background seems to be watching. The figure's face is obscured adding to the intrigue of the subject. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the overall aesthetic. Georgia Hinaris...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
Retired Whaling Captain's Study, Nantucket, Miniature Room by Eugene Kupjack
By Eugene J. Kupjack
Located in Chicago, IL
This highly detailed Miniature Room of a Retired Whaling Captain's Study in Nantucket is an excellent example of the true talent of Eugene Kupjack. Tiny scrimshaw and knick-knacks fill the shelves while the perfectly proportioned furniture adorns the center of the room. A mariners wheel and captain's chest are set off to the side with a small sea shell set atop. All painstakingly researched to the exact time period in a one inch to one foot scale.
Kupjack Miniatures
Eugene Kupjack
"Retired Whaling Captain's Study, Nantucket, circa 1860," 1983
mix media
11.50h x 19.50w x 11d in
29.21h x 49.53w x 27.94d cm
KJK010
Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...
Category
1980s Contemporary Mixed Media
Materials
Mixed Media
Alexander The Great's Siege Tent, Halicarnassus, ca. 333 BC, Miniature Room
By Henry "Hank" Kupjack
Located in Chicago, IL
Halicarnassus was an ancient Greek city in Caria, in Anatolia. It was located in southwest Caria, on an advantageous site on the Gulf of Gökova, which is now in Bodrum, Turkey. The city was famous for the Mausoleum of Halicarnassus, ranked as one of the seven wonders of the ancient world. Halicarnassus was loyal to the Persians and formed part of the Persian Empire until Alexander the Great captured it at the siege of Halicarnassus in 333 BC. Here, the Kupjack Studios have meticulously researched the era and have gone to painstaking detail to present this miniature version of Alexander's Tent. Based on a scale of one foot equals one inch, each piece of furniture, rug, decoration is fabricated with exacting detail.
Kupjack Miniatures
Alexander's Siege Tent, Halicarnassus, ca. 333 BC, circa 2003
mixed media
24.50h x 22.75w x 18.50d in
62.23h x 57.78w x 46.99d cm
KJK004
Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...
Category
21st Century and Contemporary Photorealist Mixed Media
Materials
Mixed Media
Apocalypse- Abstract Sculpture, Brightly Colored Geometric Intertwined Form
Located in Chicago, IL
Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...
Category
1990s Abstract Abstract Sculptures
Materials
Fiberglass, Acrylic
Diagonal Lift - Nude Female Balanced on a Pedestal, Black and White Photograph
By Doug Birkenheuer
Located in Chicago, IL
This gorgeous female figure is balanced on a wooden pedestal with a stray hand on her torso. Her muscular figure is enhanced by the sepia tones and the play of light on the subject....
Category
2010s Contemporary Black and White Photography
Materials
Silver Gelatin, Archival Pigment
Backside, -Male Nude Torso, Black and White Photograph, Matted and Framed
By Doug Birkenheuer
Located in Chicago, IL
The gorgeous muscular physique of the nude male in Doug Birkenheuer's photograph titled "Backside" is highlighted with the play of light and shadows. Th...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Unpredictable Valley - Highly Detailed Lush Landscape, Golden Field & Mountains
By René Monzón Relova “Pozas”
Located in Chicago, IL
Taking inspiration from his surroundings in Spain, Pozas gives us this lush landscape entitled "Unpredictable Valley". The verdant scene, with its golden field in the foreground and blue mountain in the background is painted with meticulous detail. Each blade of grass and every leaf is painted with precision.
"Pozas" René Monzón...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Oil, Linen
Hugh Hefner in His Bedroom Office, Chicago 1961, Black and White Photography
By Art Shay
Located in Chicago, IL
"Nelson Algren's Chicago: Photographs by Art Shay", page 34. Hugh Hefner liked Algren and vice versa. After Hefner purchased several of his short stori...
Category
1960s Contemporary Black and White Photography
Materials
Silver Gelatin
Rising - Surreal Landscape with Row of Trees and Owl, Oil on Panel
By John Hrehov
Located in Chicago, IL
The pristine, symmetrical and orderly landscape brings an unnatural stillness to John Hrehov's painting entitled "Rising". The owl is central to the sparse landscape peeking out of it's home in the tree. Straight lines and geometric patterns are used to compose a glossy concept of reality. The painting is framed in a simple dark gray wooden frame measuring 25.25 x 29.25 inches.
John Hrehov
Rising
oil on panel
24h x 28w in
60.96h x 71.12w cm
JHR012
John Hrehov
Education
1985 MFA-Painting, University of Illinois at Urbana-Champaign
1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH.
Solo Exhibitions
2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN.
2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY.
2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne.
2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY.
Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL.
2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY.
2002 Paintings. Denise Bibro Fine Art, New York, NY.
2001 Charcoal. Indiana University - Purdue University Fort Wayne.
John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL.
2000 The Picture Proper. Denise Bibro Fine Art, New York, NY.
Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN.
Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY.
1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL.
1998 John Hrehov. Denise Bibro Fine Art, New York, NY.
John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL.
1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY.
1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL.
1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne.
Group Exhibitions
2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH.
Out Of The Closet. Denise Bibro Fine Art, New York, NY.
1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN.
2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN.
2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological
Seminary, Fort Wayne, IN.
Norman Bradley...
Category
2010s Surrealist Animal Paintings
Materials
Oil, Panel
Lichtenstein's Woman: Sunlight - Hand Built Ceramic Bust After Roy Lichtenstein
By Sandy Kaplan
Located in Chicago, IL
"Lichtenstein's Woman: Sunlight" is a direct reference to the iconic Roy Lichtenstein's 1996 painted and patinated bronze sculpture simply entitled "Sunlight". Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's sculpture.
