Late 19th Century Signed Japanese Hand Painted Satsuma Temple Jar Meiji Period

This exceptional late 19th century porcelain cabinet vase was hand painted at the Dresden based studio of Georg Heufel & Co. The artist signed vase has a slightly flared cylindrical...

This early 20th century Art Nouveau porcelain vase was designed by Paul Dachsel for Riessner, Stellmacher & Kessel Amphora of Turn-Teplitz, Bohemia. The piece has an organic squash-like form and features Dachsel's distinctive ribbed mouth design at the top. The body of the vase is flanked by two delicate arched arms with reticulated detail. This ivory porcelain vase has a blush colored body with gilt accents at the foot and handles. The front and back piece have been hand-painted with a floral motif in a Japanese style and feature the images of gilt accented purple orchids with long green leaves. The ribbed mouth is finished in a matte green that echoes the color of the foliage and also has gilt highlights. An example of this shape with similar decoration can be seen on page 66 of Richard L. Scott's 'Ceramics From The House Of Amphora 1890-1915. The vase is in excellent condition with no chips, cracks or repairs. As an antique item, the piece shows appropriate signs of age consisting of wear to the gilded decoration. The vase stands just over 6" tall and is 2" as measured from the furthest points of the mouth. The foot is just over 2" in diameter and bears the RStK burnt in mark reading "RStK TURN Teplitz...

This striking amphora Art Nouveau vase was made in the Turn-Teplitz region of Bohemia by Riessner, Stellmacher & Kessel, established in 1892. The vase has an ovoid form with a thick molded floral and foliate band located at the neck. The body of the vase rests upon a raised pedestal foot decorated with a series of intertwined stylized roots. The neck and foot have been glazed in a matte green color with burnished gold highlights. The body of the vase is flanked by a pair of arched gilded handles made in the form of naturalistic woody branches. The body of the vase has been finished in a mottled matte glaze executed in a dull gold color enabling the cream color beneath to show through. The center of the vase transitions to a violet hue which is covered by a high glaze iridescent band having pink and purple undertones. The iridescent band features an armorial crest executed in black accented with gilded details. The crest itself consists of a checkerboard shield surmounted by a trio of stylized flowers with a spade motif, all of which are flanked by lions rampant. The design includes a series of large dots arrayed in a symmetrical manner. The opposite side of the vase echoes the motif found on the front and has a checkerboard shield, nine spade-shaped flowers and several dots. The vase is in excellent condition with no chips, cracks or repairs. As an antique item, the piece shows minor signs of age and use consisting of wear to the gilded decoration. The vase stands 11.75" tall and is 2.25" across the mouth. The foot is just over 5" in diameter and bears impressed marks including a circular ''Imperial Amphora Turn...

This gorgeous ceramic lidded rectangular box was made by Rookwood Pottery of Cincinnati, Ohio, and decorated by renowned artist, Sara Sax. Rookwood has long been recognized as one of...

Antique Chinese Meiji Hand Painted and Gilt Porcelain Urn with Lid C1930 Measures - 13.75"H x 7.5"W x 7.5"D

A Japanese covered Totai enamel on porcelain ginger jar. The ware is enameled with polychrome images of blossoming flowers, butterflies, and dragonflies made in the Cloisonne techniq...

A large antique Japanese late Meiji era covered Totai enamel on porcelain ginger jar. Circa: late 19th century to early 20th century. The ware is enameled with a polychrome fan shaped medallions with blossoming flowers, and butterflies, surrounded by floral and butterfly wings patterns made in the Cloisonne technique. The cover of the ware is decorated with a polychrome image of a flower surrounded by floral, foliage, and butterfly wings made in the same technique. The neck, the base, and the lid are adorned with polychrome geometrical, and floral motifs made in the same technique. Signed with red ink hieroglyphs, on the bottom. Totai Shippo is the name given to Japanese cloisonne on ceramics, both on earthenwares and on porcelain. It has a similar appearance to metallic cloisonne ware...

Description A Japanese Satsuma vase, Meiji period Of ovoid shape and decorated with flowers and foliage between cell borders, later white metal collar and cover. Condition ...