Items Similar to The Hospital, Santa Cruz, Toledo
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Samuel ChamberlainThe Hospital, Santa Cruz, Toledo1938
1938
About the Item
Etching with aquatint printed in brownish black ink on watermarked BFK Rives cream wove paper, 9 1/2 x 7 11/16 inches (240 x 193 mm), full margins. Signed in pencil and numbered 79/100. Generally in good condition with scattered light point of foxing (unobtrusive), and moisture toning along the top sheet edge, especially visible on the verso, and well outside of image area.
Published by The Print Club of Albany.
- Creator:Samuel Chamberlain (1895-1975, American)
- Creation Year:1938
- Dimensions:Height: 9.5 in (24.13 cm)Width: 7.69 in (19.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:Seller: BH6841stDibs: LU1979212814002
Samuel Chamberlain
Samuel V. Chamberlain, printmaker, photographer, author, lecturer, and teacher was born in Cresco, Iowa on October 28, 1895. His family moved to Aberdeen, Washington in 1901 and, in 1913, Chamberlain enrolled in the University of Washington in Seattle where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued and tried for a few years to work as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel in Spain, North Africa, and Italy. In 1924 he was living in Paris and in the spring he studied lithography with Gaston Dorfinant and in the autumn and winter months, he studied etching and drypoint with Edouard Léon. He published his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne at the Royal College of Art in London. He taught part-time at the School of Architecture, University of Michigan, Ann Arbor; and the School of Architecture, Massachusetts Institute of Technology between his travels abroad. Chamberlain eventually settled for a dozen years in France. He authored and sometimes co-authored, with his wife Narcissa, Domestic Architecture of Rural France, Clementine in the Kitchen, New England Rooms 1639-1863, and Charleston Interiors. Chamberlain was a member of the American Academy of Arts and Sciences, the American Institute of Architects, the American Society of the French Legion of Honor, the Boston Camera Club, the Boston Printmakers, the Chicago Society of Etchers, Photographic Society of America, the Print Club of Albany, the Society of American Etchers, and was elected an Academician in the National Academy of Design. His work is represented in the collections of the Smithsonian American Art Museum, the Library of Congress, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the National Academy Museum, the Harvard Art Museums, the Carnegie Museum of Art, the Museum of Fine Arts in Houston, the Museum of Fine Arts Boston, and the Nelson-Atkins Museum of Art. Samuel V. Chamberlain died in Marblehead, Massachusetts on January 10, 1975.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2004
1stDibs seller since 2022
44 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllFrom the Ponte Vecchio, Florence
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category
1920s American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Aquatint
Notre Dame de Paris
By John Taylor Arms
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms.
Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category
1920s American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Aquatint
Under the Manhattan Bridge
By Joseph Margulies
Located in Middletown, NY
New York, circa 1940
Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins. Minor mat to...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Aquatint
Old Corner, Rouen
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper, 6 x 4 inches (153 x 102 mm), full margins. Signed in pencil, lower margin. From the edition of 150, printed by Frederick Reynolds.
[Fletcher 163]
This ...
Category
Early 20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
Street in Porto Maurizio
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...
Category
1920s American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Precious Stones – South Transeptal Portal, Church of Notre Dame des Andelys
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. Likely one of eight trial proof impressions f...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Handmade Paper, Etching
You May Also Like
'Coenties Slip' — Lower Manhattan, Financial District
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...
Category
1920s American Modern Landscape Prints
Materials
Etching, Aquatint
Lower East Side Tenements Yiddish Barber Shop 1920's Aquatint Etching Judaica
By Max Pollak
Located in Surfside, FL
Hand signed, numbered and titled. It depicts the old lower east side of New York city with its tenements and different language signes, barber shop poles...
Category
1920s American Modern Landscape Prints
Materials
Etching, Aquatint
'Brooklyn Bridge' — Iconic New York City Landmark
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil.
A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category
1920s American Modern Landscape Prints
Materials
Etching, Aquatint
September 13, 1918. St. Mihiel [The Great Black Cloud].
By Kerr Eby
Located in Storrs, CT
September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...
Category
Early 20th Century American Modern Landscape Prints
Materials
Aquatint, Etching, Mixed Media
$12,000 Sale Price
31% Off
From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category
1920s American Modern Landscape Prints
Materials
Etching, Aquatint
$800 Sale Price
20% Off
Sanctuary (St. Anthony's Garden at rear of St. Louis Cathedral on Royal Street)
By Frederick Mershimer
Located in New Orleans, LA
This French Quarter garden is a serene haven with a lighted statue of Christ that exists not very far from the raucous revelry of New Orleans' Bourbon S...
Category
1990s American Modern Landscape Prints
Materials
Aquatint, Mezzotint