Sandy Kaplan
Lichtenstein's Woman: Sunlight
ceramic, glaze
17h x 11w x 7d in
43.18h x 27.94w x 17.78d cm
SAK013
Sandy Kaplan
b. 1943, St. Louis, MO
2021 Maturity and Its Muse, Art Saint Louis
2020 Storytellers Exhibit, Art Saint Louis
2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
Honors Exhibit, Art Saint Louis
Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO
Current Profiles, Craft Alliance Center, St. Louis, MO
2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
Maturity and Its Muse, Art Saint Louis
Works from the Studios, Craft Alliance, St. Louis, MO
Drawn From Life: Artful Aging, Washington University, St. Louis, MO
2017 3-D, Gallery Victor Armendariz, Chicago, IL
SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2016 Works from the Studio, Craft Alliance, St. Louis, MO
A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL
Maturity and Its Muse, Art Saint Louis
2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO
2014 Save the Last Dance for Me, Art Saint Louis XXX...
Category
2010s Contemporary Figurative Sculptures
Materials
Ceramic
David & Goliath - Caravaggio Inspired Monumental Double Self-Portrait, Charcoal
By Christopher Ganz
Located in Chicago, IL
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Charcoal, Archival Paper
The Gift - Still Life with Ruby Throated Hummingbird and Perfume Bottle, Gold
By Felipe Alfaro
Located in Chicago, IL
***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions.
A ruby-throated hummingbird flits by an empty perfume bottle with a swath of gold setting off its beautiful coloring. The bold strokes of gold and black enhance the meticulously rendered bird. Due to the delicate nature of the mixed media, this piece is matted and framed with museum glass. The framed dimensions are 11.5 h x 13.5 w inches.
Felipe Alfaro...
Category
2010s Contemporary Animal Paintings
Materials
Mixed Media
Holiday End - Color Pencil Drawing, Surreal Christmas Scene, Framed
By John Hrehov
Located in Chicago, IL
The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist presents us with a curious scene. The Holidays are over and the thought of getting rid of the tree is always a chore. Hrehov has chosen to show how to quickly eliminate the tree (and everything around it!). His sense of humor comes out in this small, highly detailed drawing that is matted and framed measuring 14.5 x 16 inches.
John Hrehov
Holiday End
colored pencil on paper
6.50h x 8w in
16.51h x 20.32w cm
JHR005
John Hrehov
Education
1985 MFA-Painting, University of Illinois at Urbana-Champaign
1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH.
Solo Exhibitions
2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN.
2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY.
2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne.
2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY.
Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL.
2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY.
2002 Paintings. Denise Bibro Fine Art, New York, NY.
2001 Charcoal. Indiana University - Purdue University Fort Wayne.
John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL.
2000 The Picture Proper. Denise Bibro Fine Art, New York, NY.
Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN.
Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY.
1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL.
1998 John Hrehov. Denise Bibro Fine Art, New York, NY.
John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL.
1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY.
1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL.
1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne.
Group Exhibitions
2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH.
Out Of The Closet. Denise Bibro Fine Art, New York, NY.
1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN.
2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN.
2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological
Seminary, Fort Wayne, IN.
Norman Bradley...
Category
2010s Surrealist Figurative Drawings and Watercolors
Materials
Archival Paper, Color Pencil
Palm Sunday -A Contemplative Lone Soldier Sanding in an Open Field, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
A solitary figure, hat in hand, bows his head in contemplation of what has just taken place or what is about to take place. "Palm Sunday" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options.
William Blake
Palm Sunday, 2022
oil on linen
36h x 24w in
91.44h x 60.96w cm
WIL033
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
Category
2010s Contemporary Figurative Paintings
Materials
Linen, Oil
Brushing Her Hair - Portrait of a Young Woman with Various Objects and Window
Located in Chicago, IL
Early American Portraiture gained a foothold with the middle class, who could now capture personal moments for their private use. This is the basis of Rick Beerhorst...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
Embalming - Civil War Surgical Re-Enactment Painting of Injured Soldier on Table
By William Blake (b. 1991)
Located in Chicago, IL
"During a battle reenactment At the Daniel Lady Farm in Gettysburg, I helped carry a soldier from the field to the hospital. This painting depicts that soldier as his leg is amputated. Clara Barton...
Category
2010s Contemporary Figurative Paintings
Materials
Linen, Oil
Incredulity -American Civil War Soldier, After Caravaggio, Original Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options.
Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...
Category
2010s Contemporary Figurative Paintings
Materials
Linen, Oil
Let Her Go - Thickly Painted Impasto Surface Oil Painting with Dream-Like Scene
By Victor Wang
Located in Chicago, IL
Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form.
Victor Wang
Let Her Go
oil on canvas
48h x 60w in
121.92h x 152.40w cm
VWG011
My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences.
I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage.
My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China.
Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself.
Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S.
“When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Mixed Media, Oil
Male Bonding - Passionate Kiss with Dramatic Shadow, Black and White Photograph
By Doug Birkenheuer
Located in Chicago, IL
Shadow and light dominate this photograph of two men engaged in a passionate kiss. The artist uses traditional photography methods shooting the image on film. The image is printed using traditional darkroom techniques. The artwork is tastefully framed and matted. This artwork is framed using non reflective museum glass. Framed Dimensions: 17.5 x 14.5 inches
Doug Birkenheuer...
