Celadon Antiquities

The vase features a ribbed body, subtly enhancing its graceful contours, and is topped with a uniquely sculpted lid adorned with figurative elements. Period : Song Dynasty Type : Ce...

The bowl is potted with steep, flared sides and decorated to the interior with stylized peonies among scrolling tendrils. The exterior is carved with vertical lines below the everted...

Chicken-head ewers are among the most distinct and emblematic pottery pieces from the dynamic yet innovative era spanning from the Han (206 BC - AD 220) to the Tang (618~907) dynasti...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

Potted with the fluted sides rising from a recessed base, carved to the interior with Chrysanthemum, covered overall with a grayish-green glaze, save for a ring to the underside left...

The form of Longquan celadon vases from the Northern Song dynasty evolved from an early design with a long neck and tapering body to a later ovoid body with a shorter neck. Over time, the glaze developed a more olive tone, and the carved decorations became more pronounced and intricate. Examples of such vases include one without a cover dated to the Yuanfeng era (1078~1085) and documented in literature, and another similar vase without loop handles preserved by the Qingyuan County Cultural Relics Bureau. An earlier example featuring loop handles and a lotus-like cover is also mentioned in historical texts. The use of Longquan covered vases, especially as funerary jars for offerings like wine and grains, was highlighted by an inscription on a piece from the Sir Percival David Collection, London. This inscription wishes for the vessel to preserve fragrant wine for centuries, blessing the owner with prosperity, longevity, and a vast lineage, dated to the third year of the Yuanfeng period (1080). This practice was common in the regions of Southern Zhejiang and Northern Fujian. A similar celadon vase from the Linyushanren collection was auctioned at Christie’s Hong Kong, emphasizing the cultural and historical significance of these artifacts. Period : Five Dynasties or Northern Song Dynasty Type : Celadon, Zhejiang province Medium : Celadon Size : 31.5 cm(Height) x 11.5(Diameter) Provenance : Acquired in late 1990s from Hongkong Reference : 1) The British Museum image id - 01613270570 2) Christies New York 23–24 MAR 2023 - Important Chinese Ceramics and Works of Art - Lot 1012 (Price Range : USD 18,000 – USD 25,000 / Type : Related) 3) National Gallery of Victoria - Accession Number - AS5-1973 * Celadon from Five Dynasties (907~960) to the early Northern Song Dynasty (960~1127) The period from the Five Dynasties (907~960) to the early Northern Song Dynasty (960~1127) marked a significant transitional phase in the development of Chinese celadon ceramics...

This censer is characterized by its tripod form, which means it stands on three feet. Incense burners from the Ming dynasty are often highly regarded for their craftsmanship and the quality of the glaze texture and coloration. This piece features finely carved patterns that likely draw inspiration from traditional Chinese motifs. Such items were commonly used for burning incense and sometimes served as significant decorative pieces in ceremonial spaces or the homes of the elite. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Stoneware - Celadon glazed Type: Tripod censer Size : 24.2 cm(Diameter) , 10.8cm(Height) Provenance : Acquired in 1999, Hongkong Reference : Sotheby's Newyork 26 September 2023 - CHINA / 5000 YEARS - Lot1135 * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Thickly potted with an ovoid body of five horizontal lobes tapering toward the top, carries both aesthetic and practical values. The jar is intricately carved with rows of upright lo...

A similar jar with a cover, part of the Avery Brundage collection at the Asian Art Museum in San Francisco, is featured in Mary Tregear's "Song Ceramics" (London, 1982, plate 286). T...

Finely potted with incurved facetted sides divided by raised ribs and set with two short lugs to the shoulder, the body rising to a short octagonal neck, the domed cover of conforming section, surrounded by an upturned rim and surmounted by a bud finial, applied overall with a celadon glaze of the period. A related vase of this rare and charming form, in the Zhenjiang Museum, Zhenjiang, is illustrated in the Complete Collection of Chinese Ceramics. Song, vol. 8, Shanghai, 1999, pl. 52. Vases of related octagonal shape were produced at the Ding kilns, in Hebei province, and the qingbai kilns in Jiangxi province; see a Ding vase in the Palace Museum, Beijing, illustrated in Selection of Ding Ware. The Palace Museum’s Collection and Archaeological Excavation, Beijing, 2002, pl. 37; and a qingbai example, from the Meiyintang collection, illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 3 (II), London, 2006, pl. 1590; and another carved with a floral scroll, included in the exhibition Song Ceramics from the Kwan Collection, Hong Kong Museum of Art, Hong Kong, 1994, cat. no. 105. Period : Western Jin Dynasty (266 - 316 AD) Type : Octagonal Vase Medium : Yue celadon...

