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Charles Rosen"Steamboat Landing"c. 1929-30
c. 1929-30
$49,375
£36,880.76
€42,757.36
CA$68,555.95
A$76,842.40
CHF 40,009.58
MX$938,278.56
NOK 507,976.32
SEK 481,515.86
DKK 319,016.22
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About the Item
Jim’s of Lambertville is proud to offer this artwork by:
Complemented by a hand carved and modernist style gilt frame.
Illustrated in "New Hope for American Art" by James Alterman and "Form Radiating: The Paintings of Charles Rosen" published by the James A. Michener Museum.
Charles Rosen (1878 - 1950)
Charles Rosen was born on April 28, 1878, in Reagantown, Westmoreland County, Pennsylvania. At age sixteen, he opened up a photography studio. However, he quickly lost interest when most of his clients only wanted post-mortem photos of deceased relatives. In 1898, he went to New York City to enter classes at the National Academy of Design, where he studied with Francis Coates Jones. Shortly after, Rosen enrolled at the New York School of Art where he studied with William Merritt Chase and Frank Vincent DuMond. During this time, Rosen became friendly with artists Robert Spencer and Rae Sloan Bredin. Soon all three would move to Bucks County. In 1903, Rosen married Mildred Holden and moved to the New Hope area, renting a place to live from William Lathrop at the Phillips Mill complex. A lasting friendship with Lathrop resulted.
Like his contemporaries Redfield and Schofield, Rosen painted large plein-air canvases with thick impasto and bold brush strokes depicting the scenic Delaware River and surrounding landscape. Rosen was able to accurately portray the atmospheric mood of his subject, whether it is snow-covered vistas or the morning’s autumn haze. These impressionist works were regarded as masterpieces and won many awards, including two Hallgarten prizes from the National Academy of Design in 1910 and 1912, as well as the Altman prize and the Innes Gold Medal in 1916. Rosen also won a Silver Medal at the Panama-Pacific Exposition in San Francisco in 1915.
By 1916, Rosen had determined that he was no longer satisfied with his Impressionist style. In the late 1910s, he began to paint in a cubist-realist style, abandoning impressionism. In 1918, he became an instructor at the Art Students League Summer School in Woodstock, New York. He moved permanently to Woodstock in 1920, where he became closely associated with George Bellows, Eugene Speicher, Henry Lee McFee, and Andrew Dasburg. By the 1920s, Rosen was creating paintings exclusively in the modernist style, mostly landscapes and industrial scenes, as well as the occasional still life. Beginning in 1922, Rosen conducted a painting school for several seasons with McFee and Dasburg. Charles Rosen died in Woodstock at the age of seventy-two.
He exhibited at the Pennsylvania Academy of the Fine Arts (1926 Gold Medal), the Carnegie Institute (1914 prize), the Panama-Pacific Exposition in San Francisco, the Corcoran Gallery of Art, the Art Institute of Chicago, the City Art Museum in St. Louis, the Salons of America, and the Whitney Museum of American Art, among others.
Sources:
-New Hope for American Art by James M. Alterman
-American Impressionism: The New Hope Circle, Sam Hunter, Fort Lauderdale, 1984
-Charles Rosen: The Pennsylvania Years (1903-1920), Thomas Folk, 1983
- Creator:Charles Rosen (1878-1950, American)
- Creation Year:c. 1929-30
- Dimensions:Height: 37 in (93.98 cm)Width: 32 in (81.28 cm)Depth: 3 in (7.62 cm)
- More Editions & Sizes:Framed Size 38" x 32"Price: $49,375
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lambertville, NJ
- Reference Number:Seller: LAM005411stDibs: LU3741124673
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Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Charles Rosen (1878 - 1950).
Charles Rosen was born on April 28, 1878, in Reagantown, Westmoreland County, Pennsylvania. At age sixteen, he opened up a photography studio. However, he quickly lost interest when most of his clients only wanted post-mortem photos of deceased relatives. In 1898, he went to New York City to enter classes at the National Academy of Design, where he studied with Francis Coates Jones...
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Jim’s of Lambertville is proud to offer this artwork by:
Henry Bayley Snell (1858 - 1943)
Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill.
Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City.
The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four.
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