Category
2010s Contemporary Black and White Photography
Materials
Silver Gelatin
Solitary La Boheme, Single Male Figure Seated at a Bar, Smoking, Drinking Hamms
By Peter Lupkin
Located in Chicago, IL
Artists are often isolated, but long for an idealized golden era, “La Boheme”. Frequently an artist's closest encounter with “La Boheme” is nothing more than drinking at a bar...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil, Canvas
Amlodi's Nightmare, - Highly Detailed Surrealist, Original Painting on Panel
By Oliver Hazard Benson
Located in Chicago, IL
This is a version of the Renaissance motif known as "Death and the Maiden". I think the motif generally was meant to condemn Voluptus (born of the...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
Ashley with Guitar, Female Lounging on a Tom Vac Chair, Original Oil on Panel
By Andrew S. Conklin
Located in Chicago, IL
Classically trained artist, Andrew Conklin, has captured the moment just before or just after the subject, Ashley, has laid down her guitar. She is seated on a Tom Vac Chair...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil, Panel
The Illusion of Havana, Highly Detailed Landscape with Water & Rolling Hills
By René Monzón Relova “Pozas”
Located in Chicago, IL
***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions.
This small scale painting draws the viewer in with its painstaking detail. Each leaf and blade of grass a rendered in tiny brush strokes making the painting feel much larger than it is. Vivid greens and crystal clear water create an almost fish-eye perspective. This oil on panel painting is framed in a rich brown wooden frame measuring 13.25 x 21.25 inches
"Pozas" René Monzón...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Oil, Panel
Section 35, Abstracted Landscape, Vast Sky, Subtle Shifts of Color
By Don Pollack
Located in Chicago, IL
Don Pollack
Section 35
oil on canvas
48h x 48w in
121.92h x 121.92w cm
DJP007
Don Pollack BIOGRAPHY
Don Pollack is a Painter and Adjunct Associate Professor of Visual Communication at theSchool of t he Art Institute of Chicago. His work investigates among other things, the relationship between personal mythologies and representation in painting and how it may simultaneously give reference to a narrative.Working in cross disciplines has influenced his perspectives as projects begin with an epic adventure. Conceptually proceeding from the
premise that all vision is historic and constructed, Pollack’s research starts with the planning of a long distance trek,– such as a 3000 mile journey via bicycle following Lewis and Clark. His work has utilized maps, documents, photography, painting, and installation.This work was routed in a previous investigation into the role of museums in the process of forming collective memory.
Don studied design at the University of Illinois and painting at the Ohio State University where he received his MFA.The state of Illinois has recognized his history based work with a special bicentennial edition of the ‘Order of Abraham Lincoln’ award. He has exhibited nationally and internationally and has shown many solo shows in, Chicago, NewYork, Atlanta, and Canada.
Don Pollack
EDUCATION
m.f.a. Ohio State University Columbus,Ohio
b.f.a. University of Illinois Urbana, Illinois
SOLO EXHIBITIONS
2016 Bridgeport Art Center, this land is not empty, Chicago, Illinois
Carnegie Museum for Art and History, bernheim arboretum, New Albany, Indiana
2013 Perimeter Gallery, 34 days to washington, Chicago, Illinois
2011 Newzones Gallery, far from home, Calgary,Alberta, canada
MarciaWood Gallery, far from home, Atlanta,Georgia
2010 Perimeter Gallery, mysterious island, Chicago, Illinois
Marquette University Law Library, laying the foundation [a Lincoln Portrait], Milwaukee,
Wisconsin
2009 Abraham Lincoln Presidential Library and Museum, the lincoln project, Springfield, Illinois
The Union League Club, the lincoln project, Chicago, Illinois
2007 Newzones Gallery, the sheltering sky, Calgary,Alberta, canada
Merwin andWakeley Galleries, IllinoisWesleyan University, american inheritance,
Bloomington, Illinois
MarciaWood Gallery, night, Atlanta,Georgia
2006 MargaretThatcher Projects, american gothic, past imperfect, NewYork,NewYork
Perimeter Gallery, improvisation, Chicago, Illinois
2005 Newzones Gallery, missives, Calgary,Alberta, canada
MarciaWood Gallery, south of the tennessee, remains of the campaign, Atlanta,
Georgia
2004 Perimeter Gallery, voyages of discovery, from the earth to the moon, NewYork,
NewYork
2003 Newzones Gallery, garden of forking paths, Calgary,Alberta, canada
Perimeter Gallery, a search for heroes, lincoln & the illinois landscape...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil
Catbird - Dead Bird Still Life, Original Oil Painting on Panel
By Tina Figarelli
Located in Chicago, IL
Depictions of dead birds have a long and rich history in Western Art having been used as a subject matter by artists from Albrecht Durer to Pablo Picasso. The Golden Age of Dutch Painting brought an iconic rise to still-life painting. Much like decadent, ripe fruit and extravagant, sumptuous floral arrangements, these taxadermied birds were transformed into stunning examinations of color, light and texture. Here, artist Tina Figarelli...
Category
2010s Contemporary Animal Paintings
Materials
Oil, Panel
Two Leopards Spotted, Chicago 1974, Brookfield Zoo, Signed and Framed.
By Art Shay
Located in Chicago, IL
Street photography was a passion of Art's and it shows in this delightful shot taken at Brookfield Zoo in 1974. The photograph is signed on the bottom right hand corner. It is matted with a heavy white mat and framed in a simple black metal frame.
Art Shay
Two Leopards...
Category
1970s Contemporary Black and White Photography
Materials
Silver Gelatin
Peonies in White Light - Oil Painting with 12K White Gold Leaf, Blond Female
By Michael Van Zeyl
Located in Chicago, IL
The blond figure, along with the floating peonies, combine to explore the dynamic between the eternal and the temporal, as well as our own relationship with nature. The gold leaf adds a three-dimensional softness as well as a glow upon which the female figure floats. Her skin is seductively painted; her teal dress falls off her shoulder; white peonies float by; the scene is set for a dreamy visual feast. The painting is framed in a gilt frame.
