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Large and Stunning Sculptural Silver Vessel Graziella Laffi
By Graziella Laffi
Located in Atlanta, GA
A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi, Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time.
The vessel weights about 2012 grams.
Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...
Category
Vintage 1960s Peruvian Modern Sterling Silver
Materials
Sterling Silver
Large Sculptural Ceramic Vessel by Mihara Ken
Located in Atlanta, GA
A large ceramic vessel in an impressive geometrical form by Japanese potter Mihara Ken (1958-) made in 2007. This multi-fired stoneware in shape of a mounta...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Modern Japanese Ceramic Shigaraki Ikebana Vase Takahashi Shunsai
Located in Atlanta, GA
A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese.
Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...
Category
1990s Japanese Modern Ceramics
Materials
Ceramic
Modern Japanese Studio Pottery Oribe Moon Flask Vase by Ken Matsuzaki
By Ken Matsuzaki
Located in Atlanta, GA
A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d.
Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Modern Japanese Studio Pottery Oribe Vase by Ken Matsuzaki
By Ken Matsuzaki
Located in Atlanta, GA
A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases a geometrical spindle form, rather distinguishingly modern. It is covered with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but it is an innovative reinterpretation of the ancient aesthetic. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 9"h x 5.5"w x 4"d.
Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Large Ceremic Shigaraki Tsubo by Nagaoka Masami
Located in Atlanta, GA
An impressive Shigaraki Tsubo (jar normally for storage) in an archaic form with a bulbous and robust body that opens with a small lipped mouth. Heavil...
Category
21st Century and Contemporary Japanese Modern Ceramics
Materials
Ceramic
Japanese Modern Studio Ceramic Oribe Jar by Ryoji Koie
By Ryoji Koie
Located in Atlanta, GA
A glazed ceramic vessel by Japanese potter Ryoji Koie (1938-2020). Hand-built with intention to be seen as such, the tsubo has a primordial irregular form with a small opening and a swelled body resembling a beehive. The upper body was covered in a glassy green oribe glaze with fine crackles, highlighted with three incised geometrical symbols. The lower body is unglazed and exposed the white clay with marks of the hand-making pinches and kneading along the base. The base also shows highly irregular surface due to the seashell spur marks and clay pitting in the kiln during the firing process. All these occurrences honestly preserved and presented as part of the character of this wonderful modern piece. The jar comes with a plain wooden tomobako box.
"One of Japan’s most versatile and forward-thinking contemporary artists, KOIE RYOJI...
Category
21st Century and Contemporary Japanese Modern Ceramics
Materials
Ceramic
Porcelain Celadon Vase with Copper Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
A spindle form porcelain vase by Brother Thomas Bezanson (1929-2007). As a modern interpretation of "Mei-Ping", a classic form of Chinese vase,...
Category
Vintage 1980s American Modern Vases
Materials
Ceramic
Large Ceramic Vase by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An impressively large ceramic vase with a bulbous body and a long coiled neck by potter Brother Thomas Bezanson (1929-2007). The minimalist modern form might be distilled from the classic Chinese garlic bottle. The high glossy surface displays a splendid shades of dark purple, copper red, auberge and blue, in a copper flambé pattern called "peacock" glaze that was clearly inspired by ancient Jun Kiln...
Category
Late 20th Century American Modern Vases
Materials
Ceramic
One of The Two Japanese Ceramic Vases Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
Two small nearly identical ceramic vases by Japanese Meiji imperial potter Makuzu Kozan (1842-1916), circa 1890-1900s. The vases were made in the form of jarlet with swelled shoulder...
Category
Antique Late 19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Faceted Korean Ceramic Celadon Jar Joseon Dynasty
Located in Atlanta, GA
A small ceramic celadon storage jar circa 18th century of Korean Joseon Dynasty. The melon shape jar with a mouth and base of the same size display a beautiful harmony in its form. T...
Category
Antique 18th Century Korean Other Ceramics
Materials
Ceramic
Tall Korean Ceramic Storage Jar Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic storage jar circa 18th century of Joseon Dynasty. The jar is of a classic Maebyong form (known in Chinese as Plum Vase or Meiping...
Category
Antique 18th Century Korean Other Ceramics
Materials
Ceramic
Korean Ceramic Storage Jar Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic storage jar circa 18th century of Joseon Dynasty. The jar is of a characteristic form with a bulbous upper body that tappers with a gra...
