Antique Kintsugi

patina. There is a historical kintsugi repair on the mouth rim, with its gold vain contrasting the green

concealed but instead thoughtfully enhanced using a modern interpretation of the ancient Kintsugi technique

A very nice and beautiful Bowl. The Nabeshima kilns were the earliest makers of porcelain in Japan and the clan's artisans have continued their excellence for nearly 400 years. Nabe...

A very nice and beautiful Bowl, iamari and nabeshima style. The base has a nice makers mark in overglaze red at the base. Its a bird. Late Edo or early Meiji. Additional informatio...

, rises to an elegant cup mouth. The cup mouth with a small kintsugi (gold lacquer) repair to the rim

Beautiful polychrome porcelain vase with stunning Dragons decor and unique Kintsugi repair

has been carefully restored using the traditional Japanese kintsugi method, honoring its history while

A lovely piece Condition Hairline in the base and Kintsugi repair to lid. Size. 20.5x13x13 Period

frits and a chip thats kintsugi repaired. SIze 11.2x 6.5 cm Period

cracks and previous repairs (kintsugi-like reinforcements or adhesive repairs are evident), which suggest

with kintsugi also. Sadly enough part of kintsugi is gone. Size: 20.7x3CM DiameterxHeight Period 17th

york. Condition Just some fritting/small shallow chips. Some of them filled with paste or kintsugi

rim, partially kintsugi filled. 1 chip with mini hairline from it. Size: 10.4x7CM DiameterxHeight

scene. Early 17th century, marked at base. Condition kintsugi restored spot at rimand 2 lines. Size

; Repaired Kintsugi Chip Dimension: Ø 14 x 2.5 H cm

the literature. Condition Interesting restoration on large part of the dish. Probably kintsugi. Size

information: Material: Porcelain & Pottery Region of Origin: Japan Condition: Small Kintsugi repaired chip

perfect. Dish 3 with 2 kintsugi filled chips dish 4 with a chip dish 5 with 2 kintsugi filled chips and a

technique similar to kintsugi. In this method, broken sections are adhered with urushi lacquer, and metal

Chip, frit and kintsugi repair. Size: 213mm Period 16th century

and kintsugi restored chip. Dimension: Ø 15.2 x 2.4 H cm

. Unusual shape and painting. Early Edo period. Condition crackle lines all over, some kintsugi filled

: Edo Period (1603-1867) Japanese Style: Imari Condition: Some kintsugi filled fritting/smalll chips to

inscriptions included. Condition All pieces with fritting, 1 piece was in half and kintsugi restored. Size

: Overall Condition B (Good used); (Rim)fritting Kintsugi filled chip & hairline. Dimension: Ø 16 cm

- 1664) Color: Blue & White Condition: fritting/mushikui, 1 line from rim, running from kintsugi filled

: Kintsugi filled lines and chips/frits Dimension: 9.2×2.8 Cm Diameter x Height

ceramics with iron pins and staples. Similar to Japanese kintsugi, ju ci treats breakage and repair as part

: Some kintsugi filled spots at the rim and 1 small tension line close to 1 corner of the base Dimension

: Overall Condition; 4 kintsugi filled chips, fritting and 2 lines. Dimension: Ø 20.6 x 3.5 H cm

(1368 – 1664) Decoration Type / Colour: Polychrome, Blue & White Condition: 1 kintsugi filled chip to

porcellana. Come un kintsugi, ma non per riparare ceramiche rotte, ma per mostrare tutta la poesia che si può

(1620 - 1661) Age: Pre-1800 Condition: Overall Condition; Fritting, Large chip and a kintsugi repairs

kintsugi repairs to rim (probably stabilizing hairlines and filling fritting) and fritting to rim. firing

with Kintsugi repairs. Slightly tilted as made. For a comparable jar with similar form and dragon

Origin: Japan Period: 19th century Meiji Periode (1867-1912) Condition: Overall Condition 1 kintsugi

Condition B (Good used) Rimfrititng (kintsugi filled) chip and 4 hairline. Dimension: Ø 21.5 x 3.3 H cm

Condition; Plate 1; Crackle line in central plates. Plat 2 Kintsugi restoration and large crackle line in

kintsugi filled chips to rim, 1 with mini hairline > 1cm Dimension: 12.3 Dia x 13.6 H cm

A set of Six Takatori Ware plates. One employing the Japanese Kintsugi technique of using gold to

traditions and forgotten roots. The golden lines are inspired by the concept of “kintsugi” taken from pottery

and 3 kintsugi repaired spots to the rim. Size: 32x8.5CM DiameterxHeight Period 17th century 18th

deeply coloured and thick, the colours are rather striking. Condition 2 small lines and a kintsugi

the ultimate upcycled piece. The central line is inspired by traditional philisophy of kintsugi

one very thin kintsugi repair on the wall. From a Japanese collection, the chawan comes with a

sandy clay and exposed encircling lines from the potter's wheel. On the rim, it has an old kintsugi

-1912) Original/Reproduction: Original Condition: Kintsugi repair to the spout and 1 foot restuck

possibly intentionally from potter's nail (known as kugibori mark). There is an old tone-on-tone kintsugi

Shoin Kosometsuke book Condition Kintsugi repaired piece with small line running from it, some chips

lines were historically repaired by superb Kintsugi, adding a mysterious wabi-sabi appeal to the piece

old thin vein of kintsugi repair around the sprout, the end of which has a historical chip is uneven

seem to be a loss but as made). There are fine crackles across the surface and old kintsugi repairs

very small historical kintsugi repair on one corner and a speckle on the bottom as well. The golden

Kintsugi repair on the rim. Judging by the quality and patina, it was historical and likely performed at

condition, with a couple of old repairs, one dish is repaired with kintsugi (gold lacquer) and one shows a

tea stains and crackle lines in the interior well and two superb historical kintsugi vein repairs

in the interior well and several superb historical kintsugi repairs on the rims as well as on the