Antique Korean Mishma Tea Bowl Chawan Joseon Dynasty

A ceramic chawan tea bowl made in Korea for Japanese market circa 17th century. The chawan is identified as Irabo type. Irabo bowls were essentially con...

A ceramic stoneware chawan tea bowl made in Korea circa 16-17th century. The chawan is identified as Ko-ido (small ido) due to its size and form. Ido bowls were made since 15th centu...

A ceramic chawan (tea bowl) circa 17-18th century fired in the Busan kiln in Southern Korean specifically for the Japanese market. The kilns were contro...

A ceramic chawan tea bowl made in Korea for Japanese market circa 17th century. The chawan is identified as Ki- Irabo type (Yellow Irabo). Irabo bowls w...

A ceramic chawan (tea bowl) circa 17-18th century fired in the Busan kiln in Korean specifically for the Japanese market. The kilns were run by the So c...

A Korean ceramic rice bowl covered in a white glaze with a hint of bluish green color circa 19th century toward the end of Joseon Dynasty. The deep bowl...

A wonderful Joseon Dynasty (1392-1897) Korean pottery bowl with a beautiful muted glaze, color, and nicely aged patina. As this is not our area of expertise, we are listing it si...

A wonderful Joseon Dynasty (1392-1897) Korean pottery bowl - perhaps a monk's Chawan tea bowl. The work features a beautiful white glaze, wonderful organic shape, engaging design and...

A wonderful Joseon Dynasty (1392-1897) Korean pottery bowl/ dish with a beautiful muted glaze, color, and nicely aged patina. As this is not our area of expertise, we are listing...

A wonderfully glazed, impeccably made Chawan tea bowl by famed Japanese master potter the 13th Kichizaemon Raku, Seinyu (1887-1944) who was the eldest son of Konyu - the 12th Kichizaemon of the Raku family line of potters - known as the most noted and celebrated tradition of pottery within the world of Japanese tea. Kichizaemon Raku was the 13th master to carry on the family's esteemed name and tradition. The bowl features shifting textures and deep, rich colours which radiate in the light. The term "Raku" was derived from the site where clay was dug in Kyoto in the late 16th century. The Kanji character for Raku translates to "enjoyment" or "fun/delightful" For 15 generations it has been the title and seal used by a lineage of potters whose work formed the central tradition in Japan. This lineage believes that 'Raku' refers to the potters who use the technique, not the technique itself. In the 16th century, the first of these potters, Chojiro is said to have come under the patronage of the Japanese tea master, Sen-No-Rikyu. According to legend, in 1598 a few years after Chojiro's death, ruler, Hideyoshi Toyotomi bestowed upon his adopted son, Jokei, a golden seal with the written symbol "Raku." Both the name and the ceramic style have been passed down through the family to the present ever since. The name and the style of ware have become influential in both Japanese culture and literature. Raku ware marked an important point in the historical development of Japanese ceramics, as it was the first ware to use a seal mark and the first to focus on close collaboration between potter and patron. Other famous Japanese clay artists...

A charming vintage Japanese oribe glazed chawan by Matsumoto Tetsuzan (b. 1955), Seto, Japan. The tea bowl, called a chawan, wonderfully potted with...

A beautiful, perfectly shaped antique Bizen ware Chawan tea bowl by renowned Japanese master potter/artist Kaneshige Toyo (1896-1967) featuring a unique natural, organic forming ash glaze. Kaneshige is universally considered to be the founder of modern Bizen pottery. In 1956, Kaneshige was certified as a Living National Treasure (Important Intangible Cultural Heritage) for his work in Bizen Ware pottery/ceramics. Bizen Ware is a type of Japanese pottery traditionally from the Bizen province, presently a part of the Okayama prefecture. It is considered one of the Six Ancient Japanese Kilns (along with Echizen ware, Seto ware, Shigaraki ware, Tamba ware, and Tokoname ware). The piece is signed/ sealed on the base with one of Kaneshige's traditional incised marks. A rather engaging and scarce work. Would be a fantastic addition to any Japanese/Asian pottery or Bizen Ware collection or eye-catching stand-alone work in about any setting. Kaneshige's work can be found in numerous prominent collections and museums including: Aichi Prefectural Ceramic Museum, Seto, Japan Brooklyn Museum, NY Hagi Uragami Museum, Yamaguchi, Japan Honolulu Art Museum, HI Ibaraki Ceramic Art Museum, Kasama, Japan Indiana Art...