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"Blue Black & Green"
By Lloyd Raymond Ney
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Lloyd R. Ney (1893 – 1964)
Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Direction"
By Joseph Amar
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Amar (1954 – 2001)
Joseph Amar was born in Casablanca, Morocco in 1954 to a Sephardic Jewish father and a Spanish mo...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Paper, Gouache
"Number Two Surrounded"
By Joseph Amar
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Amar (1954 – 2001)
Joseph Amar was born in Casablanca, Morocco in 1954 to a Sephardic Jewish father and a Spanish mo...
Category
1970s Abstract Mixed Media
Materials
Paper, Mixed Media
"Soft Pasture"
By Lee Gatch
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Lee Gatch (1902 – 1968)
Lee Gatch was an important modernist and abstract artist who spent most of his career in Lambertvil...
Category
20th Century Abstract Mixed Media
Materials
Mixed Media
Three Sound Sculpture
By Harry Bertoia
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Harry Bertoia (1915 – 1978)
Artist, sound art sculptor, and furniture designer, Harry Bertoia, was born in Italy in 1915 before immigrating to America in 1930. In 1936, he attended the Detroit Society of Arts and Crafts before moving to study at Cranbrook Academy of Art in Bloomfield, Michigan, where he would later teach and establish a metalworking department. During this early artistic period, he experimented with jewelry forms, exploring creative concepts that would later emerge in his sculptures.
In 1943, he relocated to Venice, California, along with esteemed artist-designer couple Charles and Ray Eames, to participate in war efforts until 1946. During his first year in California, he began attending a welding class at Santa Monica City College. In 1947, he moved to La Jolla to work in the publications department of Point Loma Naval Electronics Laboratory creating training manuals for equipment operators. During this time, he continued making jewelry and monoprints and began his first experiments with metal sculpture.
In 1949, he moved to Barto, Pennsylvania to work alongside Hans and Florence Knoll at Knoll Associates, a design company and furniture manufacturer. From then on, he became a prolific architectural sculptor. While at Knoll Associates, he created the famous wire Bertoia Collection. Among the designs for this collection was his Diamond Chair, which quickly became an iconic and commercially successful model. His first sculpture exhibition was in 1951 at the Knoll Showroom in New York.
Besides his work in jewelry making and furniture design, during the 1960s, Bertoia began to devote himself to the production of sound sculptures...
Category
20th Century Abstract Abstract Prints
Materials
Monoprint
"Collage"
By Dwinell Grant
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Dwinell Grant (1912 – 1991)
Non-objective artist, Dwinell Grant, was born in Springfield, Ohio in 1912. His interest in the...
Category
20th Century Abstract Mixed Media
Materials
Mixed Media
"Collage Composition"
By Dwinell Grant
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Dwinell Grant (1912 – 1991)
Non-objective artist, Dwinell Grant, was born in Springfield, Ohio in 1912. His interest in the...
Category
20th Century Abstract Mixed Media
Materials
Paper, Mixed Media
"Red Galaxy"
By Lloyd Raymond Ney
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Lloyd R. Ney (1893 – 1964)
Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Watercolor
"Delaware Water Gap #2"
By Lloyd Raymond Ney
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Lloyd R. Ney (1893 – 1964)
Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Graphite
"Volcano"
By Joseph Meierhans
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Meierhans (1890 - 1980)
Joseph Meierhans is one of the most important modernist painters associated with Bucks Coun...
Category
1940s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Pastel
"Through the Doors"
By Josef Zenk
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Josef Zenk (1904-2000)
Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thr...
Category
20th Century Abstract Expressionist Mixed Media
Materials
Paper
"Sail Boats in Harbor"
By Edward Willis Redfield
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Edward Willis Redfield (1869 - 1965)
Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...
Category
1890s American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Pennsylvania Dutch Village"
By Walter Emerson Baum
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Walter Emerson Baum (1884 - 1956)
Born in Sellersville, Pennsylvania, Walter Baum was one of the only members of the New Ho...
Category
1930s American Impressionist Landscape Paintings
Materials
Canvas, Oil
Winter Moonlight
By George William Sotter
Located in Lambertville, NJ
signed lower right
Category
1910s American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Tommy"
By Gershon Benjamin
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork:
Gershon Benjamin (1899 - 1985)
An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...