Michael Van Zeyl
Peonies in White Light
oil and 12K gold leaf on linen wrapped panel
24h x 36w in
60.96h x 91.44w cm
EDUCATION
1987-1990 American Academy of Art, Chicago, IL
1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting
Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing
Art Students League, New York, NY - Painting
EXHIBITIONS
2017 “Anne Harris...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Gold Leaf
Eyes of Shivers - Cinema Inspired Oil Painting w/ Couple Embracing and a Dog
Located in Chicago, IL
In Shivers, a disease is spread through the throat, resulting in a zombie-like infection. In this painting, coupled with an image from The Eyes of Laura Mars, is a reference to ideological possession and the use of compelled speech. It is a concern towards those who display totalitarian traits in their quest for justice, too caught up in their own righteousness to really consider the damage they are doing. The do in the background stands above the lifeless body of a woman, it is dogma and its dismantlement of womanhood.
Inspired by the films
Shivers, 1975
The Eyes of Laura Mars, 1978
Georgia Hinaris
Eyes of Shivers
oil on panel
16h x 24w in
40.64h x 60.96w cm
GHS003
Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced.
Georgia Hinaris, b. 1993, Chicago, Illinois
Education
2019 MFA Painting, New York Academy of Art, New York, NY
2015 BFA Painting, Pratt Institute, Brooklyn, NY
Exhibitions
2020 Summer Exhibition, Flowers Gallery, New York, NY
Summer Juried Exhibition, Prince Street Gallery, New York, NY
2019 Di Donna Gallery, New York, NY
AXA Art Prize, San Francisco Art Institute, San Francisco, CA,
Richard Gray...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
Seer - Male, Nude Torso, Oil on Canvas Painting with Vibrant Horizon Line
Located in Chicago, IL
With the subject covering his face, we, the viewer, are perplexed by the mystery of the moment. The warm light from the background in this painting titled, "Seer" suggest a fire. I...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil, Panel
Fallen Starr, 1966, Vince Lombardi Bawling Out Bart Starr, Green Bay Packers
By Art Shay
Located in Chicago, IL
Art Shay
Fallen Starr, 1966
archival pigment print
17h x 22w in
43.18h x 55.88w cm
ASY234
“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.”
Roger Ebert
“[Shay’s work] ranks with some of the greats of the 20th century.”
Ellen & Richard Sandor, Renowned photo collectors
“I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.”
William Friedkin, Director of French Connection
“Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.”
Studs Terkel
“Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.”
Hugh Hefner
“Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.”
Tony Fitzpatrick, Chicago Artist
“Art Shay is America’s Cartier-Bresson.”
Thomas Dyja, author of The Third Coast
“Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Wellington, Washington Avalanche of March 1, 1910 - Original Oil Painting
By Eric Edward Esper
Located in Chicago, IL
Also known as the Great Northern Railway disaster and Americas deadliest avalanche. After days of traveling west and passing through the 2.6 mile Cascade Tunnel, the GNR passenger train was trapped by snow at the tiny town of Wellington Washington in the Cascade Mountains. For 6 days the passengers survived on the train while railmen worked dauntlessly through continuous avalanches to clear the tracks ahead towards the next town. Fearful of the snow looming over them on the mountain above, the passengers were assured that they were safest where they were. The weather was severe and eventually an avalanche swept the GNR passenger train and a mail train off the tracks towards the river below, resulting in 96 deaths and 23 surviving injured.
Eric Edward Esper
Wellington, Washington Avalanche of March 1, 1910
oil on canvas
38h x 26w in
96.52h x 66.04w cm
EEE018
Eric Edward Esper
After obtaining my BFA in Illustration from Northern Michigan...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil
Ocean Rest - Illuminated Paper Lantern on Vivid Blue Water, Acrylic on Panel
By Christina Haglid
Located in Chicago, IL
The fragility of the environment has always played an important role in Christina Haglid's work. As a child growing up on the East Coast, the ever changing seaside landscapes intrig...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Acrylic, Panel
Glitch - Reclining Female Nude, Distorted with Lines, Oil on Canvas
By Shuta Ruelas
Located in Chicago, IL
A female nude reclines on crumpled bedsheets with her hands entwined above her head. The viewer has a "glitch in the system" while gazing at her as her body becomes distorted. Masterfully painting with beautiful realism, this sensual painting...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Canvas, Oil
The Sound of the Changing Season - Surreal Rural Scene, Hyper-realistic
By Christopher Klein
Located in Chicago, IL
A violinist, playing a melancholy tune, helps conjure up the change of season from fall to winter on Halloween, as represented by the black cat. The cat is holding the Tempest in the Teapot kettle. The raven, who is bursting forth from the steam of this tempest, represents the cold, dark and harsh winter to come.
Juxtaposing and altering unrelated natural objects with the machinations of man to create a scene of an impossible surreal world, the viewer enters the mind of artist Christopher Klein...
Category
2010s Surrealist Figurative Paintings
Materials
Oil, Panel
Union - A Group of Uniformed Soldiers Standing in an Open Field, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options.
William Blake
Union, 2022
oil on linen
24h x 36w in
60.96h x 91.44w cm
WIL034
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
Category
2010s Contemporary Figurative Paintings
Materials
Linen, Oil
Early American Parlor, Circa 1820, Miniature Room by Eugene Kupjack
By Eugene J. Kupjack
Located in Chicago, IL
Eugene Kupjack's love affair with miniatures began when he saw an article in Life Magazine about MrsNarcissa Niblack Thorne's (of the Montgomery Ward fortune) European-Style miniatur...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Mixed Media
Woman in Sheer Dress, Silver Gelatin Black & White Photograph by Art Shay
By Art Shay
Located in Chicago, IL
At what appears to be a costume party, this beautiful woman, draped in a sheer tunic, must have been the center of attention. Dressed as Aphrodite, she clearly commands those around her. With his camera as his constant companion, Shay was able to capture moments of everyday life and make them extraordinary. This artwork is currently unframed. Contact gallery for framing options.