Category
Antique 18th Century Korean Other Ceramics
Materials
Ceramic
Sculptural Ceramic Ashanti Jar Robert Turner Published
By Robert Turner
Located in Atlanta, GA
A glazed stoneware jar with lid by American Ceramist Robert Chapman Turner (1913-2005) entitled "Ashanti". The vessel was made in 1974, purchased in 1978 and held in the same collection since. It was published in the artist's monograph as shown below. One of the classic forms with variations in Turner's repertoire since 1970s, the jar feature a slightly irregular form with numerous surface patching and markings under an overall black glaze with blue tint. The dome-shape lid has a cross-shaped handle with small markings. The form was inspired by Ashanti culture he observed during his trips to Africa. Incised signature "Turner" on the base.
"In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum
Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City.
For this piece, see page 33 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.
Category
Vintage 1970s American Modern Jars
Materials
Ceramic
Sculptural Ceramic Handled Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base.
"In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum
Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City.
For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.
Category
Vintage 1970s American Modern Vases
Materials
Ceramic
French Japonesque Art Nouveau Lusterware Vase Clement Massier
By Clement Massier
Located in Atlanta, GA
A ceramic vase with iridescent glaze in the shape of an elephant foot cache pot by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as t...
Category
Antique Early 1900s French Japonisme Vases
Materials
Silver
Japanese Porcelain Glazed Vase with Dragon Design Mazuku Kozan
By Makuzu Kozan
Located in Atlanta, GA
A porcelain vase with dragon design by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic baluster form, the surface of the vase was decorated with a slithering dragon in underglaze iron red circulating the exterior among pink clouds. The animated rendering of the dragon is fine and detailed, with five claws, scales, long tails and highlighted eyes. The pink cloud is misty and called Morotai or the hazy style, created with a unique technique developed in Kozan's studio called fuki-e by blowing the pigment powders onto the surface. Kozan Studio experimented with newly available colors from the west starting in the 1880s, which resulted in the expansion of the palette and style that bridged the east and west aesthetic tradition. Marked in underglaze blue on the base.
Known also as Miyagawa Kozan...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Porcelain
Korean Ceramic Faceted Wine Bottle Vase Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic bottle with octagonal faceted form with underglaze copper red decoration. The robust bottle with the long neck and a relatively thick built was used to hold liquor such as wine and it was from Joseon dynasty, likely late period (circa mid-late 19th century). The bottle was covered in a milky white glaze with a pleasant warm yellow tint. It has an underglaze iron red paint of branches of gingko leaves on the front and the back side. The color was oxidated into an ochre brown hue instead of iron red. The octagonal form extends nicely from the opening to the base, continuing through the body and makes this bottle geometrically interesting. The rustic paint of the gingko leaves also render the piece a folky modern appeal.
For three faceted wine bottles from different period of Joseon Dynasty, see illustration 2, 71 and 73 of "Five Centuries of Korean Ceramics Pottery and Porcelains of the Yi Dynasty...
Category
Antique 19th Century Korean Archaistic Ceramics
Materials
Ceramic
Fine Japanese Ceramic Vase Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A Japanese long neck porcelain vase circa 1900-1910s by the studio of Miyagawa Kozan (1842–1916), one of the most established and collected Japanese ceramist from the end of Meiji Period. Commonly known as Makuzu Kozan, which also appears as the signature on his work, his originally birth name was Miyagawa Toranosuke. He was the appointed artist to the Japanese Imperial household and his work was exhibited in many international fairs that the Meiji government participated at the turn of the century.
This vase features an elegant Classic form with a slender neck and slightly flared mouth above a baluster body. It was finely painted with two swimming carps in a copper red underglaze among green ribbons like waves. The background display a brilliant verdant green overall, Around the fish a poetic hazy effect was emphasized for a visual complexity by Fuki-e (the blow painting), an invention in Kozan's studio. The new technical development of chemical colors from the west was embraced circa 1900s in Kozan studio. This empowered the more creative experiments with not only colors, but also concept of dimension, which led Makuzu Kozan's work to become a bridge between East and West aesthetics. This is particularly evident in this vase with the Masterly details of the brush strokes, the expertly employment of gradient of color, and a very realistic and detailed rendering of the fish and their vivid motions.
For two similar examples of Kozan's work with similar carps decoration, see Page 148-149 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Japanese Art Glass Sculptural Vessel by Kyohei Fujita
By Kyohei Fujita
Located in Atlanta, GA
A free standing glass sculpture in an open vessel form by Kyohei Fujita (1921-2004). The striking piece features an organic body with alternative strips of blue, white and transparent strips with gold sparkle inlays. The rim takes a free biomorphic form that resembles bone structure. It is etch signed underneath.
The vessel was made in the earlier period of the artist's career before he dedicated most of his work to the "magical box...
