John Taylor Arms

Precious Stones – South Transeptal Portal, Church of Notre Dame des Andelys

1946

Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image area. Scattered handling creases and general scattered soiling in the margins, minor and unobtrusive. [Fletcher 217]. This work was commissioned by The Architectural Forum...

Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

A masterful rendering of Kukulkan at the base of the west face of the northern stairway of El Castillo, Chichen Itza. Eching on antique cream laid paper with a partial herladic wate...

Etching on cream wove paper, 6 x 4 inches (153 x 102 mm), full margins. Signed in pencil, lower margin. From the edition of 150, printed by Frederick Reynolds. [Fletcher 163] This ...

Etching on antique wove Catalunya-Spain watermarked paper, 12 x 5 inches (305 x 127 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with light ton...

{Le Pont de Gand, Bruges.} 1884. Etching, sandpaper, foul biting, and drypoint. 10 1/4 x 12 3/8 (sheet 14 3/8 x 17 1/8). As published in Selected Etchings by American Artists. A rich...

New England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...

The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...

This French Quarter garden is a serene haven with a lighted statue of Christ that exists not very far from the raucous revelry of New Orleans' Bourbon S...

Old Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...

Comanche Dance at San Ildefonso Pueblo (New Mexico). Etching and drypoint, artist's proof from an edition of 50 prints. Presented in a custom frame, outer dimensions measure 22 ¼ x 18 ½ x ½ inches. Image size is 11 ¾ x 14 ½ inches. Print is clean and in very good vintage condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Gene (Alice Geneva) Kloss is considered one of America’s master printmakers. She was born in Oakland, California and established herself as an artist on the West coast. Kloss was introduced to etching by Perham Nahl while at UC Berkley. She graduated in 1924, and in 1925 married poet Phillips Kloss. In her late twenties, Kloss moved to Taos, New Mexico and began her life’s work of the New Mexican landscape and peoples. It was at this time that she received national acclaim. Her artwork exudes an unmistakable content and style. Enchanted by the architecture, mountainous landscapes and rituals of the inhabitants, Kloss captured the beauty of the Southwest and surrounding areas. Her style was bold yet deftly simple, masterfully expressing the elusive Southwestern light...