Art Shay
Woman in Sheer Dress
silver gelatin print
20h x 16w in
50.80h x 40.64w cm
7ED.1.20.12005
ASY12005
“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.”
Roger Ebert
“[Shay’s work] ranks with some of the greats of the 20th century.”
Ellen & Richard Sandor, Renowned photo collectors
“I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.”
William Friedkin, Director of French Connection
“Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.”
Studs Terkel
“Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.”
Hugh Hefner
“Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.”
Tony Fitzpatrick, Chicago Artist
“Art Shay is America’s Cartier-Bresson.”
Thomas Dyja, author of The Third Coast
“Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?”
Russell Banks, Novelist
“The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.”
Christophe Loviny, Art Editor, Paris
“Art Shay is the best photo-journalist Chicago ever produced.”
Arthur Siegel, photographer; IIT Institute of Design President
“I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.”
David Mamet
Category
1960s Contemporary Black and White Photography
Materials
Silver Gelatin
Marlon Brando, Libertyville, Illinois, 1950 - Silver Gelatin Print
By Art Shay
Located in Chicago, IL
On assignment for Life Magazine in 1950, Art Shay photographed Marlon Brando at his family farm in Libertyville, Illinois, just north of Chicago. Looking straight into Art's lens, Brando is innocent of the fame that is about to become his world. He went on to a career spanning sixty years including winning two Oscars for Best Actor. This photograph is unframed. Contact the gallery for framing options.
Art Shay
Brando Portrait, 1950
silver gelatin print
20h x 16w in
50.80h x 40.64w cm
ASY12088
“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.”
Roger Ebert
“[Shay’s work] ranks with some of the greats of the 20th century.”
Ellen & Richard Sandor, Renowned photo collectors
“I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.”
William Friedkin, Director of French Connection
“Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.”
Studs Terkel
“Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.”
Hugh Hefner
“Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.”
Tony Fitzpatrick, Chicago Artist
“Art Shay is America’s Cartier-Bresson.”
Thomas Dyja, author of The Third Coast
“Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?”
Russell Banks, Novelist
“The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.”
Christophe Loviny, Art Editor, Paris
“Art Shay is the best photo-journalist Chicago ever produced.”
Arthur Siegel, photographer; IIT Institute of Design President
“I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.”
David Mamet
Category
1950s Contemporary Black and White Photography
Materials
Silver Gelatin
Medieval French Charter House Library - Miniature Room by Kupjack Studios
By Henry "Hank" Kupjack
Located in Chicago, IL
Kupjack Miniatures
Medieval French Charter-House Library, Normandy France, circa 1425, 2012
mixed media
16.50h x 27.75w x 15d in
41.91h x 70.48w x 38.10d cm
KJK002
Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...
Category
21st Century and Contemporary Medieval Mixed Media
Materials
Mixed Media
Dog Years - Brightly Colored Self Portrait of Artist as a Aqua Colored Dog
By Marcos Raya
Located in Chicago, IL
***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions.
Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais
Marcos Raya
Dog Years
oil on canvas
17h x 17w in
43.18h x 43.18w cm
MSR054
Marcos Raya brings together old and new works in a variety of media that mostly explores the sociological impact of technological change. His paintings, collages and installations present an idiosyncratic hybrid of Mexican folklore...
Category
2010s Contemporary Figurative Paintings
Materials
Acrylic, Canvas
Matisse's Persian Woman - Sculptural Ode to Henri Matisse in Hand Built Ceramic
By Sandy Kaplan
Located in Chicago, IL
Henri Matisse collected Persian carpets, Arab embroideries and African wall hangings throughout his life, his studio becoming a treasure trove of exotic and vibrant pattern. The collection was practical — it was the impetus for various works with voluptuous women surrounded by rich textures and patterns. Sandy Kaplan takes Matisse's work to a three-dimensional level in her ceramic piece simply titled "Matisse's Persian Woman".
Sandy Kaplan
Matisse's Persian Woman
ceramic
18h x 14w x 14d in
45.72h x 35.56w x 35.56d cm
SAK007
Sandy Kaplan
b. 1943, St. Louis, MO
2021 Maturity and Its Muse, Art Saint Louis
2020 Storytellers Exhibit, Art Saint Louis
2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
Honors Exhibit, Art Saint Louis
Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO
Current Profiles, Craft Alliance Center, St. Louis, MO
2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
Maturity and Its Muse, Art Saint Louis
Works from the Studios, Craft Alliance, St. Louis, MO
Drawn From Life: Artful Aging, Washington University, St. Louis, MO
2017 3-D, Gallery Victor Armendariz, Chicago, IL
SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2016 Works from the Studio, Craft Alliance, St. Louis, MO
A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL
Maturity and Its Muse, Art Saint Louis
2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO
2014 Save the Last Dance for Me, Art Saint Louis XXX...
Category
2010s Contemporary Figurative Sculptures
Materials
Ceramic
Late Colonial Sitting Room, Boston MA, 1760 - Miniature Room by Kupjack Studios
By Henry "Hank" Kupjack
Located in Chicago, IL
A new middle class began to emerge in Colonial America and a migration into urban areas began. Unlike farmhouses, these new homes were elegant two-store homes designed in the new Georgian style, imitating the lifestyle of the upper middle class of England. The interiors consisted of a passageway down the middle of the house with specialized rooms off the sides, such as a library, dining room, sitting room or a primary bedroom. Unlike the multi-purpose space of the farmhouse, each of these rooms served a separate purpose. This new middle class had leisure time to entertain guests. In this sitting room, the Kupjacks have replicated this stately room with upholstered furniture, a working fireplace, decorative ceramics and silver accent pieces. This miniature room is presented in a custom leather bound case with faux books on either end as if it could be placed in a bookshelf. the room can also be installed in a wall.
