Blue, Purple and Orange Porcelain Pitchers from China

Beautiful hand-painted, floral paneled ceramic teapot from China with contrasting dish lid gives pause to one as to how this cherished pot was loved enough to justify the makeshift t...

Ceramic made Chinese character with artists stamp. He may be one of the Chinese immortals but research could further descibe who this character may in fact be. Great size for decorat...

Beautiful porcelaine hand painted by a Chinese artist that must have been well kinown enough to make his marked raised in what looks to be a three dimensional putty. A unique gift wi...

Stylized with intervening vines and florals this stunning pot is in fantastic shape. The removable lidded top completes this piece with its symbolic Chinese Foo Dog also known as Gua...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of pheasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

Exuisite Japanese contemporary decorative square porcelain charger, hand painted in vivid purple, yellow, orange and blue, and signed by a widely acclaimed master porcelain artist of...

Exuisite Japanese contemporary decorative square porcelain charger, hand painted in purple, pink and blue, and signed by a widely acclaimed master porcelain artist of Japan’s Imari-A...

Nice « Blanc Bleu » porcelain plate dating from XIX th century. Blue and white porcelain soup plate. White and blue plate with a couple of peacocks flying through plants and flowers. This porcelain is characteristic of the blue family. The arrival of porcelain in Europe was linked to the development of shipping and international trade. Porcelain was very popular in Europe because of its lightness and its durability. The import from China is linked to the lack of mastery of this technique by the Europeans. The French, Dutch and British East India...