Regent Antiques Furniture

An attractive pair of reclaimed weathered composition stone ball pier caps on stands, mid 20th Century in date. Condition: In good condition. As vintage items, the pieces show signs...

This is a beautiful WMF Art Nouveau silver plated visiting card tray Circa 1900 in date. Depicting a female figure in a long, flowing diaphanous dress, the train forming the double sided tray, with the impressed maker's mark and stamped '169' to underside. This exquisite casket could house anything from trinkets, keys, sweets to jewellery. Whatever you choose to use this item for you are sure to do it in style. Condition: In excellent condition with no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 22 x Width 34.5 x Depth 16.5 Dimensions in inches: Height 9 inches x Width 1 foot, 2 inches x Depth 6 inches WMF In 1853, Daniel Straub, a miller from Geislingen, joined forces with the Schweizer Brothers to form the "Metallwarenfabrik Straub & Schweizer" in Geislingen. This was the second company to be founded by Straub - previously in 1850, from the nucleus of a small repair workshop, which he had set up to work on the construction of Geislingen's famous railway incline, he had founded Maschinenfabrik Geislingen. This company was involved mainly in manufacturing mill turbines and traded throughout Europe. As early as 1862, the young company distinguished itself by winning a gold medal at the World Exhibition in London. In 1866, following the departure of the brothers Louis and Friedrich Schweizer, the company was renamed Straub & Sohn" (Straub & Son). The company showroom, built in 1868 in Berlin, gradually evolved to become the company's first retail outlet. Three years later, the company was already employing 60 workers. By 1880, the number of employees had grown to approximately 200 and the company was already producing 960 different items. 1880 saw the merger between Straub & Sohn and "Ritter & Co.", Esslingen, to form a public limited company under the name of Wurttembergische Metallwarenfabrik. At the time of the merger, Ritter & Co.'s Esslingen factory was already using the electroplating method of silver plating and had the more modern production facilities at its disposal. Straub's company, on the other hand, was the more profitable of the two. 1892 saw the development of a special technique for silver plating cutlery, whereby the silver is distributed in a way that, at the points of the cutlery most exposed to wear and tear, the coating is twice as thick as elsewhere. This process was patented and is still in use today. Known nowadays as 'Perfect Hard Silver plating' the technique remains exclusive to WMF. Under Carl Hugele the company gained international standing. At the turn of the century the factory in Geislingen employed 3,000 workers. By 1910, this number had already grown to 4,000, making WMF the largest company in Wurttemberg at this time. Sales catalogues were printed in twelve languages. Subsidiary companies in London, Warsaw and Vienna opened up export markets. Under the direction of Albert Mayer the WMF studio was influenced by the art nouveau style. The product range was modernized and considerably extended. In 1905 WMF acquired a majority holding of the Cologne company Orivit AG, which manufactured products from "Orivit", a tin alloy. As of 1925, products created by the Contemporary Decorative Products Department (NKA) made their debut on the market. This department was set up under the direction of Hugo Debach in order to establish the name of WMF amongst consumers interested in art and design. This department was responsible for producing the special "Ikora" finish, which has earned an important place in the annals of art history. The "Ikora" brand name referred to a specific method of treating the surface of the metal, by which layers of coating were applied in a partly chemical and partly heat induced process. A host of newly developed hand-finishing techniques enhanced the possibilities for adding decorative flourishes to the products. Despite being mass produced, every item looked as if it had been individually crafted. At the end of the war the company had lost its foreign assets, associated factories...

This is a large stunning bronze abstract sculpture of a dancer from the last quarter of the 20th century. The naked female figure is represented in a dancing pose on a stepped cyl...

This is a beautiful antique French Louis XV revival carved giltwood tub shaped Bergère, dating from circa 1880. The wingback armchair with hand-sculpted giltwood frame that envelo...

This is a superb vintage patinated bronze group of a hunter holding a fox over his hounds, dating from the late 20th Century. The bronze comprises a central Scottish hunter...

This is a stunning antique French wood and Vernis Martin vitrine cabinet, in the Louis XV manner, Circa 1880 in date, with exquisite hand painted decoration and exquisite ormolu moun...

This is a highly attractive and exhibition quality antique Victorian Corinthian column design brass telescopic floor standard lamp now converted to electricity, circa 1890 in date. ...

This is a truly magnificent antique Victorian patinated bronze sculpture of the famous Greek God Apollo, modelled upon a shaped circular socle, inscribed monogram 'NF' and numbered 2...

This is a stylish antique Edwardian sterling silver card case with hallmarks for Birmingham 1904 and the makers mark of the renowned silversmiths Deakin & Francis Ltd, in the origina...

An elegant Regency brass mounted Gonçalo Alves campaign writing slope, circa 1820 in date. The beautifully polished goncalo alves case has a ...

