Chinese Springtime Phoenix Tail Vase, c. 1900

The phoenix tail vase form dates back as far as the bronze age and has remained a popular shape for its clean lines and graceful curves. Created in the early 20th century, this parti...

This vase is a perfect example of enduring Chinese symbolism and design. The attendants in the garden are watching over young boys playing with lotus branches, butterflies and small ...

Antique Chinese Hand Decorated Porcelain Double Handled Floor Vase with Garden Scene C1920 Measures- 21''H x 9''W x 9''D

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...