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Fiesole: An Ancient Tower
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Laid Paper
Street in Porto Maurizio
By John Taylor Arms
Located in Middletown, NY
Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...
Category
1920s American Modern Figurative Prints
Materials
Handmade Paper, Etching
La Rue de Change, Tours
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper, 5 x 2 inches (127 x 52 mm), full margins. Signed and dated in pencil lower margin. From the editoin of 156, printed by Frederick Reynolds. In s...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
Portait of a Romanesque Capital
By John Taylor Arms
Located in Middletown, NY
Etching on light cream wove paper, 2 5/8 x 2 11/16 inches (68 x 69 mm), full margins. Signed, titled, and inscribed "IV" in pencil, lower margin. Likely a proof impression of the t...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
The Prince of Wales Landing from His Boat
Located in Middletown, NY
Oil lithograph in colors on light card stock, 3 1/2 x 2 7/8 inches (88 x 72 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. The image sh...
Category
Mid-19th Century English School Figurative Prints
Materials
Oil, Cardboard, Lithograph
A Burro Train, New Mexico
By Peter Moran
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
Category
Late 19th Century American Realist Animal Prints
Materials
Laid Paper, Etching
God of the Mother Superior
By Félicien Rops
Located in Middletown, NY
Heliogravure with soft varnish on Japan paper, 7 5/8 x 6 1/2 inches (192 x 164 mm), full margins. In good condition with some very minor handling wear, uniform toning, and one spot ...
Category
Late 19th Century French School Figurative Prints
Materials
Photogravure
Troubadour, from The Mastersingers of Nuremberg
Located in Middletown, NY
Stipple point etching on tissue-thin handmade Japon paper, 7 5/8 x 5 inches (193 x 126 mm), full margins. Signed, titled, dated, inscribed and numbered 10/25 in pencil, lower margin....
Category
Early 20th Century Jugendstil Landscape Prints
Materials
Handmade Paper, Etching
My Ain Fireside, from the portfolio Some Modern Etchings
Located in Middletown, NY
Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...
Category
Late 19th Century American Realist Portrait Prints
Materials
Laid Paper, Handmade Paper, Etching
The Hospital, Santa Cruz, Toledo
By Samuel Chamberlain
Located in Middletown, NY
Etching with aquatint printed in brownish black ink on watermarked BFK Rives cream wove paper, 9 1/2 x 7 11/16 inches (240 x 193 mm), full margins. Signed in pencil and numbered 79/...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Aquatint
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
Late 19th Century English School Landscape Prints
Materials
Drypoint, Handmade Paper, Etching
The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Drypoint, Laid Paper, Etching
Eglise Notre Dame, Les Andelys
By John Taylor Arms
Located in Middletown, NY
Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
Croix De Royat
Located in Middletown, NY
Lithograph on cream wove paper, 12 3/4 x 9 1/8 inches (322 x 231 mm), margins trimmed. Some scattered light foxing on the verso, handling creases, and adhesive residue along the top sheet edge, and left sheet edge, verso. Recto is clean.
Born in Bordeaux in 1804, Adrien Dauzats...
Category
Mid-19th Century French School Figurative Prints
Materials
Lithograph, Handmade Paper
Street in Porto Maurizio
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...
Category
1920s American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Reapers at Rest
By Charles-Emile Jacque
Located in Middletown, NY
Etching on light gray Chine collant, laid down to ivory wove paper, 4 3/8 x 7 3/4 inches (110 x 195 mm) (Chine matrix), full margins. In very good condition with light mat tone and o...
Category
Mid-19th Century French School Figurative Prints
Materials
Handmade Paper, Etching
Shepherd talking to a young shepherd on a donkey
Located in Middletown, NY
Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Handmade Paper, Laid Paper, Etching
Stranger in England, St. Lawrence, West Wycombe, Buckinghamshire
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper, 5 9/16 x 2 3/4 inches (142 x 70 mm), full margins. Signed, titled, numbered "III," and inscribed in pencil by the artist in the lower margin, recto. In v...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching
Precious Stones – South Transeptal Portal, Church of Notre Dame des Andelys
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. Likely one of eight trial proof impressions f...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
Dorothy and John Taylor Arms M.D. MCMXXV
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper 5 7/8 x 3 3/8 inches (150 x 86 mm). Signed and dated in pencil in the lower margin. First state (of 2), before the removal of the inscription in the lowe...
