Antique Pigeon Sake Bottle, Edo Period from Japan

This incredible antique Japanese side table has beautiful lines, with front legs slightly sloping forward. It is finished in a beautiful da...

This incredible antique root Japanese side table has is composed from natural roots. It was made between the Meiji (1886-1912) - Taisho (1912-1926) periods in Japan. The piece brings...

This Japanese console table is composed of an antique base made from a fallen ancient Zelkova tree in Japan. The natural texture and patina give this pie...

This Japanese coffee table is composed of an antique base made from an ancient Japanese Zelkova wood Usu . The natural texture and patina give this piece an earth feel that one can u...

A Museum Quality Japanese Hirado bottle vase. Signed . Edo period A Tall-Necked Hirado Vase Edo - Meiji period (19th century) Oviform with tall neck, ...

The long neck bottle of classic form was heavily potted with coarse clay with high iron content. The flask, circa 18th century Edo period, was purposed for sake storage but also substituted as a flower vase during tea ceremony. The surface is covered in glossy black glaze and contrasts strikingly with white ash glaze around the shoulder. The white, fired with straw, displays a splashing feather effect and fine crackles, blending in with the black artistically. This type of Karatsu ware...

Excited and really happy to share these 2 pieces. Pair of Chinese Blue and White Porcelain Tokkuri (Sake Bottles) Jingdezhen kilns, Early 17th century (Late Ming dynasty), made for...

Description A Japanese Aoki Mokubei Jar. Edo Period. The inside base has a fish between the figures with gilt. A very powerfull piece and in our opinion most likely authentic by Aoki Mokubei (????) Mokubei AOKI (1767- July 2, 1833) was a painter and Kyo ware potter during the Edo Period . He was born in Kyoto . His childhood name was Yasoya. His Azana (alias) was Sahei. His pseudonyms included Seibei, Hyakurokusanjin, Kokikan, Teiunro, Kukurin, and Shubei. Biography Mokubei was born in 1767, in Kyoto . He studied calligraphy under Fuyo KO at a young age, showing great talent; however, when he found pottery, he opened a studio in Awataguchi, Kyoto at the age of 30 and won fame for his pottery. Five years later, he was invited by the Maeda Family of the Kaga clan, and he made efforts to revive Kaga Kutani ware. As a potter, he mainly produced green-tea sets. His pottery work is varied, including white porcelain, celadon, Akae ware (ceramic with red paintings) and dyed ceramics. As a result of his commitment to Chinese ceramics, he created a world of his own in making copies of Chinese ware...