Category
Late 20th Century Japanese Mid-Century Modern Vases
Materials
Art Glass
Large Japanese Antique Shigaraki Tsubo Jar
Located in Atlanta, GA
An antique Japanese stoneware storage jar, known as tsubo from Shigaraki kiln, circa 17th-18th century (early Edo possibly Momoyama period)....
Category
Antique 17th Century Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Porcelain Vase Meiji Period Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension.
Miyagawa Kozan...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Porcelain
Rare and Large Japanese Porcelain Vase Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...
Category
Early 20th Century Japanese Japonisme Ceramics
Materials
Porcelain
Large Japanese Bamboo Ikebana Basket Maeda Chikubosai I
By Maeda Chikubosai
Located in Atlanta, GA
An important woven bamboo ikebana basket circa first half of the 20th century (Taisho or Showa era) by Japanese bamboo master Maeda Chikubosai I (1872-1950). Chikubosai I was from th...
Category
Early 20th Century Japanese Japonisme Vases
Materials
Bamboo
Rare Silver Vase with Glass Insert by Josef Hoffmann for Wiener Werkstätte
By Wiener Werkstätte, Josef Hoffmann
Located in Atlanta, GA
A Wiener Werkstatte silver reticulated flower basket with original glass insert in a very rare model made with silver. Designed by Josef Hoffmann (Austrian, 1870-1956), Vienna, circa...
Category
Early 20th Century Austrian Vienna Secession Sterling Silver
Materials
Silver
Japanese Cloisonné Vase Ando Jubei with Storage Box
By Ando Jubei
Located in Atlanta, GA
A beautifully decorated cloisonné vase with silver rims by Ando Jubei (1876-1956), the celebrated Japanese Shippo studio. The piece is dated to late Meiji to early Showa period circa...
Category
Early 20th Century Japanese Japonisme Metalwork
Materials
Metal, Silver, Enamel
Japanese Ceramic Vase by Ito Tozan I Meiji Period
By Ito Tozan I
Located in Atlanta, GA
This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base.
Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792.
A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York
Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...
Category
Antique 1890s Japanese Japonisme Ceramics
Materials
Ceramic
Asian Flambe Studio Pottery Vase
By Kyoto Pottery
Located in Atlanta, GA
A garlic bottle vase in an archaic Chinese form, but likely Japanese in origin. Several circumventing grooves however, suggest a more modern age. It was done in a brilliant purple glaze over a robin egg blue background glaze. The bubbling and bursting effects during the firing renders the surface an artistic spotting effect. The color pallet recalls the Classic Jun Yao...
Category
Antique Late 19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Antique Chinese Ceramic Tea Leaf Storage Jar Song-Yuan Dynasty
Located in Atlanta, GA
A stoneware pottery jar used for storage, made in southern China Fujian or Guangdong province since Song Dynasty for domestic use as well as export. They were widely exported to Japa...
Category
Antique 15th Century and Earlier Chinese Archaistic Ceramics
Materials
Ceramic
Large Japanese Blue and White Vase by Mazuku Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...
Category
Early 20th Century Japanese Japonisme Ceramics
Materials
Porcelain
Wood-Fired Ceramic Jar Paul Chaleff
By Paul Chaleff
Located in Atlanta, GA
A large stoneware jar by Paul Chaleff (1947-) made in 1987 and was purchased directly from the artist's studio in New York. Wood fired ceramic vessel with h...
Category
Vintage 1980s American Modern Jars
Materials
Ceramic
Hagi Ikebana Vase by Kyusetsu Miwa X Japanese Studio Pottery
By Kyusetsu Miwa X
Located in Atlanta, GA
A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...
Category
20th Century Japanese Japonisme Ceramics
Materials
Ceramic
Early Japanese Satsuma Antique Vase
By Satsuma
Located in Atlanta, GA
An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques.
There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...
Category
Antique Mid-19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Rare Porcelain Bowl with Plique-a-Jour Design by Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
An extremely fine and delicate porcelain bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected cer...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Porcelain
Japanese Ceramic Sake Bottle Chosen Karatsu Ware
Located in Atlanta, GA
The long neck bottle of classic form was heavily potted with coarse clay with high iron content. The flask, circa 18th century Edo period, was purposed for sake storage but also substituted as a flower vase during tea ceremony. The surface is covered in glossy black glaze and contrasts strikingly with white ash glaze around the shoulder. The white, fired with straw, displays a splashing feather effect and fine crackles, blending in with the black artistically. This type of Karatsu ware...
Category
Antique 18th Century Japanese Japonisme Ceramics
Materials
Ceramic
Rare Large Vase with White Slip Inlay Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period.
Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor.
For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...
Category
Vintage 1910s Japanese Japonisme Ceramics
Materials
Ceramic
Vienna Secession Silvered Vase by Weiner Werkstatte
By Josef Hoffmann
Located in Atlanta, GA
A hammered silver plate metal vase attributed to Josef Hoffmann and made by Wiener Werkstatte, circa 1920s. The vase is in the typical style of the Vienna secession, it features a ve...
Category
Early 20th Century Austrian Vienna Secession Vases
Materials
Metal
Japanese Porcelain Dragon Glazed Vase Mazuku Kozan
By Makuzu Kozan
Located in Atlanta, GA
A porcelain vase with dragon motif by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic elongated baluster form, the surface of the vase was decorated in an unusual pink mist on a white and aubergine background (called Morotai, the Hazy style), on which a flying dragon is showcased on the center. The dragon was outlined in iron red and filled with the aubergine color and was artistically emphasized on its bulging eyes, claws, scales and a long tail. It was the sole focus of the design circumventing the entire body of the vase. The imagery calls in mind the dragon decoration found in Korean...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Porcelain
Large Korean Blue and White Vase with Phoenix Design
Located in Atlanta, GA
A large and heavy Korean ceramic vase in a Classic Chinese form with open mouth with a wide flared rim, a neck with three concentric grooves and a sloped broad shoulder. The blue and white design features two underglazed phoenix...
Category
Early 20th Century Korean Archaistic Ceramics
Materials
Ceramic
Stoneware Storage Jar China East Zhou Dynasty
Located in Atlanta, GA
A pinkish stoneware jar with broad shoulder and slightly tapered body from Chinese East Zhou Dynasty (771-256BC). The surface of the jar was nearly thorou...
Category
Antique 15th Century and Earlier Chinese Archaistic Ceramics
Materials
Stoneware
Japanese Ceramic Vase Mingei Style Hamada Shoji
By Hamada Shoji
Located in Atlanta, GA
A heavily potted stoneware vase in cylindrical form, decorated with abstract strokes in iron rust glaze (known as Persimmon Glaze in Japanese) on a black glazed background. The pattern suggests autumn grasses, and it was applied with free hands. The vase is attributed to Japanese potter Hamada Shoji...
Category
Late 20th Century Japanese Arts and Crafts Ceramics
Materials
Ceramic
Japanese Mishima Ceramic Vase Meiji Period
Located in Atlanta, GA
A Japanese long neck slender ceramic vase in the style of Mishima, circa 19th century, Meiji period. Mishima pottery was originally imported from three islands in Taiwan and then fro...
Category
Antique 19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Porcelain Vase with Relief Surface Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A rare porcelain vase by Makuzu Kozan (1842-1916) circa 1870-81 (late Meiji period). The vase is dated to the earlier work from Kozan's studio during his early period (Takauki-ware p...
Category
Antique Late 19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Large Antique Chinese Sang-de-Boeuf LangYao Red Vase
Located in Atlanta, GA
A large Chinese vase with Sang-de-Boeuf (oxblood) glaze in a classic baluster form with a tall narrow neck and horizontal bands around the shoulder. The oxblood glaze is known as Lan...
Category
Antique Late 19th Century Chinese Chinese Export Ceramics
Materials
Ceramic
Korean Celadon Inlay Vase Goryeo Dynasty
Located in Atlanta, GA
On offer is an antique Korean ceramic vase from the end of Goryeo to the beginning of Joseon period (circa 14-15th). The vase features celadon crackled glaze with underglaze inlay design in black and white. The vase was a transitional piece made toward the end of Goryeo to the beginning of Joseon Yi dynasty...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Modern Studio Vase Bizen Ware by Jun Isezaki
Located in Atlanta, GA
A bottle form vase by Japanese studio ceramic artist Jun Isezaki (Born in 1936). A modern Bizen yaki stoneware piece that is strongly rooted in history and ...
Category
20th Century Japanese Organic Modern Ceramics
Materials
Ceramic, Wood
Antique Korean Ceramic White Glazed Bottle Vase Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic bottle vase circa 19th century late Joseon Dynasty (1392-1910). The vase is of a classic bottle form with a bulbous body and a long neck with a slightly rolled mouth...
Category
Antique 19th Century Korean Other Ceramics
Materials
Ceramic
Large Antique White Glazed Bottle Vase Korean Ceramic Joseon Dynasty
Located in Atlanta, GA
On offer is a Korean ceramic bottle vase circa 19th century made in the late Joseon dynasty (1392-1910). The vase is of a classic bottle form with a bulbous body and a long neck with...