Category
1920s Landscape Prints
Materials
Handmade Paper, Etching
Stokesay Castle
By John Taylor Arms
Located in Middletown, NY
The Minature Print Society of Kansas City, Mo. , 1942.
Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching
Old Corner, Rouen
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper, 6 x 4 inches (153 x 102 mm), full margins. Signed in pencil, lower margin. From the edition of 150, printed by Frederick Reynolds.
[Fletcher 163]
This ...
Category
Early 20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
Shadows in Mexico
By John Taylor Arms
Located in Middletown, NY
Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3)...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
Byloke, Ghent, From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen....
By Thomas Shotter Boys
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...
Category
Mid-19th Century English School Landscape Prints
Materials
Oil, Handmade Paper, Aquatint
Hercule Gaulois, ou L’Éloquence
By Charles-Nicolas II Cochin
Located in Middletown, NY
A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...
Category
Early 18th Century Old Masters Figurative Prints
Materials
Laid Paper, Woodcut
Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category
Early 18th Century Old Masters Figurative Prints
Materials
Laid Paper, Woodcut
Ponte della Trinità, Florence
By David Young Cameron
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression.
Rinder 325
[Rinder 325 iii/vii].
The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category
Early 20th Century Modern Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Elegante Eventail
Located in Middletown, NY
A rare, signed image from a lesser-known female impressionist printmaker.
c. 1900. Etching with drypoint on cream laid paper with a partial watermark, 11 x 5 1/4 inches (280 x 133 m...
Category
Early 20th Century French School Figurative Prints
Materials
Etching, Drypoint
Bois de la Haye
By Paul Huet
Located in Middletown, NY
Etching and lithograph on cream wove paper, 6 x 8 3/4 inches (151 x 220 mm), full margins. With some scattered light spots of yellowing in the margins on the recto, outside of image ...
Category
Mid-19th Century French School Landscape Prints
Materials
Handmade Paper, Etching, Lithograph
Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighti
Located in Middletown, NY
Bruyn, Abraham de (after). Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighting. 1577. Engraving on hand made laid paper, 10 5/8 x 6 7/8 inches (268 x 1...
Category
16th Century Old Masters Portrait Prints
Materials
Handmade Paper, Laid Paper, Engraving
Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
By Israel Silvestre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
Category
18th Century Old Masters Landscape Prints
Materials
Handmade Paper, Laid Paper, Engraving, Etching
Une porte d'auberge / Inn Door
By Charles-Emile Jacque
Located in Middletown, NY
Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area),...
Category
Mid-19th Century Figurative Prints
Materials
Handmade Paper, Etching
The Ferry Inn, Bodinick, Fowey
By Theodore Roussel
Located in Middletown, NY
Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, an...
Category
Early 20th Century English School Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Deck of a Man o' War / Le Vauban (cuirassé)
By Paul Leon Jazet
Located in Middletown, NY
Lithograph on Les Lettres et les Arts watermarked cream wove paper with deckle edges, 8 3/4 x 10 1/2 inches (220 x 265 mm), full margins. Signed, titled, and numbered 34/52 in penci...
Category
Late 19th Century French School Figurative Prints
Materials
Handmade Paper, Lithograph
La Parade
By Auguste Brouet
Located in Middletown, NY
Etching on wove Japon paper, 8 5/8 x 9 1/4 inches (219 x 235 mm), wide margins. Signed, titled, and numbered 6/75 in pencil, lower margin, and with the Dietrich & Cie éditeurs blinds...
Category
Early 20th Century French School Interior Prints
Materials
Handmade Paper, Etching
Prêtresse antique (Ancient Priestess)
By Félicien Rops
Located in Middletown, NY
Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...