Kupjack Miniatures
Late Colonial Sitting Room, Boston MA, 1760, circa 2009
mixed media
14.25h x 28.75w x 15.25d in
36.20h x 73.03w x 38.73d cm
KJK003
Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...
Category
21st Century and Contemporary Mixed Media
Materials
Mixed Media
MusCATteer - Surreal Rural Scene, Hyper-realistic Original Oil Painting, Framed
By Christopher Klein
Located in Chicago, IL
Juxtaposing and altering unrelated natural objects with the machinations of man to create a scene of an impossible surreal world, the viewer enters the mind of artist Christopher Klein...
Category
2010s Surrealist Figurative Paintings
Materials
Linen, Oil
Dessert - Still Life Table Setting with Fruit, Wine and Flowers, Oil on Panel
By John Hrehov
Located in Chicago, IL
The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist has set two wine glasses, napkins and a small plate of desserts on a geometrically patterned table cloth, draping so it almost appears to be falling over the frame. The viewer is required to ask the questions about the scene but the answers may only lie in their own imagination. The painting, which is painted on canvas then mounted to a panel, is framed in a simple wooden frame measuring 21 x 30 inches.
John Hrehov
Dessert, 2022
oil on canvas on panel
20h x 29w in
50.80h x 73.66w cm
JHR008
John Hrehov
Education
1985 MFA-Painting, University of Illinois at Urbana-Champaign
1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH.
Solo Exhibitions
2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN.
2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY.
2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne.
2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY.
Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL.
2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY.
2002 Paintings. Denise Bibro Fine Art, New York, NY.
2001 Charcoal. Indiana University - Purdue University Fort Wayne.
John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL.
2000 The Picture Proper. Denise Bibro Fine Art, New York, NY.
Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN.
Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY.
1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL.
1998 John Hrehov. Denise Bibro Fine Art, New York, NY.
John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL.
1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY.
1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL.
1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne.
Group Exhibitions
2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH.
Out Of The Closet. Denise Bibro Fine Art, New York, NY.
1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN.
2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN.
2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological
Seminary, Fort Wayne, IN.
Norman Bradley...
Category
2010s Surrealist Landscape Paintings
Materials
Canvas, Oil, Panel
The River With No Name-Highly Detailed Lush Wooded Landscape with Babbling Brook
By René Monzón Relova “Pozas”
Located in Chicago, IL
Taking inspiration from his surroundings in Spain, Pozas gives us this lush landscape entitled "The River With No Name". The verdant scene, with its babbling brook so picturesque you can almost hear the water rushing over the stones. Every leaf and blade of grass is painted with exacting precision.
"Pozas" René Monzón Relova...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Oil, Canvas
North of Las Vegas - Vast Golden Plain Under a Cloud Filled Sky , Oil on Panel
By Jeff Aeling
Located in Chicago, IL
In this serene landscape, Jeff Aeling uses golden browns in this wide open plane. The vast sapphire blue sky above is filled with fluffy, cumulus clouds adding to the overall tranquility of the piece. The painting is framed in a heavy wooden frame measuring 32.5 x 44.5 inches.
Jeff Aeling
North of Las Vegas, NM
oil on panel
24h x 36w in
60.96h x 91.44w cm
JAE026
Education
BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO
School of the Art Institute of Chicago – Chicago, IL
Solo Exhibitions
2016
Philip Slein Gallery - St. Louis, MO
2016
William Havu Gallery - Denver, CO
2015
Perimeter Gallery - Chicago, IL
2015
Sherry Leedy Contemporary Art - Kansas City, MO
2014
J Mark Sublette Gallery - Tucson, AZ
2014
Philip Slein Gallery - St. Louis, MO
2013
Perimeter Gallery - Chicago, IL
2013
Sherry Leedy Contemporary Art - Kansas City, MO
2012
Philip Slein Gallery - St. Louis, MO
2012
William Havu Gallery - Denver, CO
2011
Philip Slein Gallery - St. Louis, MO
2011
Sherry Leedy Contemporary Art - Kansas City, MO
2010
Perimeter Gallery - Chicago, IL
2010
Richard Demato Fine Arts Gallery - Sag Harbor, NY
2010
William Havu Gallery - Denver, CO
2009
J Mark Sublette Gallery - Tucson, AZ
2009
Sherry Leedy Contemporary Art - Kansas City, MO
2008
Perimeter Gallery - Chicago, IL
2008
William Havu Gallery - Denver, CO
2007
J Mark Sublette Gallery - Santa Fe, NM
2007
Philip Slein Gallery - St. Louis, MO
2007
Sherry Leedy Contemporary Art - Kansas City, MO
2006
Tory Folliard Gallery - Milwaukee, WI
2006
William Havu Gallery - Denver, CO
2005
Lisa Kurts Gallery - Memphis, TN
2005
Perimeter Gallery - Chicago, IL
2005
Philip Slein Gallery - St. Louis, MO
2005
Sherry Leedy Contemporary Art - Kansas City, MO
2004
J Mark Sublette Gallery - Santa Fe, NM
2004
William Havu Gallery - Denver, CO
2003
J Mark Sublette Gallery - Tucson, AZ
2003
Lisa Kurts Gallery - Memphis, TN
2003
Sherry Leedy Contemporary Art - Kansas City, MO
2002
J Mark Sublette Gallery - Santa Fe, NM
2002
Perimeter Gallery - Chicago, IL
2002
Perimeter Gallery - New York, NY
2001
J Mark Sublette Gallery - Tucson, AZ
2001
J Mark Sublette Gallery - Santa Fe, NM
2001
Sherry Leedy Contemporary Art - Kansas City, MO
2000
Charlene Cody Gallery - Santa Fe, NM
2000
Perimeter Gallery - Chicago, IL
2000
Sherry Leedy Contemporary Art - Kansas City, MO
1999
Charlene Cody Gallery - Santa Fe, NM
1999
Elliot Smith...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Oil, Panel
Night Crossing - Model Pirate Ship and Constellations, Oil on Panel
By John Hrehov
Located in Chicago, IL
A model pirate ship dominates the geometric backdrop of this perplexing painting titled, "Night Crossing." Constellations painted on the tiled surface suggest the ship is headed on a journey to be guided by star-filled sky above. Notions of voyage and conquest come to mind, but the boat is moored to its wooden base, dashing any hopes for adventure. The painting is framed in a simple walnut stained wooden frame measuring 25.25 x 21.25 inches.
