DY Cameron 19th c. European Village Etching
By David Young Cameron
Located in New York, NY
D.Y. (David Young) Cameron (Scottish, 1865-1945) The Border Tower, c. 1893 Etching Sight: 9 x 13 1/4 in.
1890s Academic Landscape Prints
Etching
DY Cameron 19th c. European Village Etching
By David Young Cameron
Located in New York, NY
D.Y. (David Young) Cameron (Scottish, 1865-1945) The Border Tower, c. 1893 Etching Sight: 9 x 13 1/4 in.
Etching
Etchings of D.Y. Cameron and a Catalogue of His Etched Work First Edition
By David Young Cameron 2
Located in valatie, NY
Etchings of D.Y. Cameron and a catalogue of his etched work by David Young Cameron, Intro by Frank Rinder.
Paper
"Arran" original etching
By David Young Cameron
Located in Henderson, NV
Medium: original etching and drypoint. This impression on on cream wove paper was printed in 1889. Plate size: 5 x 9 3/4 inches (125 x 250 mm). Signed and titled in the plate (not ha...
Etching
"Perth Bridge" original etching
By David Young Cameron
Located in Henderson, NV
Medium: original etching. Catalogue reference: Rinder 28. Executed in 1889; this is a fine, dark impression on wove paper from "The Portfolio" edition, published in London by Seeley,...
Etching
Ponte della Trinità, Florence
By David Young Cameron
Located in Middletown, NY
He was given the title of King's Painter and Limner in 1933. Cameron produced over 500 prints, primarily etchings and drypoints during his life, and his work is represented in the p...
Laid Paper, Drypoint, Etching
Almshouses, St. Cross
By Sir David Young Cameron, R.A.
Located in Middletown, NY
He was given the title of King's Painter and Limner in 1933. Cameron produced over 500 prints, primarily etchings and drypoints during his life, and his work is represented in the p...
Etching
Old Houses, Byres Road, Partick (Scotland)
By Sir David Young Cameron, R.A.
Located in Middletown, NY
He was given the title of King's Painter and Limner in 1933. Cameron produced over 500 prints, primarily etchings and drypoints during his life, and his work is represented in the p...
Laid Paper, Etching
$1,000Sale Price|50% Off
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Plano, TX
Cameron bequeathed his superb collection of Rembrandt etchings to the National Gallery of Scotland, having served on its Board of Trustees for twenty-five years.
Etching, Drypoint
The Smithy
By Sir David Young Cameron, R.A.
Located in Middletown, NY
He was given the title of King's Painter and Limner in 1933. Cameron produced over 500 prints, primarily etchings and drypoints during his life, and his work is represented in the p...
Laid Paper, Drypoint, Etching
Unavailable
H 11.62 in W 7.72 in
Untitled - Streetscene in Amboise, France.
By Sir David Young Cameron, R.A.
Located in Zeeland, Noord-Brabant
Etching on wove paper. Reference: Rinder 352. Made by David Young Cameron after own design.
Etching
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H 17.13 in W 22.05 in
David Young Cameron - 1896 Etching, Culloden, Holyrood in 1745
By David Young Cameron
Located in Corsham, GB
This striking etching depicts Jacobite troupes gathering in the courtyard of Holyrood House ahead of the Battle of Culloden in 1745. The palace played a significant part in Bonnie pr...
Etching
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H 8.78 in W 15.56 in
Sir David Y. Cameron - 1916 Etching, Royal Scottish Academy and National Gallery
Located in Corsham, GB
A delightful etching of The Royal Scottish Academy Building and the National Gallery of Scotland by Sir David Young Cameron.
Etching
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H 10.63 in W 15.75 in
Sir David Young Cameron (1865-1945) - Early 20th Century Etching, Arran
By Sir David Young Cameron, R.A.
Located in Corsham, GB
An evocative coastal scene by Scottish artist Sir David Young Cameron (1865-1945). A sailing ship can be seen traversing the turbulent waters in the distance, silhouetted against the...
Etching
The Chimera of Amiens 1900
By Sir David Young Cameron, R.A.
Located in Brecon, Powys
Gargoyle from Amiens Cathedral France Listed in Frank Rinder's book D. Y. Cameron, An Illustrated Catalogue of Etchings and Drypoints, 1887-1932 Excellent condition, etching and dr...
Etching
"In Stirling Castle" original etching
By David Young Cameron
Located in Henderson, NV
Medium: original etching and drypoint. Executed in 1899. This impression is printed on cream laid paper. Plate size: 7 7/8 x 3 3/8 inches (200 x 85 mm). Signed in the plate (not hand...
Etching
Kincardine (Scotland)
By David Young Cameron
Located in Plano, TX
Kincardine. 1914. Etching. Rinder catalog 454 state vii. 6 7/8 x 12 1/2 (sheet 6 9/16 x 13 7/8). Edition about 60. Exhibited: Society of Twelve, 1916, No. 90; Victoria and Albert Mus...
Etching
Old Museum, Beauvais
By David Young Cameron
Located in Plano, TX
Rinder catalog 467 state .iii. 6 7/8 x 12 1/4 (sheet 8 3/16 x 13 1/16). Edition about 6. Of these, 36 were sent to New York, the gross proceeds being a gift from the artist to the A...
Drypoint, Etching
Amboise
By Sir David Young Cameron, R.A.
Located in Middletown, NY
He was given the title of King's Painter and Limner in 1933. Cameron produced over 500 prints, primarily etchings and drypoints during his life, and his work is represented in the p...
Etching, Laid Paper
Nithsdale.
By Sir David Young Cameron, R.A.
Located in Plano, TX
1911. Drypoint. Rinder catalogue 435 state .iv. Measurements: 6 x 12 1/2 (sheet 8 x 13 3/8). Edition about 50. Printed with plate tone on off-white laid paper. Signed in pencil. H...
Felt, Drypoint, Etching
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H 9.38 in W 15 in D 0.5 in
The Palace Doorway (Palace of Joannis Darius)
By Sir David Young Cameron, R.A.
Located in Plano, TX
Rinder 225. 9 3/8 x 15 (sheet 11 x 14 1/8). North Italian Set, #22. An extremely rich impression with burr and plate tone, printed on off-white laid paper. Signed in pencil. Housed ...
Etching
The Chimera of Amiens 1900 by Sir David Young Cameron
By David Young Cameron 2
Located in Boughrood, Powys
Gargoyle from Amiens Cathedral Listed in Frank Rinder's book D. Y. Cameron, An Illustrated catalogue of etchings and Drypoints, 1887-1932 Excellent condition, etching and drypo...
Paper
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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