Large Antique Chinese Sang-de-Boeuf LangYao Red Vase

A Japanese long neck slender ceramic vase in the style of Mishima, circa 19th century, Meiji period. Mishima pottery was originally imported from three islands in Taiwan and then fro...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A ceramic wide-mouthed bottle vase covered in green celadon glaze from Goryeo dynasty circa 11-12th century. The bottle vase with such a form (mouth with wide rim, long and slender neck, tall body with swelled shoulders that taper down toward the base) is known as "kwanggubyong" in Korean and developed from the prototype of bottles from united Silla kingdom. It was used for holding oil or liquid. Some of this type of vase take a plain form without much decoration other than glaze; Some feature basic geometrical lines, such as this one. Three concentric rings were featured along the neck and on the shoulder. Some with more carving on the body (see a vase in the collection of Brooklyn Musuem, 79.246.3) or a simple paint with iron glaze (See c.16-1930 in Fitzwilliam Musuem, Cambridge, UK). The vase on offer is covered in a lovely green celadon glaze which exhibits fine even crackles throughout the surface. It has a slightly uneven base with the foot ring shaved by the potter. The surface is original with a nice mellow patina. There is a historical kintsugi repair on the mouth rim, with its gold vain...

Antique Chinese Qing dynasty (1644-1911) late 19th century bottle vase. The vase with a red crackle glaze to the outisde and a cream crackle glaze to the interior. The vase of bottle...

Gourd shaped Sang-De-Boeuf vase with unique stripes. Exterior covered in a glorious liver-red glaze, interior glazed white, inscribed to the base with a Jin De Zhen...

Chinese porcelain Meiping vase with a robust pomegranate red glaze.

Traditional Chinese porcelain vase in an oxblood red tone (18th century). Dimensions: 15"H x 9"D.