This is an elegant monumental Grand Tour bronze sculpture of Michelangelo's David, circa 1880 in date. The full-length portrait statue is of David, the 14ft marble statue depicts the Biblical hero David, represented as a standing male nude, David looks tense and ready for battle after he has made the decision to fight Goliath, but, before the battle has actually taken place. His brow is drawn, his neck tense, and the veins bulge out of his lowered right hand and holding his slingshot over his shoulder. This impressive scuplture is 107cm (3ft 6" ) tall and weighs over 36kgs (79lbs). This high quality hot cast solid bronze was produced using the traditional 'lost wax' process. The attention to detail of this sculpture is absolutely fantastic. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 107 x Width 41 x Depth 24.5 Weight 36.3 kg Dimensions in inches: Height 3 foot, 6 inches x Width 1 foot, 4 inches x Depth 10 inches Weight 80.0 lbs Michelangelo's David This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue...

This is a wonderful pair of hand painted porcelain figures in the Dresden style, dating from the last quarter of the 20th century. This delightful pair features a woman and a man standing tall in grace, adorned in classical garb and holding a basket of lovely flowers at their hands. They are depicted with absolutely fantastic attention to detail. These figures are a perfect addition to your existing collection or a good set to start your own porcelain collection. Condition: In excellent condition, please see photos for confirmation of condition. Dimensions in cm: Height 37 x Width 19 x Depth 15 Dimensions in inches: Height 1 foot, 3 inches x Width 7 inches x Depth 6 inches Dresden Porcelain - A King's Obsession In the early 1700s, King Augustus II, prince elector of Saxony, held goldsmith Johann Bottger prisoner and commissioned him to create gold. Bottger instead discovered the method of creating porcelain, a favored and valuable item in the king's eyes. The king announced to Europe in 1710 that he would open a porcelain manufactory in Dresden. He instead opened one at nearby Albrechtsburg castle. Espionage was rampant, and the king guarded his porcelain secret, even though it meant imprisoning workers within the castle walls. By 1720, the secret was leaked and porcelain producers popped up in Vienna and Venice. Dresden Porcelain adopted Saxon crossed swords in under-glaze blue as its distinguishing mark. In 1736, the porcelain manufactory produced the "Swan Service...

This is an excellently sculpted composite marble statue of the famous ancient Greek statue, Venus de Milo, late 20th century in date. As exactly in the original sculpture by Alex...

This is a very handsome bespoke pair of leather stools in crimson leather, the colour is called Murano Port. They feature fantastic beautiful...

This is a delightful vintage decorative Chinese porcelain blue and white ball, dating from the second half of the 20th century. Condition: In excellent condition, please see phot...

A thoroughly delightful vintage cut glass jug from the mid-20th century. Condition: In excellent condition, please see photos for confirmation. ...

This is an important antique, Victorian, ebonised, ormolu mounted, and Boulle cut brass marquetry serpentine credenza, circa 1870 in date. It is beautifully inlaid in cut brass, in ...

This is a fantastic antique Victorian Mahogany desk armchair, circa 1860 in date. Expertly made out of superbly carved mahogany, with stuff over seat and an oval padded back that ...

This is a beautiful and decorative antique Italian watercolour titled "Contadino Di Sabina" and dating from the mid 19th century. The th...

This is a fine and well fitted ebonised Gonçalo Alves Palais Royal travel necessaire / vanity chest, by Maison Smal L. Dujat - Palais Royal 7 (Paris), circa 1850 in date. This sup...

This is an elegant antique French ormolu mounted burr walnut writing table, Circa 1870 in date. This lovely shaped top is crafted from the most beautiful burr walnut, with amboyn...

A monumental pair of Neoclassical ormolu mounted malachite obelisks on mahogany pedestals, circa 1920 in date. The square conforming malachite columns taper to pyramid shapes wit...

This is a stunning antique French Louis Revival marquetry and ormolu mounted wood serpentine commode, circa 1880 in date. The serpentine top with a moulded edge over three long d...

This is an important decorative antique French Sevres oval porcelain dish, the rear with underglaze blue interlaced LL factory Sevres mark, late 18th centu...

This is a rare late 19th century antique French ormolu mounted metamorphic burr walnut and floral marquetry card table, writing table and dressing table. The shaped burr walnut to...

A large fine patinated bronze sculpture titled "Docklands Express" by Philip Blacker (1949- British), dated 1993. The sculpture features a horse call...

This is a gorgeous pair of Antique English Sheraton Revival design mahogany and gilt wood pedestals, C1920 in date. The square tops above anthemion carved concave friezes with f...

This is a stunning and rare antique French Vernis Martin free standing display cabinet in the Louis XV manner, circa 1880 in date. The cabinet has a rouge marble top with an ormo...