John Hrehov
Night Crossing, 2022
oil on canvas on panel
24h x 20w in
60.96h x 50.80w cm
JHR009
John Hrehov
Education
1985 MFA-Painting, University of Illinois at Urbana-Champaign
1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH.
Solo Exhibitions
2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN.
2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY.
2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne.
2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY.
Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL.
2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY.
2002 Paintings. Denise Bibro Fine Art, New York, NY.
2001 Charcoal. Indiana University - Purdue University Fort Wayne.
John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL.
2000 The Picture Proper. Denise Bibro Fine Art, New York, NY.
Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN.
Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY.
1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL.
1998 John Hrehov. Denise Bibro Fine Art, New York, NY.
John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL.
1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY.
1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL.
1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne.
Group Exhibitions
2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH.
Out Of The Closet. Denise Bibro Fine Art, New York, NY.
1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN.
2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN.
2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological
Seminary, Fort Wayne, IN.
Norman Bradley...
Category
2010s Surrealist Animal Paintings
Materials
Oil, Panel
The Agreement - Contemplative Female Figure with Fruit, Oil on Panel, Framed
By Tina Figarelli
Located in Chicago, IL
Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...
Category
2010s Contemporary Portrait Paintings
Materials
Oil, Panel
Half Men - Figures Cast in Shadow and Female Nude, Bold Colors, Heavy Paint
Located in Chicago, IL
Two figures, cast in shadows, stand in the foreground between a nude female figure in the background. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the mystery of this gathering of characters. This artwork is mounted to a wood cradle and can hang directly on the wall. Please contact the gallery for framing options.
Georgia Hinaris...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
Shifting Plane - Abstract Geometric Form, Painted Welded Steel Wall Sculpture
By Chris Hill
Located in Chicago, IL
This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Earth tones of blue, orange, pur...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Steel
Arch Cape - Oregon, Wooded Landscape, Setting Sun and Ocean View, Oil on Panel
By Art Chartow
Located in Chicago, IL
The setting sun over the ocean creates a kaleidoscope of color in this small landscape painting by Art Chartow entitled "Arch Cape, Oregon" The pristine landscape is highlighted by the glowing horizon as the sun sets on another day. The painting is framed in a simple black wooden frame measuring 7.25h x 13.25w inches.
Arthur Chartow
Arch Cape, Oregon
oil on panel
6h x 12w in
15.24h x 30.48w cm
ACH027
Biography
Solo Exhibitions
2004 “Quiet Places,” Sherry French Gallery, New York, NY
2002 “At Water’s Edge,” Sherry French Gallery, New York, NY
1986 Rubiner Gallery, West Bloomfield, MI.
Museum Exhibitions
2016 “80th National Midyear show,” Butler Institute of American Art, Youngstown, OH
2010
“2010 Contemporary Realism Biennial,” Fort Wayne Museum of Art, Fort Wayne,
IN
2008 “72nd National Midyear show,” Butler Institute of American Art, Youngstown, OH
2007 “71st National Midyear show,” Butler Institute of American Art
2002 “Art of Collecting,” Flint Institute of Art, Flint, MI
Gallery Group Exhibitions
2012 “City Streets II,” George Billis Gallery, New York, NY
2009 “Selections,” Ann Nathan Gallery, Chicago, IL
2008 “Eye on the Environment,” Sherry French Gallery
2007 “Panoramas,” Sherry French Gallery.
“The Four Seasons,” Sherry French Gallery.
“Poetry = Painting,” Sherry French Gallery.
2006 “The Four Seasons,” Sherry French Gallery.
Gallery and Invited Artists, Sherry French Gallery.
“Mainely Maine,” Sherry French Gallery.
Summer invitational, Ann Nathan Gallery, Chicago, IL
Featured Artist, Susan Maasch Fine Art, Bangor, ME
2005 “Mainely Maine,” Sherry French Gallery.
2004 “Poetry = Painting: ut pictura poesis,” Sherry French Gallery.
2003 “Mainely Maine,” Sherry French Gallery.
“Poetry = Painting: ut pictura poesis,” Sherry French Gallery.
“Flowers in February,” Sherry French Gallery.
2002 “The Four Seasons,” Sherry French Gallery.
“Poetry = Painting: ut pictura poesis,” Sherry French Gallery.
2001 “Mainely Maine,” Sherry French Gallery, New York, NY.
“Small Sizes, Precious Pieces,” Sherry French Gallery.
“Contemporary American Landscapes: An Urban and Rural Perspective, ” M. A.
Doran Gallery, Tulsa, OK
1991 “Nine Views of Landscape,” Ruth Volid Gallery, Chicago, IL.
Landscape show, Rubiner Gallery
1990 “LANDscape,” Ruth Volid Gallery.
