Vessel Gallery

Stratiform Aerugo 1.0.001 is a unique hand-blown glass vessel with fine white filigree cane detail created by the British artist Liam Reeves. Hand blown in bright lime green glass, the interior has a mirrored finish, which results in a beautiful metallic effect. The entire piece is finally sandblasted creating a soft satin, diffused finish. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

'The Cobalt Voyager' is a unique intense electric blue and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'Calibrated to Balance' is a unique red, green, yellow, teal and amber hand-blown and cut glass hanging artwork with steel frame by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Exquisitely handblown and cut to the highest quality and refinement, the elements have been composed and suspended on a steel frame ready for wall hanging. Increasingly the artists have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, primarily through blown glass, but also using steel, and constructions in other materials. Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'Catcher of the Skies' is a unique pink, orange and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'Nail Varnish' is an oversized sculptural version of its functional counterpart by the Swedish artist Asa Jungnelius for Kosta Boda. Monumental in scale, this hand-blown artwork in b...

Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Empoli Jar with Spike, is a unique art glass jar by British glass artist James Lethbridge. Blown glass with gilding on the inside. The outer layer is covere...

Ammonite vessel is a unique steel & moon gold sculptural vessel by the British artist Claire Malet. Created from an oxidised re-formed steel can and hand-gilded on the interior with ...

Common Ray Honey Caramel is a unique handblown and crafted vase & artwork / bowl / centrepiece by the German artist, Sabine Lintzen. The initial inner form is free-blown and adorned ...

Obsidian III is a unique grey, bronze & clear glass wall-mounted artwork by the British artist Wayne Charmer. Taken inspiration from the moment that a mass of rock is literally cr...

Treasure collection mirror in gold quartz is a unique art glass and aluminum mirror by the British designer and artist Amy Cushing. The Treasure collection is a series of unique c...

Polychromatic Interleave 004, is a unique handblown glass vessel with fine filigree white cane detail by the British artist Liam Reeves. The three colours of glass in red, blue and green, merge in the making to create a larger spectrum of hues where they meet, covering the white canes below. A truly exquisite piece. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

Undulating Crumpled Form No 70 is a unique ceramic sculptural vessel by the British artist Nicholas Arroyave-Portela, made from white St.Thom...

'Tricolarial 37' is a unique hand blown sculptural vase by the British artist Vic Bamforth. Blown in amber, red, purple and blue colored glass which are encased in clear glass to cre...

Polychromatic Interleave 006, is a unique handblown glass vessel with fine filigree white cane detail by the British artist Liam Reeves. The three colours of glass in red, blue and green, merge in the making to create a larger spectrum of hues where they meet, covering the white canes below. A truly exquisite piece. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

Constellation is a unique glass sculpture created from clear and black glass with gold leaf detail. Handcrafted in blown and sculpted glass by the British artist Louis Thompson. Acc...

Obsidian II is a unique bronze & clear glass wall-mounted artwork by the British artist Wayne Charmer. Taken inspiration from the moment that a mass of rock is literally cracked o...

Korean Glass 25, is a unique sculpture in clear glass and porcelain that is handblown, painted and cut by the South Korean artist, Choi Keeryong. The interior detail of the piece is handpainted in blue, red and green. Keeryong is based in Scotland. His work is informed by his investigations into the similarities and cultural differences that we all experience in relation to the objects around us in contrast to where we live. Something he is has personally experienced living in another country. In this collection, Keeryong has developed a process using the ancient Korean ‘Saggam’ pottery technique, which allows him to explore a state of ambiguity created for the viewer’s visual experience. Using delineating geometric patterns and counterfeit letters (meaningless Korean words) he combines his glass with found English teapots...

Turbulence in Aubergine is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form. About this collection in the artist's own words; "My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece" With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio. In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...

Celestite I is a unique grey & clear glass sculpture by the British artist, Wayne Charmer. Taken inspiration from the moment that a mass of rock is literally cracked open, to reveal ...

'Clovis in Amethyst' is a unique tall glass sculpture by the British artist James Devereux. Refinement and daring combine within this statuesque sculpture. Poised upon a museum-qu...

'Ore in Sienna & Ecru with gold' is a unique glass sculpture in aubergine and off-white colored glass by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British)...

'Ore in Copper Blue & Pale Turquoise and Platinum' is a unique glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Tho...

Turbulence in Tea is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form. About this collection in the artist's own words; "My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece" With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio. In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...

