Early 2000s Ceramics

A massive hand painted Chinese porcelain vase with colorful Famille Rose or color enamel peach tree. A fine example of Chinese Qing Qianlong style vase. Peach represents longevity in...

A beautiful hand painted Chinese porcelain vase with blue and white flowers. A fine example of Chinese Qing Qianlong style vase. Underneath it has a 6 character Chinese seal marking....

A charming vintage Japanese oribe glazed chawan by Matsumoto Tetsuzan (b. 1955), Seto, Japan. The tea bowl, called a chawan, wonderfully potted with...

A contemporary studio ceramic tea pot with metal handle made by Japanese potter Ken Matsuzaki (1950-). The stoneware tea pot showcases a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern of ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery...

A large ceramic lidded vessel with striking sculptural form by contemporary Japanese potter Shigemasa Higashida (1955-). Hand-built and with drasti...

A large and powerful Chinese famille rose enameled porcelain "Five Dragon" meiping vase, modern, China. The oversized vase of traditional meiping form, with a splayed foot supporting a baluster shaped body with high shoulders, short, narrow neck, and rolled mouth rim. The large vase decorated with five dragons molded in relief. Their bodies painted in vibrant overglaze famille rose enamels of reds, greens, yellows and turquoise. The dragons portrayed dancing in the sky among flames and clouds. Their bodies twisting and writhing, claws extended, tails coiled, some with mouths open in triumphant roars. The main dragon in red, and portrayed to more directly face the viewer. The dragons dance against a white ground sky. The blank sky broken up by overglaze red painted stylized clouds and flames. The foot decorated with a band of crashing waves. A stylized lotus blossom surrounds the base of the neck. The neck with a band of scrolling flowers and vines against a yellow ground. The underside of the large vase with an apocryphal "Da Qing Qianlong Nian Zhi...

A contemporary Stoneware Bowl made in the tradition of Iga ware by Japanese ceramic artist Shiro Tsujimura (1947-). In a slightly irregular round form, the de...

A richly glazed ceramic sculptural slab in the shape of a centerpiece plate by Japanese ceramic artist Yoshikawa Masamichi (1946-). The highly abst...

A ceramic square plate with white-celadon glaze by Japanese potter Yoshikawa Masamichi (1946-). The sharp-edged plate features a concaved center an...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases a geometrical spindle form, rather distinguishingly modern. It is covered with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but it is an innovative reinterpretation of the ancient aesthetic. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 9"h x 5.5"w x 4"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

A stunning and dramatic contemporary tamba ware vessel with ash glaze by Kyoharu Ichino (b. 1957), circa 2007. A beautiful study in form and balance, this ...

Triglifo is an elegant statuette entirely realized in ceramic as a part of a 12 columns series designed by Alessandro Mendini and produced by Superego in th...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

A large and impressive Chinese porcelain "Nine Dragon" tianqiuping vase, modern, early 2000's, China. The massive Chinese porcelain vase of traditional...

A massive and magnificent ceramic Tsubo jar by Japanese potter Tsujimura Yui (1975-). Inspired by the techniques and aesthetics of the early medieval Sue ware, the artist hand builds an impressive voluminous oviform, irregular by intention, from a combination clay from both Shigaraki and Iga, coarse by nature and rich in feldspar. Fired on their sides horizontally, the surface of the thick wall tsubo is covered with streaks and drips of natural ash glazes in shades of green and blue, forming an abstract and mesmerizing pattern that resembles geothermal earth activity. Additional ashes are blown during the firing to accentuate the textures. Most recognizably, there are many circular marks scattered on the surface of his archaic looking vessels. That is resulted from using stacked tea bowls to prevent the conjoining of the vessels. After the firing, the stacked vessels are chipped away, leaving behind those circular impression, as well as deep pools of glaze which gather where they were placed. Born in 1975, Tsujimura Yui is the first son of the contemporary ceramic artist Tsujimura Shiro...

A ceramic sculpture piece created in the tradition of Buncheong ware by contemporary Korean ceramicist Sung Jae Choi (South Korean, b. 1962). In a hollow rectangular with slight irregularity of being hand-made, the piece evokes the distant memory of the stoneware pillow...

Earth, Spirit, Fire: Korean Masterpieces of the Choson Dynasty (1392-1910) by Claire Roberts and Michael Brand. First edition softcover. Powerhouse Muse...

A large ceramic vessel in an impressive geometrical form by Japanese potter Mihara Ken (1958-) made in 2007. This multi-fired stoneware in shape of a mounta...

A large and bespoken stoneware centerpiece platter in sculptural form by Japanese ceramic artist Ryuichi Kakurezaki (1950-) circa 2000s. Made in Bizen ware tradition in a thick slab ...

Japanese ceramic Suzuki Tomio (born in 1948) specializes in Shino ware. In 2003, he successfully developed Yohen-kin or transformed gold Shino, an opulent and golden glaze which led to a number of luster glazes in the artist’s growing body of work. Inspired by the golden tea ceremony room in Osaka Castle commissioned by Toyotomi Hideyoshi (1536-1598) where honored guests were served tea from a glittering bowl coated with pure gold, it took the artist nearly a decade of experimentation and refinement to achieve the glaze while strictly adhering to traditional shino making techniques. This set of five Yohen-kin plates displays a lustrous transformation. Signed on the bottom of plates. With original wrap cloth and the storage tomobako box entitled and signed by the artist in Kanji, with additional red seal. The size of the box is 5-1/8 x 8-1/4 x 8-1/4 inches. Many of Suzuki Tomio's shino pottery...

"Purple Dawn", a ceramic sculpture piece by Japanese potter Kiyoharu Ichino (1957-). Purchased from Touching Stone, Santa Fe, New Mexico in 2003. Tradition meets renovation, this scu...

Artisan porcelain Vase Vessel hand formed of quality high fired fine porcelain. Wonderful shape with Indigo painting completely hand crafted. Artist-si...

Artisan porcelain hand formed high quality fine porcelain. Wonderful shape with Indigo painting. Artist signed with poem. The porcelain is hand formed ...