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The Ferry Inn, Bodinick, Fowey
By Theodore Roussel
Located in Middletown, NY
Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, an...
Category
Early 20th Century English School Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Deck of a Man o' War / Le Vauban (cuirassé)
By Paul Leon Jazet
Located in Middletown, NY
Lithograph on Les Lettres et les Arts watermarked cream wove paper with deckle edges, 8 3/4 x 10 1/2 inches (220 x 265 mm), full margins. Signed, titled, and numbered 34/52 in penci...
Category
Late 19th Century French School Figurative Prints
Materials
Handmade Paper, Lithograph
La Parade
By Auguste Brouet
Located in Middletown, NY
Etching on wove Japon paper, 8 5/8 x 9 1/4 inches (219 x 235 mm), wide margins. Signed, titled, and numbered 6/75 in pencil, lower margin, and with the Dietrich & Cie éditeurs blinds...
Category
Early 20th Century French School Interior Prints
Materials
Handmade Paper, Etching
Prêtresse antique (Ancient Priestess)
By Félicien Rops
Located in Middletown, NY
Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...
Category
Late 19th Century Symbolist Nude Prints
Materials
Handmade Paper, Photogravure, Stencil
The Market
By Henri Le Riche
Located in Middletown, NY
Stone lithograph in black ink on tissue-thin wove Japon paper, 9 x 11 1/4 inches (228 x 285 mm), full margins. Signed and numbered 43/125 in pencil in the lower margin. Overall mod...
Category
Early 20th Century French School Figurative Prints
Materials
Handmade Paper, Lithograph
Ponte dei Baratteri, Venice
By Edgar Chahine
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Veduta della Piazza del Popolo
Located in Middletown, NY
Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...
Category
Early 19th Century Italian School Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Temple of Fortuna Virilis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
Early 19th Century English School Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
Temple of the Dea Tussis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
Early 19th Century English School Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
College of Physicians, from Ackermann's "Microcosm of London."
By Thomas Rowlandson
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
Early 19th Century English School Interior Prints
Materials
Watercolor, Handmade Paper, Lithograph
Children freeing a caged bird
By Eileen Soper
Located in Middletown, NY
Etching on cream wove paper, 4 1/2 x 7 inches (114 x 177 mm), wide margins, signed in pencil in the lower right. Laid down to non-archival board with the mat affixed, obscuring the verso and the sheet edges. The visible portion of the sheet is clean with minor toning around the mat window opening. The signature is unobscured and clear.
Best known as the original illustrator of Enid Blyton...
Category
Early 20th Century American Realist Figurative Prints
Materials
Handmade Paper, Etching
'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
By George Cruikshank
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London.
'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category
Early 19th Century English School Portrait Prints
Materials
Watercolor, Handmade Paper, Engraving, Etching
Meaux Cathedral II
By John Marin
Located in Middletown, NY
Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...
Category
Early 20th Century English School Landscape Prints
Materials
Handmade Paper, Etching, Aquatint
South Porch of Chartres Cathedral
By Thomas Shotter Boys
Located in Middletown, NY
London: Charles Joseph Hullmandel, 1839.
Oil stick color lithograph on cream wove paper, 14 3/16 x 11 inches; (360 x 280 mm), full margins. Scattered light yellow spots of discolora...
Category
Mid-19th Century English School Figurative Prints
Materials
Oil Pastel, Handmade Paper, Lithograph
The Pig Killers, by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Les paysans tuant un porc.
Edinburgh: c1800.
Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803.
"The pig killers is one of van Ostade’s most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torchlight, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan...
Category
19th Century Old Masters Figurative Prints
Materials
Handmade Paper, Laid Paper, Etching
The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Mid-18th Century Old Masters Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Jan Cornelis Sylvius
By Rembrandt van Rijn
Located in Middletown, NY
Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...
Category
19th Century Old Masters Portrait Prints
Materials
Handmade Paper, Laid Paper, Etching
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
18th Century Old Masters Figurative Prints
Materials
Handmade Paper, Etching, Laid Paper
Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling.
[Björklund's second state ...
Category
18th Century Old Masters Portrait Prints
Materials
Etching
The School Master by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...
Category
19th Century Old Masters Portrait Prints
Materials
Handmade Paper, Etching
The Spectacle Seller by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
Three Grotesque Figures by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800.
Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...
Category
19th Century Old Masters Portrait Prints
Materials
Handmade Paper, Etching
The Peasant Settling His Debt
By Adriaen van Ostade
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category
17th Century Old Masters Interior Prints
Materials
Etching
The Couple Walking by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Couple Walking. Edinburgh: c1800. Etching on cream wove paper, 3 x 2 1/8 inches (75 x 54 mm), trimmed at the platemark. Minor condition issues ...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
The Smoker at the Window by David Deuchar, after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
The Organ Grinder
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper with a large heraldic watermark which is partially trimmed, 4 3/16 x 3 5/8 inches (105 x 84 mm), margins trimmed but preserving the signature in the lower...
Category
17th Century Old Masters Portrait Prints
Materials
Etching
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Icecream Bean plant..., plate no. 58, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Picturesque New York; Twelve Photogravures from Monotypes
By Charles Frederick William Mielatz
Located in Middletown, NY
New York: The Society of Iconophiles, 1908. The complete portfolio containing 12 photogravures after monotypes printed on O.W. handmade paper. Each image measuring approximately 8 1/4 x 6 inches (208 x 151 mm), with full margins. Each with the Society of Iconophiles blind stamp in the lower left margin. In very good condition with no visible defects. Printed by John Andrew & Son, Boston. Presented in the original greenish-gray paper wrapper with the contents page. Edition of 100.
