International Fine Arts Consortium - IFAC Arts Abstract Photography
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Murmures 12
Located in New York, NY
Murmures 12
2020
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni Paridi's photo...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Magnetic Alchemy 3.023 AD
Located in New York, NY
Magnetic Alchemy 3.023 AD
2019
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni ...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Act of Occult at 02:00 am (Mystic Rose)
Located in New York, NY
Act of Occult at 02:00 am (Mystic Rose)
2023
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do w...
Category
2010s Color Photography
Materials
Archival Pigment
Deterioration Series 177
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 177
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 195
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 195
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 164
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 164
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 155
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 155
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 147
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 147
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 138
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 138
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 133
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 133
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 130
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 130
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 126
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 126
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 117
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 117
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 097
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 097
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
signed and numbered edition of 5 on the verso
This image is part of Robert Fa...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 091
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 091
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 086
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 086
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 072
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 072
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 055
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 055
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 033
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 033
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 004
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 004
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 023
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 023
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Deterioration Series 001
By Robert Farber
Located in New York, NY
Robert Farber
Deterioration Series 001
1979-2013 (printed later)
Archival pigment print
60 x 40 inches
edition of 5
This image is part of Robert Farber’s Deterioration Series which...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Corner No. 03 at the Guggenheim Museum
By Kenji Aoki
Located in New York, NY
Corner 2018
No.1, No.2, No.3
The origin of “space”
20 x 30 inches
Platinum print
Signed and numbered edition of 5
In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface.
On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated.
For me, “dots and lines” are the origin of space and the starting point of beauty.
Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
Category
2010s Abstract Black and White Photography
Materials
Platinum
Corner No. 02 at the Guggenheim Museum
By Kenji Aoki
Located in New York, NY
Corner 2018
No.1, No.2, No.3
The origin of “space”
20 x 30 inches
Platinum print
Signed and numbered edition of 5
In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface.
On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated.
For me, “dots and lines” are the origin of space and the starting point of beauty.
Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
Category
2010s Abstract Black and White Photography
Materials
Platinum
Corner No. 01 at the Guggenheim Museum
By Kenji Aoki
Located in New York, NY
Corner 2018
No.1, No.2, No.3
The origin of “space”
20 x 30 inches
Platinum print
Signed and numbered edition of 5
In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface.
On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated.
For me, “dots and lines” are the origin of space and the starting point of beauty.
Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...
Category
2010s Abstract Black and White Photography
Materials
Platinum
Where Are We Going?
By Jonathan Zimmerman
Located in New York, NY
Where Are We Going?, 2004
Archival pigment print on heavy rag paper
40 x 63 inches
Edition of 7+2AP
A study of forms. Forms that are mechanical: cold engineering but designed with f...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Pigment
Matrixial Orange Dress Landscape
By Christina McPhee
Located in New York, NY
MATRIXIAL (ORANGE DRESS), 2014
digital chromogenic print / sintra back mount / acrylic face mount
96 x 44 inches / 2438 x 1183 mm
edition of 3 plus AP
a...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
C Print
Debris Carrizo Landscape
By Christina McPhee
Located in New York, NY
DEBRIS (CARRIZO), 2004
digital chromogenic print
92 x 44 inches / 2336 x 1117 mm
edition of 3 plus AP
Californian artist Christina McPhee has an educational background in painting ...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
C Print
Massimo Listri, Ibirapuera Auditorium, Sao Paolo
By Massimo Listri
Located in New York, NY
Ibirapuera Auditorium, Sao Paolo, 2012
Chromogenic Lambda print
Edition of 5
180 x 225 cm mounted to aluminum
The photographer is based in Florence, and ...
Category
2010s Contemporary Color Photography
Materials
Lambda
Colorfield Study: Lord Haw Haw’s Rocket
By Jonathan Zimmerman
Located in New York, NY
Colorfield Study: Lord Haw Haw’s Rocket, 2002-2005
Archival pigment print on heavy rag paper
27 x 40 inches
Edition of 7+2AP
A study of forms. Forms that are mechanical: cold engine...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Pigment
Suprematist Dynamism Study
By Jonathan Zimmerman
Located in New York, NY
Suprematist Dynamism Study, 2005
Archival pigment print on heavy rag paper
42 x 63 inches
Edition of 7+2AP
A study of forms. Forms that are mechanical: cold engineering but designed...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Pigment
Ibirapuera Auditorium, Sao Paolo
By Massimo Listri
Located in New York, NY
Ibirapuera Auditorium, Sao Paolo, 2012
Chromogenic Lambda print
Edition of 5
120 x 150 cm
The photographer is based in Florence, and is fascinated how hi...
