Japanese Antique Satsuma Pottery Buddhist Monks Vase with Shimazu Crest Mark

A wonderful, unique, and handcrafted piece of ancient Japanese Sueki Sue ware pottery dating back to the 500-600s (6th-7th century). Sueki/ Sue pottery was a ...

An exquisite, beautifully crafted, and designed gourd vase by master Japanese potter Shoji Hamada, which features a fine example of his famed rich Kaki or persimmon glaze. The original Hamada stamped/sealed and signed box is included. Rare to find such a beautiful piece in such impeccable condition with its original signed box. Hamada named this vase Kaki-Yu-Kabin (flower vase with Kakiyu glaze). A very rare form. One Japanese ceramic dealer whom we know said he had only seen one or two other examples like this by Hamada before. This work is sure to shine in any Japanese pottery/art collection or setting. Shoji Hamada was designated a Living National Treasure in Japan in 1955. In 1968 he received Japan's highest artistic award the Order of Culture. His work can be found in collections and museums worldwide including Tokyo’s Japan Folk Art Museum and The Tate Museum...

A wonderfully designed and gorgeously colored coveted square Mingei bottle vase by Japanese National Treasure pottery master Tatsuzo Shimaoka. This vase is an early work of Shimaoka's before he started to use his impressed "Ta" signature. The rich colors are truly amazing and shift in the light. The vase comes with a Shimaoka signed and sealed box. The work is exquisite in every way and has a wonderful feel and heft to it. Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe. In 1996 he was bestowed the title of Japanese Living Treasure...

An absolutely stunning Tokoname ware stoneware vase/jar/vessel - produced sometime during the late Muromachi period (1336-1573 to early Edo Period (1603-1867). Tokoname-yaki ware is ...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A petite and beautiful hand-decorated ceramic baluster vase, painted all around with traditional Japanese motifs, including native flora, birds and bamboo stems on a creamy glazed background. The colour palette is bold and bright, with highlights of green, red and blue, together with plentiful gilt relief...

A round bowl decorated with various flowers, colorful chrysanthemum-filled ground emulating the Chinese style of porcelain known as mille fleur. Each leaf and detail with a fine gold...

A round vase decorated with various flowers, colorful chrysanthemum-filled ground emulating the Chinese style of porcelain known as mille fleur. Each leaf and detail with a fine gold...