Miles McEnery Gallery

James Siena Resselgenator, 2019 Acrylic and watercolor pencil on linen 75 x 59 1/16 inches 190.5 x 150 cm Signed, titled and dated (verso) -- James Siena is celebrated for his inim...

Liz Nielsen Rainbow, 2022 Analog Chromogenic Photogram, on Fujiflex 50 x 75 inches 127 x 190.5 cm Unique -- Liz Nielsen is known for her unique, camera-less photograms that she cal...

Liz Nielsen Outdoor Concert, 2022 Analog Chromogenic Photogram, on Fujiflex 40 x 49 inches 101.6 x 124.5 cm Unique -- Liz Nielsen is known for her unique, camera-less photograms th...

Wolf Kahn Red Edge, 1998 Pastel on paper 22 1/2 x 30 inches 57.2 x 76.2 cm Signed: "W Kahn" (lower center recto) -- Born in Stuttgart, Germany in 1927, Wolf Kahn fled Nazi Germany ...

Wolf Kahn Dark Diagonal, 1979 Pastel on paper 22 3/8 x 30 inches 56.8 x 76.2 cm Signed: "W Kahn" (lower right recto) -- Born in Stuttgart, Germany in 1927, Wolf Kahn fled Nazi Germ...

Markus Linnenbrink DREAMGIRLSSEVENTYSEVEN, 2019 Epoxy resin and pigments on wood 24 x 60 inches 61 x 152.4 cm Signed, dated, and titled: "Markus Linnenbrink, DREAMGIRLSSEVENTYSEVEN, ...

Markus Linnenbrink WHEREDRYDESERTSEND, 2022 Epoxy resin and pigments on wood 24 x 48 inches 61 x 121.9 cm Signed, titled and dated (verso) -- German-born, Brooklyn-based artist, Ma...

David Allan Peters Untitled #30, 2021 Acrylic on panel 48 x 36 inches 121.9 x 91.4 cm Signed, dated and titled: "David Allan Peters 2021 #30 (verso)" -- Rooted in the history of ea...

David Allan Peters Untitled #2, 2022 Acrylic on panel 48 x 48 inches 121.9 x 121.9 cm Signed, dated and titled: "David Allan Peters 2022 #2 (verso)" -- Rooted in the history of ear...

David Allan Peters Untitled #11, 2022 Acrylic on panel 30 x 30 inches 76.2 x 76.2 cm Signed, dated and titled: "David Allan Peters 2022 #11 (verso)" -- R...

Suzanne Caporael 735 (honey), 2018 Oil on linen 30 x 20 inches 76.2 x 50.8 cm Signed and dated: "CAPORAEL 2018" (verso) -- Caporael continues her profound exploration of the nature...

Suzanne Caporael 745 (blue, 1), 2018 Oil on linen 66 x 48 inches 167.6 x 121.9 cm Signed and dated: "CAPORAEL 2018" (verso) -- Caporael continues her profound exploration of the na...

Suzanne Caporael No. 003, 2008 Collage on paper 4 3/4 x 7 inches 12.1 x 17.8 cm signed lower right verso (MMG#18886) $4,000 -- Caporael continues her profound exploration of the na...

Suzanne Caporael No. 006, 2007 Gouache on paper 15 1/8 x 11 1/8 inches 38.4 x 28.3 cm signed lower right verso (MMG#18897) $5,500 -- Caporael continues her profound exploration of ...

Suzanne Caporael No. 008, 2007 Gouache on paper 15 1/8 x 11 1/8 inches 38.4 x 28.3 cm signed lower right verso (MMG#18898) $5,500 -- Caporael continues her profound exploration of ...

Suzanne Caporael No. 010, 2007 Gouache on paper 11 3/8 x 14 7/8 inches 28.9 x 37.8 cm signed lower right verso (MMG#18901) $5,500 -- Caporael continues her profound exploration of ...

Suzanne Caporael 622 (Pierrot After Watteau After Picasso After Gary Clarke), 2012 Oil on linen 72 x 54 inches 182.9 x 137.2 cm Signed, dated and numbered on verso: "CAPORAEL 2012 [6...

Suzanne Caporael 633 (Field 2), 2012 Oil on linen 60 x 90 inches 152.4 x 228.6 cm Signed, dated and numbered on verso: "CAPORAEL 2012 [633]" (MMG#20585) $85,000 -- Caporael continu...

Suzanne Caporael 642 (the king's noyes), 2013 Oil on linen 45 x 30 inches 114.3 x 76.2 cm Signed, dated and numbered on verso: "CAPORAEL 2013 [642]" (MMG#21214) $45,000 -- Caporael...