Acanthus Veronese in Yellow, is a unique art glass jar by British glass artist James Lethbridge. Blown glass with the outer layer covered in flameworked decoration and adornment. Wit...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

'Takamaka Opal', is a unique glass sculpture by the Austrian artist Sandra A. Fuchs, created in aqua, deep red and vibrant orange glass. Fuchs creates her own multi-colored and complex glass canes, which are then cut to create small 'murrina'. These she composes to create her flat sheet 'canvas' glass artworks, which are fired again, to fuse the pieces together. The detail is breathtaking and testament to these labour intensive unique works. The dimensions above are for the glass panel and European Walnut wood base. Sandra A. Fuchs lives and works in Mautern, a small town located on the Danube within the Wachau, a UNESCO World Heritage Site, in Austria and in Murano, Italy. Specializing in the areas of cold working, fusing and flameworking, Fuchs has undertaken additional advanced training for glassblowing at the Technical College of Glass for Design and Craft (Kramsach, Tyrol, Austria) Abate Zanetti (Scuola del Vetro, Murano, Italy) and at Cam Ocagi (The Glass Furnace Istanbul, Turkey). Her artistic approach and style has also been developed through attending numerous master classes with artists predominantly from Italy and the USA. Since 2014 and after much time abroad, Fuchs is now focused on working exclusively as an independent glass artist in her own studio. Fuchs’ artworks share a common ‘spirit’ and ‘organic’ aesthetic. The themes which run through her pieces are inspired by the beauty and power of nature; of rising, elevating and growth, which she also interprets from a spiritual influence. She feels creativity and vision are born by traveling, connecting with people from around the world and through cultural exchange. Her signature fused panels have an inner life which is captured in dense and complex patterns which are formed from many unique pieces of ‘murrine’, which Fuchs designs and makes by herself. Traditionally ‘murrine’ all possess the same pattern, however by employing a different kiln formed technique, Fuchs makes each ‘murrina’ unique by having more control during the stretching process whilst working with her hot molten glass. With her blown art works, Fuchs combines this new special manufacturing technique of 'kiln formed murrine’ (which has only been in existence since 1992) with centuries old traditional Muranese glassblowing knowledge, resulting in pieces that are the only ones of their kind worldwide. In the artist’s own words; "Offering me every possible way to express myself, glass became my ‘partner in crime...

'Oro Vug in Fuchsia I' is a unique handblown pink glass sculpture by the British artist, Samantha Donaldson. Created from layers of clear and rich...

Ice Vug in Turquoise I is a unique handblown sculpture by the British artist Samantha Donaldson. A charming ethereal sculpture with a glacier white ...

Polychromatic Interleave 005, is a unique handblown glass vessel with fine filigree white cane detail by the British artist Liam Reeves. The two colours of glass in red and blue, merge in the making to create a larger spectrum of hues where they meet, covering the white canes below. A truly exquisite piece. Liam Reeves has been making glass professionally since 1998 when he graduated from Middlesex University with a BA (Hons) in three-dimensional design. During this time he has honed his skills whilst working in the glass industry for some of the best glassmakers in the UK. In 2009 Reeves studied for an MA at the RCA in order to explore the creative possibilities of the medium of glassblowing. He is currently hot-glass technician at the very same and prestigious Royal College of Art in London. While at the RCA Liam discovered a passion for investigating pivotal techniques from glassblowing’s two-millennia of rich history. From the mould blowing of ancient Rome to the complex goblet-making techniques of Renaissance Venice...

Acanthus Veronese in Cherry Red, is a unique cherry red and clear glass sculptural jar by British glass artist James Lethbridge. Blown glass with the outer layer covered in flamework...

'Orientation in Gold No 4' is a unique glass sculpture by the Austrian artist Sandra A. Fuchs, created in amber, white and clear glass. Fuchs creates her own multicoloured and comp...

Blooming Fresco is an earthenware ceramic decorative vase in light brown, yellow and pink by the Dutch artist Maarten Vrolijk. Vrolijk approaches his ceramic artworks using the su...

'Takamaka the Reef', is a unique glass sculpture by the Austrian artist Sandra A. Fuchs, created in coral orange, soft blue and yellow / gold glass. Fuchs creates her own multicolore...

Ice Vug in Purple is a unique handblown sculpture by the British artist Samantha Donaldson. A charming ethereal sculpture with a glacier white exter...

'Torc' is a limited-edition (3 + 2AP) patinated bronze sculpture by the British artist Vivienne Foley. Two have been sold and so there is only one piece left from the edition. Vivie...

'Striped Symmetry Fold V' is a unique sculpture by the British artist Steven Edwards, created from parian and porcelain. Steven Edwards is a ceramic artist whose work investigates t...

'Rippling Transformation' is a unique cast glass sculpture by the Danish artist, Monette Larsen. Larsen has always been fascinated by the concept of beauty within nature; what makes...