Indian Carved Sandstone Frieze of Lakshmi, Central India, 10th-11th Century

A delightful carved sandstone sculpture of an unidentified male deity, Khmer, Angkor Period, style of the Baphuon, 11th century. The smil...

A fine and rare Indian carved sandstone stele of a Jain family group, Sarnath style, early Indian Medieval period, 6th-7th century, Uttar Pradesh, India. Carved from a single block of buff sandstone, the stele features a Jain family group comprised of a father, mother, and two children. The family group is portrayed upon a lotus pedestal under a tall palm tree. The mother and father both seated in a relaxed pose known as lalitasana, or royal ease pose, a jovial expression on their faces. The mother holds the daughter in her lap. The younger son scampers mischievously up the trunk of the palm tree, his head turned to look back at his parents. Above the family, nestled in a niche amongst the palm fronds, an image of a Jain Tirthankara...

A lovely carved sandstone torso of the Buddha, Ayutthaya period (1350-1767), Thailand. Wonderfully simplistic, the only ornamentation this torso displays...

An exceedingly rare Javanese cast silver figure a Transcendent Buddha, probably the Dhayani Buddha Akshobhya, early classical Javanese period, 9th - 12th century, Java, Indonesia. ...

A heavy and well cast South Indian bronze figure of Shiva Nataraja, or Shiva as Lord of the Dance, in the Chola style, late 19th or early 20th century, India. Shiva is portrayed here in his form as Nataraja, the Lord of the Dance. An iconic and powerful image, Shiva is portrayed engaged in his dance of creation, protection, and destruction, bringing together all his aspects into one sublime form. Shiva dances ecstatically, facing the viewer with his body twisted, his long locks of hair streaming out around him, his four arms in action, with one leg raised, the other stomping on the dwarf demon Apasmara, who represents spiritual ignorance. In one hand he holds a damaru, or ritual drum...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

Presenting a stunning piece of Indian antiquity from the 10th century, namely, a Varaha red sandstone central India carving. From Central India. This piece has impeccable Provenance! It was purchased by a Private Dallas collector at Sotheby’s New York Auction on 24th September 2004. Sale Number 8008, Lot No. 28. Sotheby’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. The sculpture was described as: "Carved in relief with Vishnu in his boar incarnation stepping forward from the ocean, his left foot placed upon a lotus, two nagas beneath with their hands clasped in devotion. Vishnu’s primary right hand rests on his thigh in katihasta mudra while his remaining hands carry his attributes of mace, conch and discus. A diminutive figure of the earth Goddess, Bhudevi, whom Vishnu has rescued from the primeval waters, is balanced on his left elbow. The figure is bejeweled, wearing a broad, beaded waistband and necklaces and is placed within a niche between two pillars. Measure: Height 27 in. (68.6 cm.), circa 10th century. Provenance: Sotheby’s New York, March 21 & 22, 1990, Lot 253 Catalogue Note: This zoomorphic representation of Vishnu gained popular currency during the medieval period and was widely depicted in Central Indian Temple sculpture...

Presenting a stunning piece of Indian antiquity from the 10th century, namely, a temple bracket buff sandstone central India carving. From Central In...

Presenting a stunning piece of southeast Asian antiquity, namely, a 10th century red sandstone relief of a mithuna couple. This piece has impeccable Provenance! It was purchase...

A collection of three carved sandstone heads on wood display stands from Northern India Rajasthan or Madhya Pradesh, circa 11-12th century. Fragmented from large whole-body statue, these red sandstone heads exhibit very fine carving, typical of Northern Indian Art during the medieval time. Two males and one female, they represent heavenly deities Yakshas and Yakshini. Their facial features were detailed with large almond-shape eyes under thin arched eyebrows. The males have characteristic facial hairs including curvy moustaches and tightly combed beard, both finely carved, and the female wears large spoke loop earrings. They all don fantastical hairstyles with serpent-like spiral locks and some with elaborate knots on top and above the sideburns. These deities are likely celestial musicians. A pair of full-body statues (lot 70) were offered for sale in Christie's Indian and Southeast Asian Art...

A lovely sandstone Buddha head on wooden base, early 1900's, Utttar Pradesh, Northern India. The hand-carved features include the typical snail-s...

Material: Sandstone Material: wood 62 cm high 33 cm wide and 21,5 cm deep Weight: 29.3 kgs Originating from India 19th century Can be shipped worldwide.