1989 “Landscape,” Rubiner Gallery.
1986 “Works on Paper,” Gallery Henoch, New York, NY.
Selected Group Exhibitions
2016 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center,
Birmingham, MI.
2015 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center,
Birmingham, MI.
2008
“Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI
“Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center,
Birmingham, MI.
2007 “Michigan Annual XXXIII,” Anton Art Center, Mt. Clemens, MI
“Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center.
2006 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center.
2005 “45th Annual Greater Michigan Art Exhibition,” Alden B. Dow Museum of Science
& Art, Midland, MI.
2002 “Land and Water,” Lobby of 717 Fifth Ave, New York, NY; Art Placement...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Oil, Panel
A Great Battlefield - A Lone Soldier Sanding in an Open Field, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options.
A Great Battlefield
oil on linen
60h x 35w in
152.40h x 88.90w cm
WIL029
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
Category
2010s Contemporary Figurative Paintings
Materials
Linen, Oil
Lichtenstein's Portrait of a Woman - Ode to Roy Lichtenstein, Hand Built Ceramic
By Sandy Kaplan
Located in Chicago, IL
"Lichtenstein's Portrait of a Woman " is a direct reference to the iconic Roy Lichtenstein's 1979 painting of the same name. Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's painting.
Sandy Kaplan
Lichtenstein's Portrait of a Woman
ceramic, glaze
13h x 9w x 6d in
33.02h x 22.86w x 15.24d cm
SAK014
Sandy Kaplan
b. 1943, St. Louis, MO
2021 Maturity and Its Muse, Art Saint Louis
2020 Storytellers Exhibit, Art Saint Louis
2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
Honors Exhibit, Art Saint Louis
Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO
Current Profiles, Craft Alliance Center, St. Louis, MO
2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
Maturity and Its Muse, Art Saint Louis
Works from the Studios, Craft Alliance, St. Louis, MO
Drawn From Life: Artful Aging, Washington University, St. Louis, MO
2017 3-D, Gallery Victor Armendariz, Chicago, IL
SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2016 Works from the Studio, Craft Alliance, St. Louis, MO
A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL
Maturity and Its Muse, Art Saint Louis
2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO
2014 Save the Last Dance for Me, Art Saint Louis XXX...
Category
2010s Contemporary Figurative Sculptures
Materials
Ceramic
Nude Mountain - Black & White Photo, Nude Female Torso in Montana Mountain Scene
By Kirill Polevoy
Located in Chicago, IL
A nude female reclines on her side as photographer Kirill Polevoy captures her beauty juxtaposed against the rugged Montana mountains. This large fo...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
The Misunderstanding - Still Life with Honey Bee on Edge of Crystal Decanter
By Matthew Cook
Located in Chicago, IL
While still life painting can be dated back to the Ancient Egyptians, this still life takes on a modern theme. A crystal decanter and whiskey glass are set upon a piece of fraying tapestry. The curiosity comes when the viewer takes a closer look to discover a bee has flown in and is perched precariously on the neck of the decanter. This piece is framed in a heavy wooden frame with a gold insert. The framed dimensions are H 14.5 x W 16.5 inches.
Matthew Cook...
Category
2010s Old Masters Still-life Paintings
Materials
Oil, Panel
Blues Guitarist, Buddy Guy, 1966, Playing Guitar, Framed Photograph by Art Shay
By Art Shay
Located in Chicago, IL
Considered one of the greatest guitarists of all time, this black and white photograph of Buddy Guy was taken by Art Shay in 1966. In 2016, Buddy Guy chose this photo for his 80th birthday celebration poster. It is signed on the front of the image. It is matted in a heavy mat and framed in a black metal frame. It measures 25.5h x 19.5w inches.
Art Shay
Buddy Guy, 1966
archival pigment print
19h x 13w in
48.26h x 33.02w cm
ASY177
“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.”
Roger Ebert
“[Shay’s work] ranks with some of the greats of the 20th century.”
Ellen & Richard Sandor, Renowned photo collectors
“I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.”
William Friedkin, Director of French Connection
“Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.”
Studs Terkel
“Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.”
Hugh Hefner
“Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.”
Tony Fitzpatrick, Chicago Artist
“Art Shay is America’s Cartier-Bresson.”
Thomas Dyja, author of The Third Coast
“Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?”
Russell Banks, Novelist
“The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.”
Christophe Loviny, Art Editor, Paris
“Art Shay is the best photo-journalist Chicago ever produced.”
Arthur Siegel...
Category
1960s Contemporary Black and White Photography
Materials
Archival Pigment
Hot Fox in the Henhouse - Large Scale Abstract Expressionist Painting
By Wesley Kimler
Located in Chicago, IL
Wesley Kimler (born 1953) an American artist based in Chicago, Illinois, is known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, th...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Canvas, Mixed Media, Oil
Sam, Reclining Male Nude with Hounds Tooth Background and Floral Foreground
By Brian Driscoll
Located in Chicago, IL
"Sam" by Brian Driscoll is presented in three layers. The male nude reclines in front of a background of hounds tooth wall paper and then Sam is overlayed with a veil of floral designs. It is as if are being allowed to draw back the curtain into this very private space. This three-dimensional quality of Driscoll's drawing is highly complex in its execution. Each layer is a different geometrical pattern - the heavy lines that take up the wallpaper, the tiny hash marks that evolve into Sam and finally, the absence of color to create the floral curtain.
Brian Driscoll
Sam, 2019
ink on paper
17h x 14w in
43.18h x 35.56w cm
BWD013
Through drawing, Driscoll creates Midwestern mythologies exploring aspects of masculinity in working-class rural America...
Category
21st Century and Contemporary Contemporary Nude Drawings and Watercolors
Materials
Ink, Archival Paper
