Exceptional Large Satsuma Vase with Cover

very Large and Fine quality 19 century Japanese Imari covered vase

Pair of very fine quality early Meiji period Japanese Satsuma vases.

A very fine quality monumental Japanese vase depicting Samurai on one side and distinguished female and her attendants on reverse, particularly unique for its very prominent stylized...

Exceptional 19 century French Gilt Bronze mounted Chinese export vase with cover foliate motifs in the Louis XV style.

Palatial 19th Century Chinese Porcelain Vase with Cover and Pedestal in the Qianlong style, with lovely floral and bird cartouches on rust red ground. With Qianlong mark on undersid...

Very fine quality Japanese Meiji period Satsuma tripod censer with a foo dog finial. wonderful painting quality.

Large Important Japanese Meiji Satsuma Covered Urn with Foo Dog. Large impressive Japanese Meiji period (1868-1912) Satsuma porcelain covered urn...

A Satsuma Earthenware vase and cover, Japanese, Meiji period, (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with samurai on ...

A very large and exuberantly decorated Japanese Satsuma millefleur covered vase, marked Satsuma, Showa period, mid 20th century, Japan. The large vase of attractive baluster form, with a slightly splayed foot, narrow waist, and tapered body with high shoulders and short neck. The vase topped by a domed cover with a large finial shaped like a hoju, the wish fulfilling jewel. The vase decorated all over in a dense field of flowering blossoms - peony, lotus, and chrysanthemum - in a design known as millefleur, or a thousand flowers. The flowers freely and cheerfully painted in various colors of red, white, orange, green, blue and yellow, with raised white enamels...

We present an exceptional Satsuma porcelain urn or covered vase from the Japanese Meiji era (1868-1912). Its splendor and uniqueness are undeniable. The lidded jar is richly decorate...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

As part of our Japanese works of art collection we are delighted to offer this finely decorated Meiji Period (1868-1912), Satsuma vase stemming from the highly regarded Kinkozan stud...