Longquan Celadon Figurine, Ming Dynasty (1368-1644)

The bowl features a relatively deep green glaze and a smooth and lustrous finish. The exterior is intricately incised with a lotus petal design, symbolizing purity and spiritual enlightenment, while the interior remains plain to emphasize the glaze's elegance. Over centuries, a natural brown discoloration has appeared on the exterior, reflecting its historical authenticity and prolonged chemical reaction during burial. This is also considered a part of the aesthetic element of celadon. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Stoneware - Celadon glazed Type: Tripod censer Size : 18.5 cm(Diameter) , 7.5cm(Height) Provenance : Acquired in late 1990s from Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

The bulbous body is adorned with elegantly carved floral motifs, with intertwining vines and flowers forming a natural, flowing pattern. The base is left unglazed. Base surface crack...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. There are similar types and decoration but varying in shape, resembling a pear, all from the same era and crafted in celadon, often referred to as 'fu shou' vases. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

China, a carving of a canine “Pug”, Ming Dynasty, 1368-1644 CE Dimensions: 38 cm, 15” High Photographs taken indoors and out of doors for your viewing pleasure. The hand carved limestone beast shown on its haunches with naturalistic joyful expression and a well defined compact head, ears, noes, eyes, feet, and tail parted to one side on reverse with distinctive collar ornament seated four square on a thick base all-over showing a weathered surface from significant age. Formerly exhibited “Asia Week” New York City, Fuller Building, Hutton Gallery 2006. Provenance: ex collection luoyang, Henan Province, China. Includes custom display base as shown Catalog reference: 35 years collecting 35 treasures, Number 35, p.76 (photo) In ancient China, it is a well-known fact that several types of small dogs were bred and were favored pet gifts between emperors and kings including Lion Dogs, Pekingese and Lo-sze breeds. Some Lo-sze are pictured wearing collars with bells a frequent combination fancied by European royalty of the seventeenth and eighteenth centuries. Lo-sze or pugs were prized for their compact body, good bones, flat face, square jaw, short coat, curled tail, side set back ears, and temperate disposition. History: Placing stone animals in important tombs can be traced back at least to the Qin Dynasty (221-206 BCE), some two thousand years ago. In ancient times, stone animals and human figures placed before imperial tombs symbolized royal power and privilege in addition to decorative functions. The first Ming tomb...

Impressive Funeral Ensamble of 10 Terracotta Glazed Figures in green and caramel colors depicting a votive procession with a palanquin, his four carriers, a horse, a stableman, two musicians, and an offering carrier. This ensemble is accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - Specialist in Asian Arts for the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...

Magnificent Lady Guanyin Bodhisattva seated in Royal Relaxation pose hand-carved in Gilded Wood with traces of paint still visible. This expressi...

A fine set of a six court attendants as in the Forbidden City of Beijing, elegantly dressed in a Green & Red Daopao – a traditional men’s formal attire from the Ming Dynasty dated 1368-1643 A.D. – with glazed robes and Red Pigment remains in their hat and belts. They stand in an honorary posture atop a red plinth, some with orifices in their hands, where spirit objects were placed to comfort or satisfy the deceased. The heads are detachable, as often seen on the larger figures from this period. They are accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - a leading authority specialized in Far East Archaeology from the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...