Suzanne Caporael 668, 2014 Oil on linen 44 3/4 x 30 inches 113.7 x 76.2 cm Signed, dated and numbered on verso: "CAPORAEL 2014 [668]" -- Caporael continues her profound exploration...

Suzanne Caporael 667, 2014 Oil on linen 44 3/4 x 30 inches 113.7 x 76.2 cm Signed and dated: "CAPORAEL 2014" (verso) -- Caporael continues her profound exploration of the nature of...

Suzanne Caporael 669, 2014 Oil on linen 44 3/4 x 30 inches 113.7 x 76.2 cm Signed, dated and numbered on verso: "CAPORAEL 2014 [669]" -- Caporael continues her profound exploration...

Suzanne Caporael 676, 2014 Oil on panel 15 x 10 inches 38.1 x 25.4 cm Signed and dated on verso: "676, Caporael, 2014" -- Caporael continues her profound exploration of the nature ...

Suzanne Caporael 719 (D. Balmori island), 2016 Oil on linen 60 x 90 inches 152.4 x 228.6 cm Signed, dated and numbered on verso: "CAPORAEL 2016 [719]" -- Caporael continues her pro...

Suzanne Caporael 729 (Niagra scow), 2017 Oil on linen 54 x 78 inches 137.2 x 198.1 cm Signed, dated and numbered on verso: "CAPORAEL 2017 [729]" -- Caporael continues her profound ...

Suzanne Caporael 747 (blue, 3), 2018 Oil on linen 66 x 48 inches 167.6 x 121.9 cm Signed and dated: "CAPORAEL 2018" (verso) -- Caporael continues her profound exploration of the na...

Suzanne Caporael 758 (your crown, sir), 2020 Oil on linen 66 x 54 inches 167.6 x 137.2 cm Signed and dated: "CAPORAEL 2020" (verso) -- Caporael continues her profound exploration o...

Suzanne Caporael 751 (love letter), 2019 Oil on linen 54 x 42 inches 137.2 x 106.7 cm Signed and dated: "CAPORAEL 2019" (verso) -- Caporael continues her profound exploration of th...

Suzanne Caporael 760 (your hat sir, and the door), 2020 Oil on linen 48 x 36 inches 121.9 x 91.4 cm Signed and dated: "CAPORAEL 2020" (verso) -- Caporael continues her profound exp...

Suzanne Caporael 754 (Eden), 2020 Oil on linen 66 x 54 inches 167.6 x 137.2 cm Signed and dated: "CAPORAEL 2020" (verso) -- Caporael continues her profound exploration of the natur...

Suzanne Caporael 755 (long love letter), 2020 Oil on linen 66 x 54 inches 167.6 x 137.2 cm Signed and dated: "CAPORAEL 2020" (verso) -- Caporael continues her profound exploration ...

Suzanne Caporael 757 (OH), 2020 Oil on linen 54 x 42 inches 137.2 x 106.7 cm Signed and dated: "CAPORAEL 2020" (verso) -- Caporael continues her profound exploration of the nature ...

Suzanne Caporael 753 (wrack on blue), 2020 Oil on linen 54 x 42 inches 137.2 x 106.7 cm Signed and dated: "CAPORAEL 2020" (verso) -- Caporael continues her profound exploration of...

JAMES SIENA Connected Orthogonal Hooks (Green), 2015 Graphite on paper Paper Dimensions: 11 x 8 7/16 inches 27.9 x 21.4 cm Framed Dimensions: 17 13/16 x 15 5/16 x 1 1/4 inches 45.2 x...

James Siena Conversation with Manifold, 2017 Gouache on paper Paper Dimensions: 11 x 8 3/8 inches 27.9 x 21.3 cm Framed Dimensions: 18 x 15 3/8 x 1 3/16 inches 45.7 x 39.1 x 3 cm Sig...

James Siena Quadravalde, 2014 Ink on paper Paper Dimensions: 8 7/8 x 7 inches 22.5 x 17.8 cm Framed Dimensions: 15 3/4 x 13 7/16 x 1 3/8 inches 40 x 34.1 x 3.5 cm Signed, titled, and...

Markus Linnenbrink WHYSUNFLOWERSFACETHESUN, 2022 Epoxy resin and pigments on wood 24 5/8 x 96 inches 62.5 x 243.8 cm Signed, titled, and dated (verso) -- German-born, Brooklyn-base...