Category
1930s Modern Portrait Paintings
Materials
Oil, Board
"The Evening Crowd, Manhattan"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1930s Abstract Abstract Paintings
Materials
Canvas, Oil
"Manhattan Night Life"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1930s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
"Fishing Through the Storm"
By Vaclav Vytlacil
Located in Lambertville, NJ
Mixed media on board; Signed lower right and dated 1961
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in ...
Category
1960s Abstract Abstract Paintings
Materials
Mixed Media
“Woman in Black”
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1960s Abstract Expressionist Figurative Paintings
Materials
Oil, Board
"Woman Dressing"
By Frederick Carl Frieseke
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to offer this work by Frederick Carl Frieseke (1874 – 1939).
Frederick Carl Frieseke was a member of the third generation of American painters to inhabit and find inspiration from Giverny, France. His use of bright colors and light, to depict the female figure, defined the style of the Giverny group during his residence, synthesizing aspects of Impressionism and Post-Impressionism.
Born in the United States, Frieseke studied at the School of the Art Institute of Chicago and the Art Students League in New York. In 1898, he moved to Paris to enroll in the Académie Julian, where he studied under Benjamin Constant and Jean-Paul Laurens. During this time, Frieseke also briefly studied with James A. Whistler, who would prove to be a great inspiration in Frieseke’s early works. From Whistler, Frieseke adopted a tonalist palette and a decorative approach to figurative painting.
While in Paris, Frieseke’s works were featured at the American Art Association of Paris and in several annual salon exhibitions. His painting, “Before the Mirror...
Category
1920s American Impressionist Figurative Paintings
Materials
Oil, Board
"Floating Clouds"
By Charles Warren Eaton
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Charles Warren Eaton (1857 – 1937)
A longtime resident of Bloomfield, New Jersey, Charles Warren Eaton was widely known in ...
Category
20th Century American Impressionist Landscape Paintings
Materials
Oil, Board
"Brooklyn Bridge II"
By Gershon Benjamin
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Gershon Benjamin (1899 - 1985)
An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...
Category
1960s Modern Landscape Paintings
Materials
Canvas, Oil
"Orb"
By Rex Ashlock
Located in Lambertville, NJ
Signed Verso
Rex Ashlock (1918 - 1999)
Born in Spokane, WA on Aug. 23, 1918. Ashlock moved to San Francisco in 1937 and was a copy boy for Associated Press while studying at the C...
Category
1960s Abstract Abstract Paintings
Materials
Canvas, Oil
"Roman Bath" Series (2/3)
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
20th Century Abstract Impressionist Abstract Paintings
Materials
Oil, Board
"Autumn Afternoon in Luxembourg Garden"
By Martha Walter
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Martha Walter (1875-1976)
Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...
Category
Early 20th Century American Impressionist Landscape Paintings
Materials
Oil, Board
"Lady of Summer"
By Martha Walter
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Martha Walter (1875-1976)
Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...
Category
Early 1900s American Impressionist Landscape Paintings
Materials
Oil, Board
"A Grandmother's Delight"
By Martha Walter
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Martha Walter (1875-1976)
Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...
Category
Early 1900s American Impressionist Figurative Drawings and Watercolors
Materials
Paper, Charcoal, Watercolor
"In Port"
By Edward Willis Redfield
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Edward Willis Redfield (1869 - 1965)
Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893.
Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there.
Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work.
Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings.
Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality.
Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...
Category
Early 1900s American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Main Street"
By Morris Hall Pancoast
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Morris Hall Pancoast (1877 – 1963)
Born in Salem, New Jersey, Morris Hall Pancoast was a painter, illustrator, and cartoonist. He took night courses at Drexel University and enrolled at the Pennsylvania Academy of the Fine Arts under Thomas Anshutz...
Category
1930s American Impressionist Landscape Paintings
Materials
Oil, Board
"Path of the East Wind"
By Harry Leith-Ross
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Harry Leith-Ross (1886 - 1973)
The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist.
There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis Katz...
Category
1940s American Impressionist Landscape Paintings
Materials
Oil, Board
"Fresh Fish"
By John R. Grabach
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
John R. Grabach (1886 - 1981)
John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...
Category
1930s American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Red Tulips, Paris"
By Bror Julius Olsson Nordfeldt
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Bror Julius Olsson “B.J.O.” Nordfeldt (1878 – 1955)
Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...
Category
1930s American Modern Still-life Paintings
Materials
Canvas, Oil
"Steamboat Landing"
By Charles Rosen
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Complemented by a hand carved and modernist style gilt frame.
Illustrated in "New Hope for American Art" by James Alterman...
