Chinese Vintage Blue and White Porcelain Vase with Landscapes and Architectures

This tall blue and white Chinese altar vase features a boldly hand-painted double happiness motif, surrounded by floral scrolls and geometric patterning in traditional cobalt glaze. ...

This exquisite late Qing Dynasty porcelain vase captures the timeless elegance of traditional Chinese blue-and-white artistry. Adorned with intricate cobalt underglaze patterns, the ...

A tall and finely potted Chinese porcelain altar vase, decorated in underglaze cobalt blue on a pale celadon ground. Standing 17 inches high with an 8.5-inch body diameter and a wide...

A late Qing Dynasty blue and white porcelain lidded jar from the early 20th century with dragon motifs. This blue and white porcelain jar exudes timeless elegance with its intricatel...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of pheasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...

This is a 19th-century traditional Chinese blue and white ceramic vase, a fine example of classic Qing Dynasty-style porcelain craftsmanship.Traditional blue cobalt underglaze on a w...

Tall Chinese blue and off-white vase.

Chinese blue-and-white ceramics have inspired ceramists worldwide since cobalt was first introduced to China from the Middle East thousands of years ago. This contemporary vase from ...