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Edward Wormley 'New York' Sofa in Orange Upholstery

US$12,400

About

Edward Wormley for Dunbar Furniture / DUX of Sweden, sofa model 5316, fabric, beech, metal, United States, design 1952 This three-seat sofa was designed by Edward Wormley for Dunbar in 1952. The eye-catching orange fabric turns this elegant sofa into a real statement piece. The design convinces visually through the well-balanced appearance and the stabile construction. The wooden frame in beech holds the seat in a graceful manner. Edward Wormley (1907-1995) was an American designer. After not finishing his degree due to lack of funds Wormley started to work as an interior designer. In the 1940s, Wormley was hired to work with Dunbar. Their collaboration was a success story as Dunbar incorporated several techniques and aesthetics from European design. It was Wormley's aim to create a high-quality line, that was also available for the masses. Please note that the foam and coil springs are in good, used condition. Replacement of the foam is possible before shipping by our experienced craftsman in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized reupholstery is possible as well.

Details

  • Creator
    Dux of Sweden (Manufacturer),Edward Wormley (Designer)
  • Dimensions
    Height: 75 cm (29.53 in.)Width: 228 cm (89.77 in.)Depth: 75 cm (29.53 in.)Seat Height: 41 cm (16.15 in.)
  • Style
    Mid-Century Modern (In the Style Of)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1950s
  • Condition
    Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftsmen in our in-house workshop. Special restoration or reupholstery requests can be done. We guarantee a very high-quality standard, ask our design specialists for detailed information.
  • Seller Location
    Waalwijk, NL
  • Reference Number
    Seller: 501115631stDibs: LU933128293272

Shipping & Returns

  • Shipping
    Customs Duties & Taxes May Apply.
    Ships From: Waalwijk, Netherlands
  • Return Policy

    A return for this item may be initiated within 10 days of delivery.

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About the Designer

Edward Wormley

As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid-20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era.

Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match.

Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers.

Many of Wormley’s signature pieces — chairs, sofas, tables and more — are modern interpretations of traditional forms. His 1946 Riemerschmid Chair — an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler.

As the vintage items on 1stDibs demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.

About the Seller
4.8
Located in Waalwijk, Netherlands

Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.

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Established in 2006
1stDibs seller since 2012
4,108 sales on 1stDibs
Typical response time: 1 hour
Associations
20th Century Specialists
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