Items Similar to Figures
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Josef ZenkFigures
About the Item
Jim’s of Lambertville is proud to offer this artwork by:
Josef Zenk (1904-2000)
Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for three years at the National Academy of Design, followed by further studies at the Art Students League in New York.
In 1926, Zenk moved to Utica, New York, where we he began to produce landscape, figurative, and still life paintings. He was part of a small community of artists who, in 1927 and 1928, organized exhibitions with many of the leading American painters, including Edward Hopper, Charles Sheeler, and Ernest Fiene. In 1930 he was granted a full scholarship to study at the Munson Williams Proctor Institute in Utica, where he later became an instructor until World War II. While there, an exhibition of his work produced the greatest attendance of any show at the institution of that year. In 1942, “Zuni” by Zenk became the first work purchased by the Munson Williams Proctor Institute for its Central New York Artists Collection.
After service in the Armed Forces from 1942 to 1945, Zenk left Utica and moved his studio to Palisades Park, New Jersey. Under the new G.I. Bill, he began to study at the New School in New York City. Along with Louis Schanker, a prominent woodcut artist and teacher at the New School, Zenk and a small group of printmakers formed “Studio 74” for the purpose of exhibiting their color woodblock prints. The group received immediate critical attention. The New York Times described the work of Josef Zenk as “particularly admirable”. One of his prints, “The Kiss”, was chosen in 1949 as one of the “best prints of the year” and was exhibited in the National Exhibition of Prints held at the Library of Congress in Washington D.C.
Zenk moved to Bucks County, Pennsylvania in the late 1940s, living in Upper Black Eddy, a town along the Delaware River, ten miles north of New Hope. He maintained a studio in Palisades Park for a while after the move, before eventually working full time from his studio in Pennsylvania. Zenk remained active painting and making woodblock prints, while also teaching art classes. He resided in Bucks County until the end of his life at the age of ninety-six.
Like several other important Pennsylvania and New Jersey artists, the works of Josef Zenk were only recently rediscovered and brought to light. For the remaining thirty-five years of his life, he chose a somewhat reclusive lifestyle, away from the frenetic art scene.
Josef Zenk’s works have been shown in over twenty-seven museums, including the San Francisco Museum of Art, the Brooklyn Museum, the Newark Museum, the Seattle Museum of Art, and the National Academy of Design. Through the many exhibitions during his career, Zenk progressed from stylized realism in landscape and figurative painting to a powerful modernist and abstract style with a strong sense of personal expression.
Source: New Hope for American Art, James Alterman
- Creator:
- Dimensions:Height: 31 in (78.74 cm)Width: 25 in (63.5 cm)Depth: 3 in (7.62 cm)
- More Editions & Sizes:Framed Size 32" x 28"Price: $20,625
- Medium:
- Movement & Style:
- Period:
- Condition:good condition.
- Gallery Location:Lambertville, NJ
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1997
1stDibs seller since 2014
36 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Ships From: Lambertville, NJ
- Return PolicyThis item cannot be returned.
More From This SellerView All
- "Woman on the Couch"By Josef ZenkLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...Category
20th Century Modern Nude Paintings
MaterialsOil, Masonite
- "After Work"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork. Signed lower right Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in C...Category
20th Century Abstract Expressionist Abstract Paintings
MaterialsOil, Board
- “Woman on the Rocks”By Josef ZenkLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904-2000) Josef Zenk was born in New York City in 1904. After graduating from high school, he studied for thre...Category
20th Century Abstract Figurative Paintings
MaterialsOil, Board
- "Roman Bath" Series (2/3)By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
20th Century Abstract Impressionist Abstract Paintings
MaterialsOil, Board
- “Woman in Black”By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1960s Abstract Expressionist Figurative Paintings
MaterialsOil, Board
- "Manhattan Night Life"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1930s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
You May Also Like
- Bay Area Abstract Expressionist Standing Nude from Behind in Oil on CardboardBy Honora BergLocated in Soquel, CABay Area Expressionist Standing Nude from Behind in Oil on Cardboard Standing nude woman from behind by Honora Berg (American, 1897-1985). Bold...Category
1950s Abstract Expressionist Nude Paintings
MaterialsOil, Illustration Board
- Planal Figure, abstract figure, earth and flesh tones, dark backgroundBy Tom BennettLocated in Brooklyn, NYOil painting on board, unframed, abstracted, figurative, expressionist, energetic brushworkCategory
2010s Abstract Impressionist Figurative Paintings
MaterialsBoard, Oil
- Mid Century Bay Area Figurative Movement Nude StudyBy Honora BergLocated in Soquel, CANude study by Honora Berg (American, 1897-1985). Image, 26"H x 20"W on artsits cardboard. Signed/stamped "Estate of Honora Berg" on verso, from a collection of her works. Berg studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...Category
1950s Abstract Expressionist Figurative Paintings
MaterialsCardboard, Oil
- Mid Century Abstract Expressionist Grey FigurativeBy Louis NadaliniLocated in Soquel, CAAbstract expressionist nude figure by Louis Nadalini (American, 1927-1995). Signed "Louis Nadalini" in the lower right corner. Signed "Louis Ernie Nadalini" on verso. Unframed. Image...Category
1980s Abstract Expressionist Nude Paintings
MaterialsCanvas, Cardboard, Oil
- "La Cagole", "The Extrovert", French Abstract Expressionist Oil on Board.Located in Cotignac, FRLate 20th century abstract Expressionist oil on board by French artist Emmanuelle Bardet. Signed bottom right and dated 1995 and titled "La Cagole" to the re...Category
Late 20th Century Abstract Expressionist Nude Paintings
MaterialsOil, Board
- Geisha. 2003. cardboard, author's technique, 60x23 cmLocated in Riga, LVGeisha. 2003. cardboard, author's technique, 60x23 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an a...Category
Early 2000s Abstract Figurative Paintings
MaterialsCardboard, Mixed Media
Recently Viewed
View AllMore Ways To Browse
Study Of Figures
Small Nude Painting
Nude Painter D
Nude Realism
American Modernist Nude
Small Woodblock
Nude Figurative Realism
Nude Oil Painting Realism
Bucks County Pennsylvania
Delaware River
Studio Twenty Seven
Nude Woodcut Print
American City Scene Still Life Realism
Zuni Art
Kiss Ii
New York Palisade
Woodblock Modernist
Nude Woodblocks