Chinese Famille Verte Porcelain He-He Er Xian Group, Early 20th Century, China

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

A large and vibrantly decorated Chinese famille rose enameled porcelain figure of Guanyin, marked Zeng Longsheng (1901 - 1964), but of later manufacture...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

Pair of Chinese Export Famille Verte Figures of the Hehe Erxian Twins 19th Century or Older Embrace the allure of Chinese porcelain with this fine Pair of Chinese Export Famille Ve...

A very nicely decorated pair of statues He-he Heavenly twins The Heavenly twins are shown as two boys carrying a box and a lotus which symbolizes a wish for peace: 'hé' ? (box)...

Pair of Mid-19th century/Qing dinasty enameled chinese porcelain figurines depicting a laughing boy kneeling and another lying down By: unknown Material...

Chinese Export Porcelain famille rose Fire Group Representing the Hehe Erxian. Harmony & Joy, Qianlong period, Circa 1770-80. The Chinese Export porcelain figure group is decorated...