Lynx Hollow Antiques End Tables

A visually striking Art Deco period inlaid burlwood travailleuse / work table, in the manner of iconic French designer Jules Leleu (Paris, France, 1883-1961) France, circa 1930s, ex...

A charming antique Burmese / Anglo-Indian sculptural carved padauk hardwood accent table with figural animal carving feet. circa 1900 Finely hand carved in Burma (present day Myanma...

An original mid-century modern side table, in the manner of legendary Italian modernist architect and designer Ico Parisi (1916-1996) Italy, circa 1950s, having a rectangular inset ...

A magnificent period Italian Art Deco Moderne elaborately inlaid table. circa 1930 Finely hand-crafted in Italy, most likely the Sorrento - Naples region of Southern Italy, featuri...

A rare and stunning Federal period (1789-1823) early American flame mahogany wash stand. circa 1810 Exquisitely hand-crafted in the Northeastern United States in the early 19th cent...

A stunning contemporary Neoclassical modern guéridon side table by fine quality luxury furniture maker Theodore Alexander. Having a round top ...

A most charming antique French mirrored commode stand. Born in France in the late 19th / early 20th century, most likely Parisian work, except...

A scarce elegant French Louis XV style nightstand with beautifully aged warm mellow patina. Born in France in the 19th century, having a partial undulating gallery framing the vis...

A rare and iconic Italian post-modern Donau Collection bed and matching nightstand designed by master architect and furniture designer Ettore Sottsass (Austria/Italy, 1917-2007) in collaboration with Marco Zanini (Milan, Italy; b.1971) for Leitner Interior Design, circa 1988. Scarce design, bold and dramatic, sculptural-form, exceptionally executed in bird’s-eye maple lacquered and laminated wood, including blue accents and columns that offer a visually striking contrast. Retaining the original manufacturer's label, signed, 195/88. Provenance / Acquisition: Acquired from highly reputable auction house Heritage Auctions, Dallas, Texas. Design Signature Auction catalog #8110 Dimensions: (approx) Bed: (Twin XL...

A pair of fine gilt bronze ormolu mounted porcelain tiered étagères. Decedent French Aesthetic Movement styling, circa 1890, brilliant bronze doré suppo...

A vintage Italian Provincial style paint decorated end table with distressed patina finish. Dating to the mid-20th century, featuring arti...

A pair of Southwest style "Lone Star" side table / end cabinets / nightstands, by high quality Spanish Colonial / Western style luxury furniture designer Jorge Kurczyn, Hacienda Santa Klara. This hand-crafted contemporary end table combines full grain damask patterned leather upholstered front, exquisite hand tooled copper designs, and rich hand carving. The beautifully, finished top of this custom end table is adorned with geometrical hand carving running ornamentation around its rim. Directly below the top of the end table is a large rectangular drawer adorned with rich, brown, full grain leather. Centered in the drawer is a hand forged handle made by skilled craftsmen. This custom end table features two arched, cabinet doors opening to reveal generous storage and shelf for additional storage options. Each cabinet door panel is adorned with a hand hammered and hand tooled copper Lone Star, surrounded by hand tooled, copper, floral designs. Each cabinet door has a hand forged, pull handle. The leather upholstery is hand tacked to the drawer with gilt decorative nailhead trim. This custom furniture has arched molding...

A most impressive pair of Italian parquetry inlaid mahogany lift-top work tables (side table - end table - bedside nightstand) with warm, nicely aged patina. circa 1920s/1930s Wha...

A most unusual and charming rustic Colonial tiled top porringer tea table, handcrafted in the late 1700s, presenting with a beautiful set of eight inset ...

An exceptional French side cabinet from the late 19th century. Likely Parisian in origin, elegantly refined, finished in the luxurious and sophisticated Louis XV taste, presenting with the striking original decoratively shaped variegated specimen marble top with molded edge, atop the gravefully curvacious bombe form case, adorned with intricate geometric diamond parquetry, hand-crafted, of fine quality, craftsmanship and rich detailing throughout, the solid wooden chest fitted with two dovetailed drawers over a spacious single large cabinet door, all open to reveal luxurious rich mahogany finished interior, decorated with finely gilded chiseled and sculpted bronze ormolu fiolate motif mounts, original pull fittings, gilt brass running ornamentation accents the scalloped apron, flowing elegantly down the short cabriole legs, terminating in elaborate bronze sabots. As warm and attractive as it is useful, having the ideal proportions for a variety of different uses, including as a hall console, dry bar cart - liquor cabinet, side table, accent table, sideboard server, linen or towel storage...

Primitive perfection!! A charming antique American pine country farmhouse work table in original red paint. Hand-crafted in the early 19th century, originating in the northeastern Un...

A stunning and unusual mid-century gilt occasional table featuring a circular dish shaped top with inset smoked glass topper, over three tapered turned vasiform bulbous shaped footed ringed base columns, rising on circular base. Richly embellished with a brilliant gilded foil faux marble finish decorated in patinated bronze, antique gold, and silver, distressed painted finish. Can be used as a coffee table, cocktail drinks table...

