Korean Celadon  Jar with Four Handles. Goryeo dynasty, 12th century.

Korean inlaid celadon oil bottle, squat globular shape with narrow neck and mouth having an impressed rope pattern revealed in white slip , on the shoul...

Khmer Pedestal Jar, 12th century. A sturdily potted earthenware globular form on a raised and waisted pedestal base decorated with bands at the shoulder and tightly packed applied pe...

Khmer Elephant Form Lime Pot, 12th century. A globular stoneware form with narrow aperture on top for the slaked lime. The pot modeled after an elephant...

Korean ceramic storage jar, thickly potted with slanted shoulder decorated in under glaze cobalt blue of blossoming sprays, simple rolled lip and footed base, glazed overall in a tra...

A sublime Korean celadon glazed cup mouth bottle vase, Goryeo Dynasty, 12th century, Korea. The elegant bottle vase, originally used to serve wine, features a gorgeous Goryeo celadon...

A small Korean ceramic celadon oil jar with inlay design from Goryeo Dynasty (918 to 1392AD) circa 12-13th century. This type of mini jars from Goryeo period, were made specifically ...

On offer is an antique Korean ceramic vase from the end of Goryeo to the beginning of Joseon period (circa 14-15th). The vase features celadon crackled glaze with underglaze inlay design in black and white. The vase was a transitional piece made toward the end of Goryeo to the beginning of Joseon Yi dynasty...

A ceramic bowl with celadon glaze from Korea, circa 14th century (late Goryeo Dynasty). The particular shape of the bowl suggests that it is likely a "Bo" (Chinese) or "Hattara" (Japanese "Oryoki"). This is a Buddhism term derived from Sanskrit word "patra", which means "vessel that contains just enough". The container was used traditionally by Buddhist monks to ask for alms (donated foods by laymen). The deep volume and the wide opening are conducive to its utility function. The bowl is covered in a jade-color celadon which has very fine and uniform crackles throughout. Upon close inspection of the exterior wall, one can detect a very light brush of white slip circumventing the body. The white slip brushing technique only became popular from 15th century on as a landmark of the Buncheong ceramics...