Category
2010s Contemporary Color Photography
Materials
Lambda
cave, people, bear face, drawing, brain or homo sapiens saying hi
By Sofia Borges
Located in New York, NY
Sofia Borges
cave, people, bear face, drawing, brain or homo sapiens saying hi, 2014
Pigment print on cotton paper mounted on Sintra
Edition 1 of 5 + 1 AP
Size 1: 47 ¼ x 70 ¾ inches (120 x 179.7 cm)
Size 2: 150 x 225 cm Edition of 3 + 1 AP
Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Befreiungshalle a Kehlhein Germania
By Massimo Listri
Located in New York, NY
Befreiungshalle a Kehlhein Germania, 2005
C print
Edition of 5
cm 100X120 120X150 180X225
inch 39.40x47.28 47.28x59.10 70.92x88.65
Massimo Listri is a Florence-based photographer...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Synesthesia - RE-417HZ
By Ashley G. Garner
Located in New York, NY
Synesthesia - RE-417HZ, 2017
Archival pigment print on Aluminum
40 x 60 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hear...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Blue Experiment #1
By Ashley G. Garner
Located in New York, NY
Blue Experiment #1, 2016
Archival pigment print on Aluminum
24 x 36 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Synesthesia - UT-396HZ (Blue)
By Ashley G. Garner
Located in New York, NY
UT-396HZ (Blue), 2017
Archival pigment print on Aluminum
40 x 60 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing col...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Carbon Cycle Model (Pulse)
By Christina McPhee
Located in New York, NY
Carbon Cycle Model (Pulse), 2009
chromogenic light jet print , aluminum back mount, acrylic face mount
48.5 x 48.5 inches / 1232 x 1232 mm
edition of 3 plus AP
available: print 3...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
C Print
DEBRIS (CARRIZO)
By Christina McPhee
Located in New York, NY
DEBRIS (CARRIZO), 2004
digital chromogenic print
92 x 44 inches / 2336 x 1117 mm
edition of 3 plus AP
Category
21st Century and Contemporary Contemporary Color Photography
Materials
C Print
Transformed Brooklyn Bridge (gone wild)
By Miroslaw Rogala
Located in New York, NY
Transformed Brooklyn Bridge (gone wild)
Archival pigment print
40 x 40 inches
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
SOL- 741HZ
By Ashley G. Garner
Located in New York, NY
SOL-741 Hz, 2017
16 × 24 in (40.6 × 61 cm)
Edition 5/5 + 1AP
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing color or feeling pain from ...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Purple Experiment
By Ashley G. Garner
Located in New York, NY
Purple Experiment, 2016-2017
Archival pigment print on Aluminum
24 x 36 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hea...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Synesthesia - FA-639HZ #1
By Ashley G. Garner
Located in New York, NY
FA-639HZ #1, 2017
Archival pigment print on Aluminum
16 x 24 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing color o...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Synesthesia - FA-639HZ #2
By Ashley G. Garner
Located in New York, NY
Synesthesia - FA-639HZ #2
Archival pigment print on Aluminum
16 x 24 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing...
Category
2010s Contemporary Abstract Photography
Materials
Archival Pigment
Untitled 7 (Cycladic Landscape)
By Leandros Pigades
Located in New York, NY
Untitled (Cycladic Landscape), 2016
Chromogenic print
20 x 30 inches
Edition of 10
Category
2010s Contemporary Color Photography
Materials
C Print, Photographic Paper
Dynamic Sink Pulse One One One One
By Christina McPhee
Located in New York, NY
Dynamic Sink Pulse One One One One, 2009
digital chromogenic print, aluminum back mount, acrylic face mount
36 x 36 inches / 914 x 914 mm
edition of 3 plus AP
available print edition 2/3
Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity.
McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...
Category
21st Century and Contemporary Abstract Photography
Materials
C Print
MATRIXIAL (ORANGE DRESS)
By Christina McPhee
Located in New York, NY
MATRIXIAL (ORANGE DRESS), 2014
digital chromogenic print / sintra back mount / acrylic face mount
96 x 44 inches / 2438 x 1183 mm
edition of 3 plus A...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
C Print
Two Peppers Disarmed
By Miroslaw Rogala
Located in New York, NY
Two Peppers Disarmed
Category
21st Century and Contemporary Still-life Photography
Materials
Archival Pigment
Floodplain
By Marjan Moghaddam
Located in New York, NY
Marjan Moghaddam works with 3d animation and Motion Capture of improvised dance, Martial Arts and gesticulation. Her distinctive style employs a 3d CG Cubist and Futuristic form of f...
Category
