Large 19th Century Japanese Satsuma Vase Depicting Flowers and Exotic Bird

Exceptional and large Satsuma vase with cover with foo dog finial, finely enameled and gilt. Drilled apparently for use previously as table lamp. Firing crack to the lid, otherwise...

Palatial 19th Century Chinese Porcelain Vase with Cover and Pedestal in the Qianlong style, with lovely floral and bird cartouches on rust red ground. With Qianlong mark on undersid...

Very large French Samson Chinese export style porcelain vase in the Famille Rose style with cover with foo dog finial measuring 37 inches tall.

Exceptional 19 century French Gilt Bronze mounted Chinese export vase with cover foliate motifs in the Louis XV style.

Fabulous Japanese earthenware Satsuma Vase with nice decoration of flowers. Meiji period, 19/20th c Lovely piece. Additional information: Material: Porcelain & Pottery Japanese Sty...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A very large and exuberantly decorated Japanese Satsuma millefleur covered vase, marked Satsuma, Showa period, mid 20th century, Japan. The large vase of attractive baluster form, with a slightly splayed foot, narrow waist, and tapered body with high shoulders and short neck. The vase topped by a domed cover with a large finial shaped like a hoju, the wish fulfilling jewel. The vase decorated all over in a dense field of flowering blossoms - peony, lotus, and chrysanthemum - in a design known as millefleur, or a thousand flowers. The flowers freely and cheerfully painted in various colors of red, white, orange, green, blue and yellow, with raised white enamels...

Description A Faboulas Japanese Satsuma vase, Meiji period ----------------------------------------------------------------------------------------------------------------- Co...