A substantial, heavy, 3/4" thick circular glass top with 1" beveled edge rests atop a French Louis XV style table, charming antiqued finish distressed painted green with partial gilt accents, having a highly decorative cane webbed rattan wicker decorated top forming concentric circles of unique patterns within a round serpentine shaped molded edge top, over a gently undulating scalloped apron, rising on faux bamboo cross-stretcher joined carved cabriole legs, terminating in whorl feet. Attributed to historic American retailers Barker Brothers Furniture...

A fine quality, scarce, likely one-of-a-kind matched pair of Italian burlwood bedside cabinets. Handmade in Northern Italy in the mid 20th century, wi...

A rare hand painted ebonized parcel bronze gilt Baroque Chinoiserie Revival side table. Exceptionally executed, the contemporary antique reproducti...

An extraordinary morphing envelope card table, hand-crafted and painted black, signed/stamped, high quality, "Seven Seas" by "Hooker Furniture" The Seve...

Straight from the home of the late legendary American business magnate, T. Boone Pickens, we present a contemporary hand carved distressed painted white side table by Guildmaster. Styled after luxurious antique neoclassical furniture, the exceptionally executed table having a unique square serpentine shaped top with molded edge, elaborate polychrome decoration including fanciful scrollwork, central compass rose...

A magnificent set of three French mid 20th century gilded brass marble top nesting tables attributed to Maison Baguès for Parisian design firm Maison Jansen. Finished in luxurious Louis XVI taste, each table graduated in size, having a striking dramatically white veined verde green marble oval shaped top, resting on a triangular shaped patinated gilt metal frame in brilliant bronze dore style finish, adorned in foliate relief trim to apron, floral medallions above tripartite stretcher-joined fluted legs, terminating on tapered feet. Dimensions: (approx) Largest: 17.25"H, 24.25"W, 14"D Since its establishment, circa 1860, Maison Baguès has been an emblem of French elegance and sophistication in luxury interior design, originally the finest lighting, expanding into the finest quality furniture and decorative accessories. Each piece the firm makes is hand-assembled using traditional techniques in order to emphasize the elegant excellence of their detailed artisanal work. Still the epitome of savoir-faire, Maison Baguès’ luxurious pieces are prized for their craftsmanship, beauty and harmony. The master metalsmith Noël Baguès founded the company as specialists in liturgical bronzes, but by 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters, gates and accessory tables. Baguès began selling internationally in the interwar period, expanding the company’s operation to New York, Rome and Cairo. Noted for their high-end handcrafted work, such as complex carved sconces and hand-strung crystal chandeliers, Maison Baguès appealed to an elite clientele. While Baguès’ Art Deco crystal lighting fixtures drew the most attention, the company was also known for bespoke metalwork that drew commissions from important interior designers and decorating firms such as Maison Jansen and Raymond Subes. In 1928, eminent bourgeoisie décorateur Armand-Albert Rateau famously used a selection of Maison Baguès accessories to furnish the townhouse interiors of haute couturist Jeanne Lanvin. Beyond Rateau, the atelier was commissioned by many chic interiors icons like Raymond Subes and the legendary decorating firm Maison Jansen. International decoration offices such as Alberto Pinto, Pierre Yves Rochon...

A fine quality Edwardian period sewing work table, exquisitely handcrafted in England at the turn of the 19th / 20th century. The extraordinary table features exceptional attenti...

A charming rustic antique Spanish Baroque low table with beautifully aged dark rich patina. circa 1880 Versatile, today it would make for a great end table, chair side table, bedsid...

A very fine quality French gueridon, exceptionally executed in the manner of the original design by Adam Weisweiler (1744-1820). Finished in sophis...

A gorgeous antique Louis XV style side table by Escalier de Cristal with beautiful patina. Hand crafted in Paris France during the last quarter of the 19th century, it features a verde marble-top, above a diamond motif parquet case with a single drawer, opposing side having a pull-out serving tray slide with green inset gilt-tooled leather panel, long slender cabriole legs with beautiful exotic wood inlay floral medallions, medial shelf with checkerboard motif parquetry and cross-banded border, ending with decorative gilt-bronze accented feet. Signed Escalier De Cristal Paris Dimensions: (approx) 29" H, 14.5" W, 14.5 D Great antique condition. Original, unrestored, antique condition. Having patina. Missing one gilt foot accent. Some loss. Wear/tear consistent with age and use. Provenance: From the estate of Lonnie Alfred "Bo" Pilgrim (May 8, 1928 – July 21, 2017) co-founder of Pilgrim's Pride, which at one time was one of the largest chicken producers in the United States. Pilgrim co-founded Pilgrim's Pride when he opened a feed store...

A stunning antique Louis XVI style bedside cabinet with outstanding patina. Hand crafted in France during the late 19th / early 20th century, having a marble-top on a parquetry and s...

A rare and magnificent pair of very fine quality French Art Deco Modernist bedside cabinets attributed to Christian Krass, with design influenc...

A superb, exceptional quality, finely hand-crafted faux distressed stacked book table. Elegant, sophisticated and luxurious, with beautifully ag...