This is a high quality antique Victorian coromandel porcelain inset adjustable book slide, by Betjemann's, 19th century and circa 1870 in date. It is made of stunnning coromandel and features a pair of oval gilt brass mounts enclosing porcelain reserves of seated cherubs, and it is wonderfully decorated with stupendous ormolu mounts decorated with rope detail. This amazing book slide bears the engraved brass plaque. FIELD late STOCKEN 53 Regent Street It was made by the renowned maker of patented mechanisms, Betjemann's of Pentonville Road, London, and bears their engraved plaque name and patent number 5329. It is a delightful object which will display your favourite books beautifully. Condition: In excellent condition. As an antique items, the pieces shows signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, the slide displays beautifully. Dimensions in cm: Height 5.5 x Width 41 x Depth 18 - Closed Height 20 x Width 67 x Depth 18 - Open Dimensions in inches: Height 2 inches x Width 1 foot, 4 inches x Depth 7 inches - Closed Height 8 inches x Width 2 foot, 2 inches x Depth 7 inches - Open Betjemann & Sons From 1859, based at 36-40 Pentonville Road, London, George Betjemann amd his two sons took the art of cabinet, box and book slide making to new heights. They specialised in designs for operating the way that different compartments in vanity boxes opened and also the sprung system for book slides. Pietra dura is a term for the inlay technique of using cut and fitted, highly polished coloured stones to create images. It is considered a decorative art. Pietre dure is an Italian plural meaning "hard rocks" or hardstones; the singular pietra dura is also encountered in Italian. In Italian, but not in English, the term embraces all gem engraving and hardstone carving, which is the artistic carving of three-dimensional objects in semi-precious stone, normally from a single piece, for example in Chinese jade. The traditional convention in English has been to use the singular pietra dura just to denote multi-colored inlay work. However, in recent years there has been a trend to use pietre dure as a term for the same thing, but not for all of the techniques it covers, in Italian. But the title of a 2008 exhibition at the Metropolitan Museum of Art, New York, Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe used the full Italian sense of the term, probably because they thought that it had greater brand recognition. The material on the website speaks of objects such as a vase in lapis lazuli as being examples of "hardstone carving (pietre dure)" The Victoria & Albert Museum in London uses both versions on its website, but uses pietra dura. "A method of inlaying coloured marbles or semi-precious stones into a stone base, often in geometric or flower patterns...." Giovanni...

This is a beautiful English antique late Victorian Gonçalo Alves octagonal centre table, circa 1890 in date. The banded strung top is beautifully centred by a floral marquetry ro...

This is a beautiful antique Italian circular marble top occasional table decorated with ormolu mounts, early 20th century in date. It is masterfully crafted in walnut and raised ...

This is an exquisite and rare antique pair of English silver plated Entree dishes by the renowned silversmith Elkington & Co, and dated 1888. The dishes feature a rectangular sha...

This is an exquisite Scotish antique old silver plate salver bearing the makers mark for Fenton Russel & Co C1880. The rectangular salver features e...

This is a large wonderful antique silver plated Victorian salver bearing the makers marks for the renowned silversmith Elkingon and the date mark for 1888. It has beautiful embos...

This is a elegant pair of Old Sheffield silver plated sauce boats, circa 1830 in date. The sauce boats feature oval shape bodys with beaut...

This is a stunning antique walnut, marquetry and ormolu mounted Louis Revival serpentine fronted commode, circa 1880 in date. The chest has a gonzalo alves cross banded top with d...

A beautiful large French Samson porcelain lamp with hand painted scenes and delicate gilt decoration, dating from C 1880. The baluster shape...

This is an exceptionally fine antique English Victorian silver plated fruit basket with hallmarks for the celebrated silversmith, James Dixo...

This is a fabulous antique Neo-classical George III Old Sheffield plate silver on copper bread basket / fruit dish, circa 1780 in date. ...

This is a very attractive set of 4 of antique George III Old Sheffield plate wine bottle coasters, circa 1820 in date. The set are of circular form with a beaded edge decorated w...

This is an exquisite antique George III sterling silver snuff box, with hallmarks for Birmingham 1817, of rectangular form with reeded decoration, vacant cartouche, moulded front rim...

This is a elegant Antique pair of Louis XVI Revival painted fauteuil armchairs, circa 1880 in date. Constructed in a well carved two tone grey beechwood, with later floral and swag ...

This is a fabulous high quality antique flame mahogany Regency Period metamorphic triple pillar dining table that can seat 10 people in comfort, dating from Circa 1820. It is raised on three bases, each with four sabre legs that terminate in brass cap castors. The table can easily be converted from a ten seater dining...