Category
Late 19th Century Symbolist Nude Prints
Materials
Handmade Paper, Photogravure, Stencil
The Market
By Henri Le Riche
Located in Middletown, NY
Stone lithograph in black ink on tissue-thin wove Japon paper, 9 x 11 1/4 inches (228 x 285 mm), full margins. Signed and numbered 43/125 in pencil in the lower margin. Overall mod...
Category
Early 20th Century French School Figurative Prints
Materials
Handmade Paper, Lithograph
Ponte dei Baratteri, Venice
By Edgar Chahine
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Veduta della Piazza del Popolo
Located in Middletown, NY
Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...
Category
Early 19th Century Italian School Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Temple of Fortuna Virilis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
Early 19th Century English School Landscape Prints
Materials
Engraving, Handmade Paper, Etching, Aquatint
Temple of the Dea Tussis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
Early 19th Century English School Landscape Prints
Materials
Engraving, Handmade Paper, Etching, Aquatint
College of Physicians, from Ackermann's "Microcosm of London."
By Thomas Rowlandson
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
Early 19th Century English School Interior Prints
Materials
Handmade Paper, Watercolor, Lithograph
Children freeing a caged bird
By Eileen Soper
Located in Middletown, NY
Etching on cream wove paper, 4 1/2 x 7 inches (114 x 177 mm), wide margins, signed in pencil in the lower right. Laid down to non-archival board with the mat affixed, obscuring the verso and the sheet edges. The visible portion of the sheet is clean with minor toning around the mat window opening. The signature is unobscured and clear.
Best known as the original illustrator of Enid Blyton...
Category
Early 20th Century American Realist Figurative Prints
Materials
Handmade Paper, Etching
'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
By George Cruikshank
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London.
'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category
Early 19th Century English School Portrait Prints
Materials
Handmade Paper, Watercolor, Engraving, Etching
Meaux Cathedral II
By John Marin
Located in Middletown, NY
Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...
Category
Early 20th Century English School Landscape Prints
Materials
Handmade Paper, Etching, Aquatint
South Porch of Chartres Cathedral
By Thomas Shotter Boys
Located in Middletown, NY
London: Charles Joseph Hullmandel, 1839.
Oil stick color lithograph on cream wove paper, 14 3/16 x 11 inches; (360 x 280 mm), full margins. Scattered light yellow spots of discolora...
Category
Mid-19th Century English School Figurative Prints
Materials
Oil Pastel, Handmade Paper, Lithograph
The Pig Killers, by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Les paysans tuant un porc.
Edinburgh: c1800.
Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803.
"The pig killers is one of van Ostade’s most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torchlight, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan...
Category
19th Century Old Masters Figurative Prints
Materials
Handmade Paper, Laid Paper, Etching
The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Mid-18th Century Old Masters Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Jan Cornelis Sylvius
By Rembrandt van Rijn
Located in Middletown, NY
Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...
Category
19th Century Old Masters Portrait Prints
Materials
Handmade Paper, Laid Paper, Etching
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
18th Century Old Masters Figurative Prints
Materials
Handmade Paper, Etching, Laid Paper
Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling.
[Björklund's second state ...
Category
18th Century Old Masters Portrait Prints
Materials
Etching
The School Master by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...
Category
19th Century Old Masters Portrait Prints
Materials
Handmade Paper, Etching
The Spectacle Seller by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
Three Grotesque Figures by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Three Grotesque Figures. Edinburgh: 1800.
Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive ...
Category
19th Century Old Masters Portrait Prints
Materials
Handmade Paper, Etching
The Peasant Settling His Debt
By Adriaen van Ostade
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category
17th Century Old Masters Interior Prints
Materials
Etching
The Couple Walking by David Deuchar after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Couple Walking. Edinburgh: c1800. Etching on cream wove paper, 3 x 2 1/8 inches (75 x 54 mm), trimmed at the platemark. Minor condition issues ...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
The Smoker at the Window by David Deuchar, after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
The Organ Grinder
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper with a large heraldic watermark which is partially trimmed, 4 3/16 x 3 5/8 inches (105 x 84 mm), margins trimmed but preserving the signature in the lower...
Category
17th Century Old Masters Portrait Prints
Materials
Etching
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