A rare French Art Deco sycamore inlaid nightstand or end table attributed to Jules Leleu (1883-1961). Handcrafted in France in the mid 20th century, having a shaped front rectangular...

A stylish, superbly handcrafted French rosewood inlaid bedside cabinet or end table from the second quarter of the 20th century. The fine vintage piece, circa 1940s, features beautif...

A smaller sized Georgian style yew wood chest, fitted with three dovetailed drawers, rising on bracket feet. Ideal proportions for use as a small dresser/chest of drawers placed ...

A period Louis Philippe walnut bedside cabinet from France. Handcrafted and carved in the early/mid 19th century, during the transition from late French Restoration through Louis Phi...

A beautiful mid-century custom ordered occasional table, model 426A, designed by Edward Wormley (American, 1907-1995) for Dunbar Furniture; Berne, Indiana. The two-tier Modernist...

A beautiful and fine American Mid-Century custom ordered side table, model 426A, designed by Edward Wormley (American, 1907-1995) for Dunbar Furniture; Berne, Indiana. Circa 1950-196...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

A fine and rare, beautifully restored American Classical period sewing stand work table in mahogany and rosewood. Elegantly sophisticated, this scarce antique is a wonderful example of high quality early 19th century American craftsmanship. Exhibiting fine detail throughout, the exquisitely handcrafted work table features a hinged shaped top with rounded corners, curved concave front, stunning highly figured matched rosewood inlay complimented by mahogany cross banded edge, set over a conforming shaped case. Lifting the top opens to reveal a fitted interior divided into eight compartments, including a hinged lid with built-in flip-up pin cushion, various size shaped lids are finished in mahogany accented by contrasting satinwood string banded border, a faux drawer front with contrasting mother-of-pearl escutcheon rests above a single frieze drawer with hand carved dovetail joinery and original turned wooden pull. Below, a perfectly proportioned carved, turned and fluted solid mahogany central pedestal rises from a shaped platform base, in true Empire fashion, the base is further raised on ornately carved paw feet. Beautiful, rich antique mahogany color...

A handsome pair of Italian bedside chests, born in the mid 20th century, in a distressed rustic finish, fitted with one open shelf, over two dra...

A rare late 19th century carved mahogany French Louis XV style portfolio table / sheet music stand. Exquisitely handcrafted and elegantly finished in timeless Rocaille taste. A classic representation of the genre, with serpentine shaped molded edge parquetry top of matched diamond pattern inlay, supported by a finely hand carved, scrolled and scalloped apron and single frieze drawer with original asymmetrical gilt ormolu pull, over a conforming contoured shelf and open gallery of vertical slots for sheet music, books, magazines, letters, documents and whatnots, all raised by four long cabriole leg wonderfully carved with complementary motifs. In excellent condition, exceptional craftsmanship and detail, having warm, rich antique mahogany color...

A beautiful French La Belle Époque period mahogany inlaid two-tier etagere stand / side table from the second half of the 19th century. Handcrafted with exceptional craftsmanship, elegantly finished in the timeless and classic Louis XV taste, having a shaped top accented by gilt metal rim, breathtaking marquetry and matched inlay, over a scalloped apron embellished with finely detailed sculpted and chisled gilt bronze ormolu mounts, above the conforming shaped medial shelf, all graceful rising on excellent quality ormolu mounted cabriole legs, terminating in gilded bronze sabots. A great presence and good proportions, make this versatile piece the ideal size for use as a accent table, occasional table, whatnots etagere...

An extraordinary rustic modern natural live edge table, featuring an organic free-form tree slice with artistic pyrography artwork and natural sculptural rootwood base. Late 20th century, United States, having a round live edge thick tree trunk slice...

A superb pair of handmade mid 20th century burlwood bedside cabinets. Fine quality, exquisitely decorated, featuring shaped top with original inset ve...

An extraordinarily rare, interesting and highly unusual hand-sculptured Ostrich foot that creates a one of a kind work of both fine taxidermy and American folk art. Exceptionally...

An elegant and stylish vintage side table, circa 1970s, Italian modern design, finished in luxurious Hollywood Regency / Glam taste, having a thick square glass top with nicely patin...

A rare vintage pair of Italian modernist burled walnut bedside cabinets, circa 1940s. Born in Italy in the mid-20th century, fine quality craftsmanship, crafted in Art Deco style,...

A superb, exceptional quality, finely hand-crafted faux distressed stacked book table. Elegant, sophisticated and luxurious, with beautifully ag...

A rare and unusual pair of antique French mahogany round dish-top pedestal side tables. Handcrafted in France in the late 19th - early 20th century, the similarly styled tiered table...

An early 19th century pair of Baroque hand carved and painted wooden architectural salvaged exterior building elements, now repurposed and fashioned for use as one-of-a-kind pedestal tables. Intricately detailed, whimsical sulptural design, executed in classical corinthian column capital form, having spiral scroll volutes, acanthus leaf carvings, figural ancient mask...

A magnificent handcrafted vintage oak wood framed glass top haberfeld table with substantial gilded bronze and pierced brass accents, having six legs ...