This is a handsome pair of bronze stags, bearing the replica signature of well known French sculptor Jules Moigniez, from the last quarter of the 20th century. The stags are made ...

Kai Kristiansen "Paper Knife" three seater teak sofa for Magnus Olesen, circa 1950s in date. The sofa features an elegant frame with sculpted arms in solid teak and six loose padded...

An absolutely fantastic English made vintage pair of padded highback chairs, late 20th century in date. These chairs have been masterfully hand crafted from solid mahogany, and th...

This is a finely cast brown patinated bronze Grand Tour sculpture of Napoleon Bonaparte, Mid 19th Century in date. It features Napoleon standing contrapposto in uniform wearing a...

A beautiful Queen Anne walnut secretaire chest / escritoire, circa 1710 in date. The upper section features a moulded cornice above a secret bulge front frieze drawer, this is above a hinged fall front clad in burr walnut-figured book veneers framed in broad cross-banded borders edged with feather-banding. The interior housing three pairs of pigeon holes concealing secret compartments above a central cupboard flanked by three side drawers on each side with six further drawers below, all clad in burr figured veneers edged with feather banding and fitted with brass pendant handles. The rear of the central cupboard is a concealed panel that sildes away to reveal four further secret drawers. The base of the chest comprises two half-width drawers above two full width drawers, all fitted with pendant shaped brass drop handles, The cabinet is raised on bracket feet. The walnut secretaire is outlined throughout with decorative herringbone stringing. Complete with working locks and original keys. Condition: In excellent condition having been beautifully cleaned polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 176 x Width 102 x Depth 59 Dimensions in inches: Height 5 foot, 9 inches x Width 3 foot, 4 inches x Depth 1 foot, 11 inches Anne was Queen of England, Scotland and Ireland from 8 March 1702 until 1 May 1707. On 1 May 1707, under the Acts of Union, the kingdoms of England and Scotland united as a single sovereign state known as Great Britain. Anne continued to reign as Queen of Great Britain and Ireland until her death in 1714. The Queen Anne style of...

This is a fantastic antique pair of English Sheraton Revival grey/green painted armchairs, circa 1920 in date. Each chair features an oval padded back, with padded seat and padde...

This is a superb antique George III inlaid flame mahogany serpentine sideboard, circa 1790 in date. With wood banding and marquetry spandrels, the central frieze drawer flanked by deep drawers, the right side drawer with divisions for bottles. The drawers fitted with the original and beautiful ormolu lion's head ring handles. It is raised on elegant square tapering legs on spade feet and is complete with working locks and key. Add an elegant touch to a special place in your home with this superb antique serpentine shaped sideboard. The botanical name for the mahogany this item is made of is Swietenia macrophylla and this type of mahogany is not subject to CITES regulation. Provenance: Major Edward Croft-Murray, Perivale, Ryde, Isle of Wight. From the collection of Edward Croft-Murray CBE (1907-1980). THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 93 x Width 183 x Depth 74 Dimensions in inches: Height 3 feet, 1 inch x Width 6 foot x Depth 2 foot, 5 inches Flame Mahogany Thomas Sheraton - 18th century Furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

A large fine Art Deco patinated bronze figure of "The Riverman" by Maurice Guiraud-Rivière (French, 1881-1947), circa 1920 in date. This powerful sculpture is modelled and cast a...

This is a beautiful antique ormolu and agate mounted easel photograph frame, circa 1880 in date. The arched backplate features a wavy edge border having a pair of spring loaded a...

This is an exquisite and rare antique pair of English silver plated entree dishes, bearing the makers mark of Matthew Linwood of Birmingham, circa 1820...

This is an exquisite and rare antique English silver plated entree dish, bearing the cross arrow mark of William Hutton & Sons, circa 1850 in date. The entree dish features a rec...

This is a wonderful and highly decorative antique Victorian ormolu mounted coromandel four piece desk set by the renowned London maker of luxury items, Betjemann & Sons, cira 1860 in...

This is a truly magnificent antique Italian Grand Tour figural golden patinated bronze sculpture depicting a wounded gladiator known as "The Dying Gaul", and signed B Boschetti...

This is a fantastic English vintage giltwood love seat or conversation "Sociable Settee" mid 20th century in date. It is of clover leaf outline and has four individual seats with...

This is a beautiful pair of vintage French Louis Revival ormolu mounted side tables, mid-20th century in date. The square shaped "rosso levanto" marble tops are framed with decora...

This is a wonderful antique French Limoges panelled ormolu hand-mirror, signed by the artist Joseph Meissonnier, Circa 1890. The circular frame has a pierced scrolling foliated b...

An elegant set of three giltwood frames enclosing 12 unusually large plaster Grand Tour Giovanni Liberotti intaglios dating from the early 19th Century. The various large rectang...