Torc, a limited edition patinated bronze sculpture by Vivienne Foley

'Conical Terminals' is a limited-edition (3 + 2AP) bronze sculpture on a limestone base by the British artist Vivienne Foley. Vivienne Foley’s bronze sculptures are a recent develo...

'Wishbone' is a limited-edition (3 + 2AP) bronze sculpture on a limestone base by the British artist Vivienne Foley. The first piece has sold from the edition but there are two piece...

‘Tall Bird Form’ is a limited edition bronze sculpture by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculptu...

‘Tall Lily Vase’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson of Ireland • Prime Minister Charles Haughey of Ireland • President Hertzog of Israel • Prime Minister Keating of Australia • Prince Faisal of Saudi Arabia • US President Bill Clinton and Hilary Rodham Clinton • Royal Household, Sweden • Nancy Soderberg • President Jacques Chirac of France • Irish Embassy, Berlin • Sandy Lane Hotel, Barbados • Ford UK, London • Four Seasons Hotel, Amman, Jordan • Rolex...

‘Vase with Star Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

‘Vase with Foliate Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

Patinated swirling bronze sculpture.

Daughter of the Titans. Mistress of the god king. Mother of the twin gods. The mythological character Latona is celebrated by artist Sofia Speybrouck in exquisite bronze sculptural f...

This cast patinated sculpture can be hung by the ring at the top or stand upright on a flat surface. It also bears the foundry mark of Scoleri.

A very well modelled study of an Arab horse in full motion turning to his right, the bronze with good rich brown colour and fine hand chased detail, raised on a stepped oval black marble base, signed S Winterburn and numbered 1 of 6 ADDITIONAL INFORMATION height: 41 cm width: 52 cm Condition: As New Condition Circa: 2010 Materials: bronze & marble SKU: 7631 ABOUT Steve Winterburn Steve Winterburn (born 1959, Coventry) is a self-taught artist whose creative development has been fuelled by his conviction, immense energy and curiosity. Possessing an innate comprehension of engineering and design enables him to explore his passion for challenge and experimentation. Steve began teaching himself to sculpt in 1994. With the progression of his sculpting an ambition emerged to personally shape each piece of his work from concept to completion. He had entrusted the casting of his earlier bronzes to the established foundries. But the delays in delivering his work became frustrating and he was disillusioned by the changes that resulted from not handling the finishing stages himself. In 2002 Steve moved to Yorkshire, in the north of England, and began converting the vast workshop next to his house into the current 9 room studio & foundry. It was here he started to experiment in order to gain an understanding of the entire process that is traditionally a closely guarded secret handed down between foundry men. The challenges included mastering mould making skills and the lost wax impression of the moulds from which a one off ceramic mould is made ready for the bronze pouring. Expanding his expertise with chasing the bronze, his ability to hand work the malleable surface and with the patina (colours). These stages are normally undertaken by a succession of different people, each skilled in their particular phase of the evolving sculpture. Involvement with a diversity of initiatives has taken Steve to India, Peru, Kenya, Tanzania, Rwanda, Australia and Ethiopia, sculpting people and animals. Steve has regularly exhibited with Hickmet Fine Arts at the internationally acclaimed LAPADA Fine Art and Antiques Fairs ( the highly prestigious UK Antiques Federation) and twice with The Wildlife Arts Society at the Westminster Gallery where in 1998 he won the award for best 3 dimensional piece. He has exhibited twice at the Royal Academy in London. Projects include developing designs for two statues...

Patinated bronze sculpture. "Jerusalem" by Delier Cast as the head of an elderly bearded man with an oversized hand, holding aloft Jerusalem, rich brown patina, with title plaque on...

Neil Welch. A Large bronze sculpture Titled "Galatica Limited Edition of 9 and this is number 7 of 9 This casting is signed Neil Welch on the base. The Measurements are Hieght: 15 inches (38cm) by Width: 8 inches (20.4cm) by Depth: 4 inches (10.3cm). A Superb piece,. Presented in immaculate condition and ready to display. Biography: Born in the heart of the potteries Staffordshire in 1972. Neil is an outstanding figurative bronze sculptor much respected in his chosen field. Neil considers himself self taught and he started early as a child making his own Jim Henson...