YM Antiques Inc

Our extraordinary German cup and cover in the Baroque style, circa 1880s, is crafted from gilt brass and features extensive use of rock crystal, including cabochon and faceted circular jewels. Apparently unsigned. Provenance: Koopman Rare Art, London. Regilded and in excellent condition. There is a soldered repair to the female's spear. Founded in London in 1952, Koopman Rare Art is one of the world’s most admired dealers specializing in antique silver, gold and objects de vertu.

Our magnificent bronze, entitled Der Gladiator, depicting a Roman gladiator preparing to fight was modeled by the German artist, Heinrich Baucke (1875-1915). Mounted to a green variegated marble plinth measuring 23 by 15 inches and with an overall height of 39 inches. Signed on the base with the stamped mark of the foundry, DUSSELDORFER BRONCEGIESSEREI G.m.b.H. The artist enjoyed a prestigious career.  According to the Benezit, Baucke studied under Karl Janssen at the Dusseldorf Academy of Fine Arts.  In 1903 Baucke moved to Berlin and executed several commissions for Kaiser Wilhelm II including a major work at the Royal Palace in Berlin (known since the end of the monarchy in 1918 as the Berlin Palace) and supervision of the development of the Schlossplatz palace square.  Commissions included the Monument to William I at Rotthausen, the bronze of King Friedrich Wilhelm III of Prussia at the town hall in Elberfeld, a statue of King Frederick I, a stone statue of Maurice of Nassau and marble busts of Helmuth von Moltke, Chief of the German General Staff, and German Chancellor, Otto von Bismarck...

Our pair of vases with covers by Gagneau of Paris, originally fitted as oil lamps, are modelled as neoclassical maidens supporting vases. Crafted from rouge marble with ormolu bronze mounts. Removeable lids reveal the removeable pierced fittings stamped GAGNEAU. Gagneau a Paris, also known as Maison Gagneau...

Our charming inkwell features a finely sculpted porcelain foo dog standing on lacquered wooden panel with two silver ink vessels with their original porcelain cups.  Hinge of one wel...

Our painting by Adolphe Pierre Francois Leofanti (1838-1890) depicts Roger freeing Angelica. Period ebonized frame with gilt border measures 74 7/8 by 64 1/8 inches, 163 by 190 cm. ...

Our still life depicting a metal brazier on ledge is a rare painting by Baudouin Yvart (French, 1611-1690).  Stretcher measures 15 1/4 by 19 inches.  It has an extraordinary ebonized sgraffito frame, 24 by 28 by 1 3/4 inches, with inlaid mother of pearl and pewter mounts.  Professionally relined and mounted on keyed stretcher. Provenance: Private Collection, Paris, by 1974; Anonymous sale; Boisgirard et Associés, Paris, June 26, 1985, lot 26; Jocelyn Fielding Fine Art Ltd., London; Mr. and Mrs. John H. Gutfreund, CEO Salomon Brothers, New York. Literature: Michel Faré, Le grand siecle de la nature morte...

Our exceptional pair of enameled porcelain vases in the Chinese cloisonné style were designed by Christopher Dresser (1834-1904) for Mintons. They feature one side with a dragon an...

Our important bronze by Francois-Raoul Larche (1860-1912), cast circa 1905, is entitled La Tempête et les Nuées (The Storm and the Clouds). Signed RAOUL. LARCHE and stamped with the ...

Our French ormolu bronze mantel clock, circa 1838, is entitled "Le Roi Louis Philippe saigne sa propre main & rappelle à la vie le courrier de cabinet Werner tombé de cheval sous les...

Our Louis XVI style clock in the manner of Louis Simon Boizot (1743-1809) features the patinated figures of neoclassical standing females supporting...

Our antique necklace crafted from gold chain features a pendant with gilt bronze frame depicting Artemis with carved bow and quiver in grisaille on rust...

Our rare set of four gilt bronze sconces with knotted drapery motif with crystal beads are attributed to Louis Süe (1875-1968) and André Mare ...

Our Russian Empire period oval table with birch veneer with silver gilt eagle-mounted legs and paw feet measures 35 by 49.5 inches and 30 inches ...

Our extraordinary 18k gold, gem-set and diamond bracelet by Fuset y Grau, circa 1930, depicts a ceremonial procession of Indian royalty including riders i...

Our magnificent oil on canvas by John Henry Frederick Bacon, A.R.A. (1868-1914), entitled The Golden Butterfly, depicts the family of John and Julietta Boyd-Harvey at Tondu House in South Wales in 1907. It was exhibited at the Royal Academy in London in 1907, no. 572. This very large painting depicts the Boyd-Harvey family on the lawn of Tondu House in South Wales, with the mountain and valley of Tondu in the background. John Bacon...

Our extraordinary patinated bronze torchiere depicting a female slave comes from the firm of Lacarrière Frères & Delatours. Signed "Lacarrière Freres & Delatours", "Paris 1880". Fitted for electricity in the late nineteenth century, but currently in need of sockets and wiring. Provenance: Rochelle Sepenuk, New York, NY. The firm of Auguste Lacarrière sent exhibits to the the first International Exhibition in London in 1851. At that time they seem to have occupied two Paris addresses, 9 rue St Elizabeth and 55 rue Meslay, as well as having another outlet in Limoges. They are recorded as showing "specimens of lustres, sconces, chandeliers, medallions, etc..". By the 1862 Exhibition they were only recorded at the Sainte Elizabeth address and showed, "appareils à gaz de fonte, de zinc et de bronze." Nevertheless, their exhibit was highly praised and the business, now called A. Lacarrière, Père et Fils...

Our media cabinet with bronze frame and mica veneer was designed by Peter Marino for a Palm Beach client.  Interior is fitted with television stand and five drawers.  73.5 by 45 by 2...

Our George IV period Sheffield plate vases (circa 1820-1830) measure 25 in (63.5 cm) tall and feature stepped bases with applied grapevine borders with foliage below a wide band of g...

Our pair of monumental European giltwood mirrors each measure approximately 50 by 84 inches (213.5 by 127 cm), and feature extraordinary carved giltwood designs of marine life including seashells of various shapes, snakes, dolphins and serpents. Provenance: Carlton Hobbs...

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...