Category
Antique 19th Century Korean Other Ceramics
Materials
Ceramic
Ceramic Moon Jar Vase by Otto Heino
By Otto Heino
Located in Atlanta, GA
A ceramic vase in the form of a "moon jar", a nearly sphere shape with small base and mouth. The form was celebrated in Korean Joseon pottery and its fo...
Category
Early 2000s American Organic Modern Vases
Materials
Ceramic
Japanese Shigaraki Jar for Ikebana by Shiho Kanzaki
By Shiho Kanzaki
Located in Atlanta, GA
A Shigaraki stoneware jar by Japanese potter Shino Kanzaki (1942-2018). Kanzaki is a world renowned potter in Shigaraki who based his modern work on the ancient tradition of Shigaraki and Iga ware...
Category
20th Century Japanese Modern Ceramics
Materials
Ceramic
Japanese Ceramic Ikebana Vase Bizen Ware Nanba Koyo
Located in Atlanta, GA
A tall vintage ceramic vase with handle from Japan (20th century) by Nanba Koyo. Made in the tradition of Bizen ware, the vase has a modern aesthetic with a...
Category
20th Century Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Echizen Ceramic Tsubo Fujita Jurouemon VIII
Located in Atlanta, GA
A Japanese storage jar (tsubo) made in the ancient Echizen ware tradition by Fujita Jurouemon VIII. Echizen is one of the six ancient kilns in Japan, directly influenced by the Sue ware...
Category
20th Century Japanese Modern Ceramics
Materials
Ceramic
Collection of Four Japanese Tamba Tokkuri Sake Bottles
Located in Atlanta, GA
A set of four Japanese Ceramic Tokkuri Sake storage bottles circa early 20th century (Meiji to Taisho period). The bottles were made in Tamba (Tanba) kil...
Category
Early 20th Century Japanese Japonisme Ceramics
Materials
Ceramic
Exquisite Japanese Satsuma Vase by Seikozan
Located in Atlanta, GA
A miniature vase in elegant upright form reminiscent of the Chinese imperial Willow Leaf form made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many a...
Category
Antique 1880s Japanese Meiji Ceramics
Materials
Ceramic
Sculptural Silver Center Bowl with Relief Surface Graziella Laffi
By Graziella Laffi
Located in Atlanta, GA
A stunning sterling silver vessel in the form of a stemmed bowl crafted by Graziella Laffi, Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels protrusion alternated with a radiating design that resembles star fish or a blooming flower. It has an impressive presence with its unique form and ornamentation that appears both modern and ancient at the same time.
Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...
Category
Vintage 1960s Peruvian Modern Sterling Silver
Materials
Sterling Silver
Antique Korean Buncheong Ceramic Vase with Incised Designs
Located in Atlanta, GA
A Korean ceramic bottle form jar of Buncheong ware circa 15-16th century Joseon Dynasty. The surface of the jar features a celadon glaze and an elaborate incised design of large flor...
Category
Antique 16th Century Korean Archaistic Ceramics
Materials
Ceramic
Antique Korean Celadon Bottle Vase Joseon Dynasty
Located in Atlanta, GA
A Korean ceramic bottle-form vase circa 16th century Joseon Dynasty. It was likely intended as a wine bottle, the pear-shaped vessel with flaring neck feature a celadon glaze exterio...
Category
Antique 16th Century Korean Archaistic Ceramics
Materials
Ceramic
Tall Studio Pottery Ceramic Glazed Vase Warren Mackinzie
By Warren MacKenzie
Located in Atlanta, GA
A tall cylinder shape stoneware vase by American studio potter Warren MacKenzie (1924-2018). The vase displays a slightly ambiguous shape between circle and sqaure and it features tw...
Category
Late 20th Century American Modern Vases
Materials
Ceramic
Ceramic Geometrical Vase with Black Metallic Glaze Beatrice Wood
By Beatrice Wood
Located in Atlanta, GA
A ceramic vase by American artist and studio potter Beatrice Wood (1893-1998). The piece, circa 1980s, is of a columnar form with a small bulged-out ring around midbody. Highly geome...
Category
Late 20th Century American Modern Vases
Materials
Ceramic
Glazed Ceramic Jar Studio Pottery Karen Karnes
By Karen Karnes
Located in Atlanta, GA
A ceramic (earth ware) lidded jar with glazed surface by American studio potter Karen Karnes (1925-2016). The mark on the jar indicates that the piece was m...
Category
21st Century and Contemporary American Modern Jars
Materials
Ceramic
