Large Japanese Contemporary Porcelain Vase Blue White by Master Artist, 2

Exquisite Japanese contemporary decorative porcelain vase, hand-painted in white and blue underglaze on a beautifully shaped ovoid porcelain body, a signed piece by highly acclaimed ...

Contemporary Japanese porcelain decorative vase, extremely intricately hand painted in underglaze cobalt blue on an elegant shape porcelain body, a stunning signed piece by widely ac...

Exceptional Japanese contemporary decorative porcelain vase, painstakingly intricately gilded and hand painted in stunning deep blue in various shades on a stunning globular body, a ...

Exquisite Japanese contemporary decorative porcelain vase, intricately hand painted in blue and white on an elegant bottle shape large body, a signed piece by highly acclaimed master...

Chinese Blue and White Porcelain Vase, 1970s. Tall ceramic glazed and hand painted Chinese vase with floral motifs and decorative Chinese calligraphy in different shades of blue. O...

This is a 19th-century traditional Chinese blue and white ceramic vase, a fine example of classic Qing Dynasty-style porcelain craftsmanship.Traditional blue cobalt underglaze on a w...

19th century Chinese hand painted Blue & White porcelain vase with interesting symmetrical pattern.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...