Subjects are:
1. Van Cortland Manor House
2. Oyster Market on West Street
3. St. John's Chapel, Varick Street
4. Fraunces Tavern
5. Houses at Battery Park...
Category
Early 20th Century American Modern Landscape Prints
Materials
Photogravure
PARIS: Porte Rouge Notre Dame & Rue des Marmousets
By Thomas Shotter Boys
Located in Middletown, NY
Lithograph in colors with engraving on buff wove paper. Each of the two images measures 10 3/4 x 6 5/8 inches (271 x 167 mm), with the sheet measuring 14 1/4 x 20 1/2 inches (360 x 5...
Category
Mid-19th Century English School Landscape Prints
Materials
Handmade Paper, Lithograph
Le Marché aux Puces
By Auguste Brouet
Located in Middletown, NY
Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...
Category
Early 20th Century French School Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Bearded man in turban and fur
By Rembrandt van Rijn
Located in Middletown, NY
Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light surface soiling, unevenly trimmed wide margins, all consistent with age. Likely printed...
Category
18th Century Old Masters Portrait Prints
Materials
Etching
Matinée Avenue de Clichy
By Auguste Brouet
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category
Early 20th Century French School Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Venus Lamenting over the Death of Adonis
By Herman van Swanevelt
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category
Mid-17th Century Old Masters Landscape Prints
Materials
Handmade Paper, Engraving, Etching
Coentes Slip, NY
By Frederick Leo Hunter
Located in Middletown, NY
Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...
Category
Late 19th Century Victorian Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
The Silent Pie
By John Sloan
Located in Middletown, NY
Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...
Category
Early 20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
By Thomas Shotter Boys
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category
1830s English School Figurative Prints
Materials
Oil, Handmade Paper, Aquatint
Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
En Provence; la Maison d'Orléans (Valognes)
By Félix Hilaire Buhot
Located in Middletown, NY
Etching in brownish black ink on cream laid paper, 5 3/8 x 3 1/2 inches (135 x 87 mm), partially trimmed lower sheet edge. With the artist's moniker in ...
Category
1840s French School Landscape Prints
Materials
Handmade Paper, Etching
Byloke, Ghent; From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen...
By Thomas Shotter Boys
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...
Category
1830s English School Landscape Prints
Materials
Oil, Handmade Paper, Aquatint
Cypriano (A Basque Boy)
By Gerald Leslie Brockhurst
Located in Middletown, NY
Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...
Category
Mid-20th Century American Modern Portrait Prints
Materials
Handmade Paper, Etching
The Acropolis, Athens
By Louis Conrad Rosenberg
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category
1920s Modern Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
The Grosse Horloge and Fountain, Rouen, Normandy.
Located in Middletown, NY
Etching on cream laid paper with an unknown watermark with an AL inside a ribbon. 10 1/4 x 7 7/8 inches (258 x 187 mm), full margins. Signed, titled, and dated in pencil lower margin. In good condition with one small, very minor 1/4- inch horizontal tear in lower-center quadrant of the image area, in the area of the doorway beneath the arch, very difficult to discern, and completely unobtrusive. 1/2-inch minor horizontal edge tear center sheet edge, bottom margin (outside of image area). Paper tape from a previous hinge at top right and left sheet edges. Light scattered age tone and surface soiling.
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Perhaps now most famous for one particular illustration for an edition of The Rubaiyat of Omar Khayyam, Sullivan's etching of a skeleton crowned in roses was appropriated by Stanley Mouse and Alton Kelley...
Category
Mid-20th Century Modern Landscape Prints
Materials
Laid Paper, Etching
The Wild Cat (Chat Sauvage)
By Karl Bodmer
Located in Middletown, NY
Etching on cream laid paper, full margins. From Eaux-Fortes Animaux & Paysages. [Beraldi II.140.34] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140.
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Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category
Mid-19th Century Barbizon School Animal Prints
Materials
Laid Paper, Etching
A Domestic Cat Playing with a Garter Snake, from Eaux-Fortes Animaux & Paysages
By Karl Bodmer
Located in Middletown, NY
Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris.
[Beraldi II.140.26]
Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140.
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Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category
Mid-19th Century Barbizon School Animal Prints
Materials
Laid Paper, Etching
From the Ponte Vecchio, Florence
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category
1920s American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Aquatint
Shadows of Venice
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Portrait of Marquard Freher, aged forty-nine
By Aegidius Sadeler
Located in Middletown, NY
Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...
Category
Early 17th Century Old Masters Portrait Prints
Materials
Handmade Paper, Laid Paper, Engraving
Wild Boar, from Eaux-Fortes Animaux & Paysages: Sanglier
By Karl Bodmer
Located in Middletown, NY
Etching on cream laid paper, 4 3/4 x 6 inches (120 × 152 mm), full margins. Minor uniform age tone, and a 2-inch x 1-inch margin loss, at top extreme sheet edge, well outside of imag...
Category
1860s Barbizon School Animal Prints
Materials
Laid Paper, Etching
Louis XI, Roi de France
By Jean Morin
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Category
Mid-17th Century Old Masters Portrait Prints
Materials
Laid Paper, Engraving, Etching
A study of whimsical architectural elements: Satyr's, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Laid Paper, Etching
The Quacksalver
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Laid Paper, Etching