Category
1930s American Modern Landscape Paintings
Materials
Canvas, Oil
"Pueblos"
By Henry Baker
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Henry Hudson Baker (1900 - 1957)
Henry Baker, an Ivy League graduate from Yale University, was born in Dunkirk, New York, in 1900. Baker was one of New Hope's important modernist painters as well as a talented musician residing in the area from 1932-1950.
After graduating from Yale, Baker studied at the Art Students League in New York and upon the suggestion of his close friend, artist Ralston Crawford, he came to Merion, Pennsylvania, to study at the Barnes Foundation. While there, Baker befriended Edith Wood, a student from the Pennsylvania Academy. Miss Wood, familiar with the New Hope art colony and its charming surroundings, thought it might appeal to Baker. It did, and soon after his arrival to New Hope in 1932, Baker purchased and restored a beautiful old colonial home.
Two years prior to Baker's arrival, a break had occurred between impressionist and modernist painters. His first participation with the New Hope artists...
Category
1930s American Modern Landscape Paintings
Materials
Canvas, Oil
"Grain Elevators, Buffalo"
By Ralston Crawford
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Tobias Musicant (1921 – 2004)
A new discovery in the art world is something always searched for and rarely found. Surely th...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Paper, Ink
"House in Fragments"
By Tobias Musicant
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Tobias Musicant (1921 – 2004)
A new discovery in the art world is something always searched for and rarely found. Surely th...
Category
20th Century Abstract Abstract Paintings
Materials
Oil, Board
"Pinpoint Abstraction"
By Charles F. Ramsey
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Charles Frederick Ramsey (1875 - 1951)
Charles Frederick Ramsey is considered as important a leader among the New Hope Modernists, as Lathrop among the New Hope Impressionists. Ramsey, the son of prominent Philadelphia artist, Milne Ramsey...
Category
1940s Abstract Abstract Paintings
Materials
Canvas, Oil
"Agitation in the Agora"
By Tobias Musicant
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Tobias Musicant (1921 – 2004)
A new discovery in the art world is something always searched for and rarely found. Surely th...
Category
20th Century Abstract Abstract Paintings
Materials
Oil, Board
"Evolution"
By Ramstonev (Ramsey/Stone/Evans co-operative)
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Ramstonev Co-operative Project (1937 - 1939)
In the late 1930s, Charles Ramsey became close friends with Charles Evans and ...
Category
20th Century Abstract Abstract Paintings
Materials
Gouache, Paper
"Springtown Grocer"
By John Foster
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
R. John Foster (1908 - 1989)
R. John Foster lived all of his life in Newtown, Bucks County, Pennsylvania. He studied at the...
Category
1940s American Modern Landscape Paintings
Materials
Canvas, Oil
“Woman on the Rocks”
By Josef Zenk
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Josef Zenk (1904-2000)
Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...
Category
20th Century Abstract Figurative Paintings
Materials
Oil, Board
Figures
By Josef Zenk
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Josef Zenk (1904-2000)
Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...
Category
21st Century and Contemporary Abstract Nude Paintings
Materials
Oil, Board
"Group of Old Houses, Buckingham"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 64, plate #075.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph B...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Bucks County Village"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 64, plate #074.
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Oil, Board
"New Hope Gothic"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 62, plate #072.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Holicong Garden"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 61, plate #071.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph B...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Edge of the Village"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 60, plate #070.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Local Gossip"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 59, plate #069.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph B...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Sunrise, Old Farm, Rushland"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 58, plate #067.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Flood on the Delaware"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 57, plate #066.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph B...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Flowers, New Hope"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 56, plate #065.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Two Bouquets"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 54, plate #062.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...
Category
Late 20th Century American Impressionist Still-life Paintings
Materials
Canvas, Oil
"Morning at the Market, Lasaska"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 50, plate #058.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Stream, Southhampton"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 48, plate #055.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Pine Grove Near Pipersville"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 45, plate #052.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"River Above New Hope"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 41, plate #047
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Forest Grove Farm"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 40, plate #046.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf.
A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Farm House, Solebury"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 38, plate #044.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph B...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Abandoned Farm House"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 36, plate #041.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph B...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
"River Party"
By Joseph Barrett
Located in Lambertville, NJ
Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 32, plate #036.
Jim’s of Lambertville is proud to offer this artwork by:
Joseph Barrett (1936 – )
Joseph B...
Category
Late 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