Brian Alfred Desert Road, 2022 Acrylic on canvas 60 x 50 inches 152.4 x 127 cm Signed, titled and dated (verso) -- In his paintings, Brian Alfred captur...

Brian Alfred Maspeth, 2022 Acrylic on canvas 60 x 50 inches 152.4 x 127 cm Signed, titled and dated (verso) -- In his paintings, Brian Alfred captures a vast range of subject matt...

Brian Alfred PC Stay, 2022 Acrylic on canvas 60 x 50 inches 152.4 x 127 cm Signed, titled and dated (verso) -- In his paintings, Brian Alfred captures a vast range of subject matt...

Trudy Benson Across the Net, 2021 Acrylic and oil on canvas 61 x 77 inches 154.9 x 195.6 cm Signed, titled and dated (verso) -- Trudy Benson’s large-scale, abstract paintings are b...

Trudy Benson We Are Easily Fooled, 2022 Acrylic and oil on canvas 60 x 54 inches 152.4 x 137.2 cm Signed and dated (verso) -- Trudy Benson’s large-scale, abstract paintings are bor...

Bo Bartlett Untitled, 2020 Gouache on paper 22 1/2 x 30 inches 57.2 x 76.2 cm Signed "Bo" (lower right recto) and dated (lower middle recto) -- Bo Bartlett is an American realist ...

Bo Bartlett Defender, 2020 Oil on linen 60 x 80 inches 152.4 x 203.2 cm Signed and dated: "Bo Summer 2020 W IGN" (verso) -- Bo Bartlett is an American realist painter with a moder...

Bo Bartlett Station, 2017 Gouache on paper 15 1/4 x 22 1/2 inches 38.7 x 57.2 cm Signed: Bo (lower right recto) Dated: Aug 31 2017 (lower left recto) -- Bo Bartlett is an American...

Isca Greenfield-Sanders Mountain Valley, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invit...

Isca Greenfield-Sanders Woman on the Rocks I, 2016 Mixed media oil on canvas 35 x 35 inches 88.9 x 88.9 cm Signed, titled and dated (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Prop Plane, 2016 Mixed media oil on canvas 35 x 35 inches 88.9 x 88.9 cm Signed, titled and dated (verso) -- Greenfield-Sanders’ l...

Isca Greenfield-Sanders Hillside, 2019 Mixed media oil on canvas 14 x 14 inches 35.6 x 35.6 cm Signed, titled and dated (verso) -- Greenfield-Sanders’ landscape paintings invite th...

Isca Greenfield-Sanders Redwood, 2022 Mixed media oil on canvas 68 1/4 x 68 1/4 inches 173.4 x 173.4 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Lake, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Woman on the Rocks II, 2016 Mixed media oil on canvas 35 x 35 inches 88.9 x 88.9 cm Signed, titled and dated (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Pink Valley, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders No Name (Landscape), 2019 Mixed media oil on canvas 14 x 14 inches 35.6 x 35.6 cm Signed, titled and dated (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Moon, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Lake Cove, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid Gallery, Sydney, Australia; “Let’s Be Still,” Berggruen Gallery, San Francisco, CA; “If I Could Go Back,” Baldwin Gallery, Aspen, CO; “You’re My Favorite Thing by Far,” Wetterling Gallery, Stockholm, Sweden; “Today and Everyday,” Galerie Klüser, Munich, Germany; “Inherited Landscape,” Berggruen Gallery, San Francisco, CA, among others. Recent group exhibitions include “Unnatural Nature: Post-Pop Landscapes,” Acquavella Galleries, New York, NY; “COMPETERE: An Exhibition of Artist Couples,” Bo Bartlett Center, Columbus, GA; “Landscape & Memory,” Pamela Salisbury Gallery, Hudson, NY; “Deep Blue” (curated by Katherine Bradford...

Isca Greenfield-Sanders Redwood, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

WOLF KAHN Rising Road Behind Trees, 2005 Pastel on paper 19 3/4 x 25 inches 50.2 x 63.5 cm Signed: "W Kahn" (lower left recto) Color-field landscape painting of trees against a brig...

WOLF KAHN Ochre and White, 2009 Oil on canvas 14 x 22 inches 35.6 x 55.9 cm Signed: "W Kahn" (lower left recto) Abstract painting of a house within the woods against an ochre landsc...

WOLF KAHN Landscape of a Strange Green Color, 1999 Oil on canvas 22 x 32 inches 55.9 x 81.3 cm Signed: "W Kahn" (lower left recto) Color-field landscape p...