Murakami Genki, Japanese Porcelain Vase, circa 2005

Exquisite Japanese contemporary porcelain decorative vase, hand painted in vivid blue and red on an elegant bottle shape body, a signed piece by highly acclaimed Japanese master porc...

Superb pair of Japanese large Meiji period Fukagawa signed porcelain vases (circa 1900). Intricately hand-painted in cobalt blue underglaze with polychrome and gold overglaze on a st...

Exquisite Japanese contemporary decorative porcelain vase, hand painted in underglaze blue on a beautifully shaped body in pure white, a signed piece by widely acclaimed master porce...

Contemporary Japanese decorative porcelain vase, hand painted in green, red and blue, showcasing phoenixes in vivid red and blue, set against a beloved dice- shaped porcelain body in...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.   

Pair of antique Japanese porcelain vases Japanese, early 20th Century Height 86.5cm, diameter 36cm The beautiful Imari porcelain vases...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...