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Martin Margiela 1990s Unique UpcycledGarters&Crotch Velvet Halter Black Crop Top

About the Item

Captured in a video-still from his Fall/Winter 1992 collection fashion-show in Paris, Martin Margiela uniquely upcycled the seam intersections from the crotch, dart or tuck on deconstructed garments to make a high-relief topstitched cross shape as the mysterious design feature on some of his tops and knits. On this Maison Martin Margiela silky black velour crushed-velvet cropped halter, the altered seams are the subtle central focal point of the transformed fully-lined viscose breastplate. The backless top is constructed like a pullover bra with flexible elastic crisscrossing straps with metal hardware, which appear to be hosiery garters or suspenders. The iconic off-white blank brand label is hand-sewn at its four corners on the reverse to just the lining, where there are tags above it noting the material, size and manufacture-country Italy. The French-size 40 is flexible enough to be worn over another top or alone by a range of sizes from 38-42 depending on bust size. Since our small-size mannequin is backless, when worn by the buyer the upper part of the halter will sit higher on the chest and the bottom corners attached to the elastic bands will be less visible in back than we could photograph. Fortunately, we found the same Margiela halter in a sunny black-and-white photoshoot from Winter 1995, and included our pics of a few shots. In one, notice where the black velvet is reflecting sunlight as white due to the irregular texture of the seamed cross. The Fall/Winter 1995 "Circus" collection by Maison Martin Margiela featured similar lined velour and sleeveless tops in the fashion show, but we could not find any photos in that collection of the distinct X-shaped elastic straps that boldly define the back of our top. Comparatively, a F/W 2006 Martin Margiela sequined top with the same X-shaped bralette-straps design sold on 1stDibs for the similar list price of $4,743. Lacking a multi-numbered tag that Margiela later used to identify his multiple lines, it is unclear if our top is a couture Artisanal piece, while the unprecedented upcycled elements and topstitching make it a handcrafted one-off either way. Only some of the early Artisanal pieces included a number-0 tag, which can be seen in our other listing for the 1992 pullover sweater that he upcycled from long knit socks/leggings. Compared to the documented Margiela tops since 1988, this one is quite a versatile garment as it can enhance the formal or casual styling of many silhouettes.

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