* Set item(Two statues) The statue on the left seems to be a mythical beast standing in a poised and alert stance, with its mouth open as if roaring or breathing fire. Its body is covered in detailed carvings that resemble scales and feathers, indicative of the high level of craftsmanship during the Jin Dynasty. The creature’s presence is both regal and intimidating, suggesting it might have been believed to possess protective properties. The statue on the right presents a more stoic and solid stance, with a broad chest and a upright head. Its facial expression is stern, with deep-carved eyes and an open mouth that reveals its teeth, adding to its majestic and formidable appearance. The mane and other body features are intricately detailed, suggesting a high level of artistic skill in its creation. Period : Western Jin Dynasty (266 - 316 AD) Type : Haitai Statue Medium : Yue celadon...

This sculpture is a Longquan celadon from the Ming Dynasty, renowned for its rich and jade-like green glaze. The figurine is likely a representation of a Buddhist deity or a revered scholar, showcasing the calm aesthetic expressions and graceful contours prevalent during the era. The spectrum of celadon glaze ranges from a dense grey stoneware to a nearly white porcelain texture, with unglazed parts revealing a terracotta brown upon firing. Such pieces were often part of household altars, reflecting the era's spiritual devotion. This artifact would be a treasured exhibit in any museum's Asian art collection, symbolizing both religious reverence and artistic excellence. Period: Ming Dynasty (1368-1644) Region: Longquan, China Medium: Stoneware - Celadon glazed, with a range from heavy grey to almost white porcelain-like material Type: Sculpture Height : 24.5 cm Provenance : Acquired in 1999, Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

This vessel is well-modeled as a recumbent winged lion with detailed decorative elements. It features a grimacing face with large protruberant eyes under heavy brows and a gaping mouth, which forms a large aperture. The piece has a tail that arches to form a loop handle, and the wings are incised on the sides. The whole piece is finished with a thin olive-green glaze. This kind of figural vessel dates back to at least the Western Han dynasty, with the design fully developed in the Yue kilns of Zhejiang province during the 3rd and 4th centuries. Such zoomorphic forms became popular among the literati and were transformed into various functional objects like wine ewers and water pots. For a similar example see Regina Krahl, Yueguetang, A Collection of Chinese Ceramics in Berlin, Berlin, 2000, p. 68, no. 46 where the author cites another similar example excavated from a tomb at Fenghuangshan, Shaoxing, Zhejiamg province and dated to 313 AD. A very similar vessel from the Zhejiang Provincial Museum was exhibited in Greenwares from Zhejiang, Hong Kong, 1993, cat. no.18. Other illustrated examples in museum collections include The Nanjing Museum, Celadons of the Six Dynasties from Jiangxu, Beijing, pl. 50; the Shanghai Museum, Complete Series on Chinese Art: Arts and Crafts Section: 1. Ceramics, vol. 1, Shanghai, 1988, pl. 193; The Metropolitan Museum of Art, Suzanne G. Valenstein, A Handbook of Chinese Ceramics, New York, 1989, p. 52, no. 43. Period : Western Jin Dynasty (266 - 316 AD) Type : Figural vessel Medium : Yue celadon(Stoneware) Diameter : 19cm Provenance : The piece was acquired in Hong Kong in the year 1999. Reference : 1) Sotheby's New York 17 March 2015 - Chinese Art Through The Eye Of Sakamoto Gorō – Ceramics Lot 33 (Price Range : 15,000 USD-20,000 USD / Type : Highly related) 2) Sotheby's London 16 May 2018 - Important Chinese Art Lot 68 (Price : 50,000 GBP / Type : Closely related) * Yue Celaodn Yue celadon, also known as Yue ware, is a type of Chinese pottery with a celadon glaze, originating from the eastern Han dynasty in the Zhejiang province. The name 'Yue' comes from the Yue kilns which were among the earliest to develop the celadon technique. Yue ware is known for its jade-like glaze, which can range in color from bluish-green to olive green. Yue celadon was highly regarded during its time and was the first Chinese ware...

Antique Sukhothai celadon glazed dish. Age: Thailand, Sukhothai Period, Sawankhalok kiln, 14th - 16th Century Size: Diameter 23.8 C.M. / Thickness 8.7 C.M. (size excluding stand) Co...

Shaped antique oval Chinese plate from my private collection: simply elegant, for any use on any table. It's one of my private collection, about 35 years...

A Chinese carved pale caledon vase and cover Carved in the form of a "mythical chicken" standing erect with long plumage, front neck has a very unusual...

Two tall ceremonial urns dating from the 12th-13th century, Southern Song dynasty. These two stunning vases depict 12 traditional ritual attendan...