Chinese Export Jar Provincial Hand Painted ceramic, 17th Century late Ming

This is a Chinese porcelain small Lidded Bottle or snuff Bottle, finely hand painted with flowers, leaves and butterflies , which we date to the late 18th century of the Qing Dynasty...

This is an elegant porcelain Chinese export porcelain Bottle Vase raised on a low foot, all hand painted in a blue and white dragon pattern, which we date to the mid 20th century, circa 1950. The vase is fairly large and very well hand potted in a Classic bottle shape on a low foot having a clear white glaze with a light blue tinge. The base is also glazed to the centre and the foot rim has been carefully hand-cut. The vase is finely hand painted in a large range of cobalt blue tones from a light blue to a deep dark, almost black tones of cobalt blue, all around the body with two five toed dragons dancing among clouds. There are border patterns around the foot rim and the lower body all between blue circles with double blue circles just below the top rim. The base has a carefully hand painted underglaze-blue six-character apocryphal Qing - Qianlong ( 1736 to 1795) seal mark, though we date this vase to the mid 20th century. Approximate Weight: about 2.3Kg. unpacked. Overall a beautiful Chinese blue and white hand painted Vase

This is a Chinese handcrafted porcelain provincial jar or vase, all hand painted in cobalt blue and dating to the Ming period of the early 16th century or possibly earlier. The jar ...

This is a very good quality Chinese snuff bottle, made from porcelain and finely hand painted in cobalt blue, dating to the mid 19th century, Qing, Xianfeng period circa 1850s. This...

Tea has an auspicious beginning—it was purportedly enjoyed by the Buddha himself, and cakes of tea as large as wagon wheels were given to Chinese emperors as tribute. Tea drinking wa...

A fine and large Chinese brown ochre glazed stoneware storage jar, commonly known as a Martaban or Martavan jar, Ming dynasty, 15th-16th century. The elegant ovoid jar with a slen...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

A wonderful example of a 17th Century Sawankhalok ceramic jar from the Kingdom of Sukhothai, Thailand. It features a wonderfully subtle turquoise undertone as well as natural marine ...