19th Century Ceramics

Pair of Japanese Imari chargers showing cranes and Mount Fuji.

A Japanese Cloisonne enamel vase 19th century Measures: Height 8.5 in. (21.59 cm.), Width 3.62 in. (9.20 cm.).

Pair antique 19th century Japanese Imari porcelain octagonal bowls, Circa 1890.

A Japanese ceramic shallow dish in square form with rounded corners from Meiji period in the style of Ogata Kenzan. The dish features a cream color crackl...

Japanese Satsuma style censer and cover Late 19th century The bulbous body supported by four feet and set with two shishi han...

A fine pair of Chinese porcelain bottle-shaped vases, painted in the Islamic style, Daoguang period (1821-1850). Each vase finely handpainted in Henn...

Pair antique Imari Porcelain fluted design vases, Circa 1880.

A near pair Hizen pottery jars from Artia Japan, circa mid-19th century of the Meiji Era. Heavy stoneware construction with overglaze enamels that was inspired by Chinese WuCai from ...

Japanese Satsuma vase: Ladies of the Court, Kannon and Gilded Dragon. Signed on the bottom.

A LARGE BLUE-AND-WHITE JAPANESE BOTTLE VASE PAINTED WITH FLOWERING BRANCHES, MEIJI PERIOD, Circa 1875.

Satsuma bottle-shaped vase embellished with a detailed central scene in which numerous characters bring gifts to the emperor. The upper and lower sections of the vase are adorned wit...

Japanese Meiji satsuma finely hand decorated and gilded box. The box depicts a different scene on each side. Marked with a maker's mark on the bottom.

This delicately hand-painted Meiji-period Kutani-ware bowl is ornamented with lion-shaped handles on the bowl and lid, and is decorated in orange and gold with panels depicting floral arrangements, surrounded by scrolling borders. On the base is the "Dai Nippon...

A Japanese Hirado ware water dropper used in calligraphy dating to the Edo Period (1603-1868). The whimsical, molded design features an array of sea creatures and shells on the base ...

Beautiful Antique multicolored brown glazed Chinese terracotta jar, good great, warm finish and patina of the jar, very decorative object, Chi...

These lovely Imari cake dishes have fine coloring and are in great condition.

Large Chinese export famille rose plate, painted in famille rose enamels. In the center is a chrysanthemum and peony growing from a weathered rock.

Pair Antique Chinese ceramic porcelain lanterns made into lamps, Circa 1890-1900.

A pair of late 19th century hand painted Japanese Imari bowls with lots of gold on them and a scalloped edge.

Handsome 19th century Chinese jar converted into lamp.

A very lovely and richly decorated charger. Late Meiji in our opinion. The plate is not warped, in the last photo it seems that way but this is only because of the hanger ...

Great vase Condition Overall condition C (used) 1 handle is restored and 1 hairline. Size 285mm Period 19th century Meiji Periode (1867-1912).

A Late 19th century ceramic vase turned into a table lamp. Bronze cap, new fittings and wire, three way on and off switch. A baby dragon painting in a wonderful orange red, large bla...

Circa 1860 lozenge shaped Imari Charger, central medallion with birds surrounded by alternating panels with an ancient tortoise & groups of cranes. The reverse well painted. Base rim...

These elegant lamps are crafted from Chinese Canton famille rose porcelain and mounted with French gilt bronze (ormolu). The lamps featur...

Nice pair of Satsuma lamps with black patinated bronze mount. Gilding is somewhat mitigated locally but they are in very good condition, with no cracks or breakages. Electrical wiri...

Three Antique Japanese Works of Art An oribe "morikage" (for the display of seasonal fruits), classic green drip glaze with spontaneous ink pain...

A Pair Of Large Cloisonne´ Enamel Double Gourd Bottle Vases Late Qing Dynasty, 19th century The Chinese bottle vases are made of porcelain with an intr...

Chinese Lotus Form Longquan Celadon Glazed Bowl, on ebonized carved wood stand. 3.5" H x 11.5" Diameter. Provenance: From an Upper East Side Collec...

A large Meiji period Satsuma earthenware floor vase, the skittle shaped body painted in pastel overglaze enamels and gilding with a continuous frieze of the Seven Gods...

This ceramic vessel was handcrafted in the Jiangxi region of China in the spirit of ancient temple jars. The style and glaze is reminiscent of Han dynasty burial vessels designed to ...

A continental porcelain Imari style urn. repurposed as an Arita-yaki lamp. The center is a wide oval shape. The sides, top, and bottom are ornate with Ormolu detail in lush organic f...

No breaks, cracks or fractures. Beautifully detailed.

19th century pair of porcelain lamp from Imari. Frame gilt bronze decorations of metal polychrome flowers.

A Showa period blue cloisonne vase by Tamura, of squat ovoid form with a band of gold, silver and white prunus blossom in gin-bari around the shoul...

A pair of late 19th century French gilt bronze-mounted Chinese Canton porcelain lamps Painted interior scenes with many people, each separated by floral designs, the neck with gilded monkeys and lizards, and sitting on a bronze base. Measures: Height Vase...

Beautifully painted. The second dish is 10" x 7.5" x 2" No breaks, cracks or fractures.

A pair of "butterfly" Satsuma earthenware vases, Meiji period finely decorated in enamels and gilt with scenes of Samurai and retainers and high ranking female members of the househ...

Beautiful large Chinese enameled porcelain jardiniere with carved wooden stand. Jardiniere features a white background with four round medallions depicting country life scenes. Decor...

A very stylish pair of Japanese 19th century Fukagawa square vases, having pierced leaf decoration, classical motif boarders and classical scenes of people walking in gardens. We ca...

This antique 'pigeon' sake bottle is from the Edo period (1603-1868). It is ceramic and in perfect condition with an incredible patina. Has a tan, slight olive color tone to it.

A large Meiji period Satsuma earthenware floor vase, the of baluster form, painted in pastel overglaze enamels and gilding with two large sprays of flowers including prunus blossom, ...

A small box with lid. Earthenware glazes in green and white colours. Mid-19th Century. The lid has a motive of a stylized swan. The lid with a rest...

A curved ceramic urn, crafted in Morroco.

A Japanese very nicely decorated Imari plate with beautiful green and gold accents. It looks like it’s never been used.

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...